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Welcome to one of the more beautifully horrific collections of foolishiness and nonsense you'll ever see. This special oversized edition collects many of the major images and covers from artist Ben Templesmith, as well as many never-before-seen unpublished paintings and personal work, including looks behind the scenes into the artistic process he uses.
1941. Hitler's Operation: Silver Fox has failed, but the war on the Eastern Front drags on as the Russian winter starts to bite. British military attache Corporal Charlie Keating observes the war from the Soviet side, making sure crucial supplies get through to aid Stalin's front in the battle against the Nazis. With luck, he too will survive to see the end of the war. But something else is out there, and they're not the Nazis. No matter how hard humanity tries to kill itself, something else does it better. 30 Days of Night/Fell co-creator and Wormwood Gentleman Corpse auteur Ben Templesmith's first solo 30 Days tale is collected here, presenting a war of a different kind, one that will have repercussions felt all the way to Barrow, Alaska a half-century later. Also featuring additional story pages, character designs, a cover gallery, and an all-new cover from 2007 Scream Award nominee Templesmith.
A mixture of full color superhero comics and black and white autobiography
A book made up entirely of never before published art from Ben Templesmith. Meet the Interdimensional Part-time Assassins Guild (IPAG), a motley bunch of assorted scum, lowlifes, killers and degenerates. Ninety-six pages of paintings, character designs and idea generations from the sick warped mind of the artist.
Johnny Jackson has spent his years since being kicked off the Shotgun City police force running a deadbeat detective agency, so he jumps at the chance to rejoin the force. The catch is that, to keep the job, he will have to catch a low-life drug dealer who is selling a vampire drug to other low-lifes, put up with degradation at the hands of his drug-enhanced fellow officers, and escape the trap his boss has set for him.
Dan Fogler, fan favorite actor in The Walking Dead and J.K. Rowling's Fantastic Beasts, lends his writing talent to a love story wrapped in a modern noir that takes our hero, Detective Bart Fishkill, so far down the conspiracy rabbit hole that he starts to question his own sanity even to the point of wondering whether if he isn't the villain in the first place.
Raymond Delgado isn't well. He's the newest inmate at the Hoxford Correctional Facility and Mental Institution. He has no hope of release, parole, rehabilitation, or decent conversation. On a good day, he'll tell you he's Zeus and only bite your arm off. Literally. On a bad day, you won't have time to scream to the prison guard for help. But Dr. Jessica Ainley, his doctor for five, years wants to help Ray and can't understand why the newly privatized, corporately-run prison won't give her access to her patients. And why are people always transferred into Hoxford, but no records show anyone ever transferring back out?
The history of painters in comics goes back to the dawn of pulp magazine covers. From "The Shadow" and "The Spider" to "The Black Bat" and so many other characters, painter's works have graced the covers of comics and pulps, which have influenced many artists over the decades. This deluxe coffeetable art book, edited and overseen by Alex Ross — one of the comic industry's most recognized painters, whose expertise has helped guide and define its contents — is the most important, most comprehensive prestige hardcover retrospective of the history of painters in comics, of all time.