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It is a commonplace belief that history is written by the victorious. However, less recognised but equally common is the idea that the defeated also write history, even if their particular account is rather different. This collection looks at these matters from a novel and distinct perspective. It essentially presents the idea that victors often perceive themselves as defeated, by examining the ways in which the idea of defeat comes to dominate the victors’ own sense of superiority and achievement, thereby undermining the certainties that victory is conventionally thought to create. The contributions here discuss fiction (mostly UK and US) published since the First World War. Through the frameworks of experience, memory and post-memory, they examine this subliminal defeat, basically as seen in conflict itself, in the societies that it affects, and in the individual lives of those who it destroys. The result is an innovative literary account of the victorious-yet-somehow-defeated.
Written in the aftermath of Indonesia's anti-queer panic in 2016, this book tells the story of local queer movements in challenging the heteronormative society and resisting the homophobic hostility from religious conservative groups and the state. The year 2016 was a touchstone moment for queer issues in Indonesia, marked by the ubiquity of anti-queer campaigns, along with the pervasive use of the term 'LGBT' in public. Drawing on historical archives and his engagements with local queer activisms, Hendri Yulius Wijaya traces the historical shifts of gender and sexual identities in Indonesia, from gay and lesbian, to LGBT, to SOGIE minorities, while exploring their connections with the count...
The Thai capital Bangkok is the unrivalled centre of the country's gay, lesbian and transgender communities. These communities are among the largest in Southeast Asia, and indeed in the world, and have a diversity, social presence and historical depth that set them apart from the queer cultures of many neighbouring societies. The first years of the 21st Century have marked a significant transition moment for all of Thailand's LGBT cultures, with a multidimensional expansion in the geographical extent, media presence, economic importance, political impact, social standing, and cultural relevance of Thai queer communities. This book analyzes the roles of the market and media - especially cinem...
This book explores Indonesian cinema, focusing on moments of unique creativity by Indonesian film artists who illuminate important but less-widely-known aspects of their multi-dimensional society. It begins by exploring early 1950s ‘Indonesian neorealist films’ of the Perfini group, which depict the ethos and emerging moral issues of the period of struggle for independence (1945–49). It continues by discussing four audacious political allegories produced in four discrete political eras—including the Sukarno, Suharto and Reformasi periods. It also surveys the main approaches to Islam in both popular cinema and auteur films during the Suharto New Order. One chapter celebrates the popular songs and B-movies of the Betawi comedian, Benyamin S, which dramatize the experience of the poor in ‘modernizing’ Jakarta. Another examines persisting Third World dimensions of Indonesian society as critiqued in two experimental features. The concluding chapter highlights innovation in a renewed Indonesian cinema of the post-Suharto Reformasi period (1999–2020), including films by an unprecedented generation of women writer-directors
Explorer, global green leader, and eco-TV host David de Rothschild recounts the extraordinary journey of the Plastiki, an innovative and mostly untested sixty-foot catamaran that floats on 12,500 reclaimed plastic bottles. It was a voyage that took de Rothschild and a five-person crew 10,000 miles from the U.S. to Australia, sailing through rarely traveled, dangerous waters, risking their lives to call attention to our fragile oceans. Their exploration included urgent study of ocean pollution, island nations threatened by rising seas, damaged coral reefs, and the acidifying ocean itselfand their discoveries are a call to action. Packed with exciting narrative, images, maps, journal entries, plans, and sketches, this is the only firsthand account of what may be the most important adventure of our time.
From highwaymen to healing waters and from brewerys to bridges, not to mention lots of castles, cathedrals, abbeys, towers, passage tombs and priories, this collection of fascinating stories, which started as a regular series in the 'Kilkenny People', details the lore and landmarks of County Kilkenny from top to bottom. Read the fascinating stories of the thatched villages of South Kilkenny, of Ballyspellan Spa, of the trio of treasures at Kilree, of Dunmore Cave and, in the city itself, of Rothe House and the Bishop's Palace. You can also learn all about Cushendale Woollen Mills, Fiddown Nature Reserve and the burial place of King Heremon. Locals and visitors alike will find plenty of interest in this quirky collection.
Peter Carey, writer of such celebrated works as Oscar and Lucinda, True History of the Kelly Gang, and His Illegal Self, is one of Australia's most critically acclaimed novelists. Deeply concerned with South Pacific culture, especially the lives of its most downtrodden citizens, Carey uses popular art as a tool for raising the consciousness of readers. This book provides an introduction to the author's life, as well as a guided overview of his body of work. Designed for the fan and scholar alike, this text features an alphabetized, fully-annotated listing of major terms in the Carey canon, including fictional characters, motifs, historical events, and themes. Additional features include a listing of headwords, a Carey history, 44 reading and writing topics, and bibliographies of primary and secondary sources. A comprehensive index is included.
THIS BOOK examines a selection of fictional works by writers belonging to the Indonesian association of writers, Forum Lingkar Pena (Pen Circle Forum; hereafter referred to as FLP). Figures from 2010 suggest that this organisation had around 5,000 members across 93 Indonesian branches and ten overseas branches. Writers recruited and trained by FLP have produced approximately nine hundred published works. Their works are often categorised as Islamic or religious literature (sastra religi). This label-ling of FLP’s literary output as Islamic literature has arisen principally be-cause of the publicly expressed aims and beliefs of key FLP figures which include such notions as sastra dakwah (literature for religious propaga-tion). In order to contextualise the emergence of FLP in the final years of the twentieth century and to locate this organisation within wider Indo-nesian literary developments, it is necessary to take account of cultural debates that came to the fore with the profound social and political changes which accompanied the end of the New Order regime in 1998.
The "Hikayat Banjar," a seventeenth-century native court chronicle from Southeast Borneo, characterizes the irresistibility of natural resource wealth to outsiders as "the banana tree at the gate." Michael R. Dove employs this phrase as a root metaphor to frame the history of resource relations between the indigenous peoples of Borneo and the world system, standing on its head the prevailing view of resource-poor and economically marginal tropical forest dwellers. In analyzing production and trade in forest products, pepper, and especially natural rubber, Dove shows that the involvement of Borneo's native peoples in commodity production for global markets is ancient and highly successful. Th...
This groundbreaking work studies the Arabic literary culture of early modern Southeast Asia on the basis of largely unstudied and unknown manuscripts. It offers new perspectives on intellectual interactions between the Middle East and Southeast Asia, the development of Islam and especially Sufism in the region, the relationship between the Arabic and Malay literary traditions, and the manuscript culture of the Indian Ocean world. It brings to light a large number of hitherto unknown texts produced at or for the courts of Southeast Asia, and examines the role of royal patronage in supporting Arabic literary production in Southeast Asia.