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"Full of life: politicially astute, well-made and formally experimental poems celebrate even sadness in fresh language, natural rhythms and subtle music.... A very pleasurable as well as absorbing read that we are way more than lucky to have in one volume." – Ian Duhig From the thumping heartbeat of the distance runner to the roar of football terraces across the decades, Ben Wilkinson's debut poetry collection, Way More Than Luck, confronts the struggles and passions that come to shape a life. Beginning with an unflinching interrogation of experiences of clinical depression and the redemptive power of art and running, the collection centres on a series of vivid character portraits, giving ...
Don Paterson is one of Britain's leading contemporary poets. In the first comprehensive study of Paterson's poetry, Ben Wilkinson traces the poet's development from collection to collection, providing detailed close readings framed by theoretical and literary contexts. An essential guide for students, specialists, and the general reader of contemporary poetry.
"In all, it's a book that takes us into many hearts and minds, and as a result, it's a pleasure to jog, pace, and perambulate through it." Mab Jones, Buzz Magazine. "Same Difference is pitch-perfect. The poems and sonnets are remarkable for their emotional truth and craft; the versions of Verlaine are exquisite echo-chambers of the originals; and the dramatic monologues are utterly compelling." – David Morley This ambitious new collection from poet and critic Ben Wilkinson finds its author experimenting with poetic voice and the dramatic monologue. Carefully crafted yet charged with contemporary language, the book brims with everyone from cage fighters to boy-racers, cancer patients to whales in captivity. While empathetic and often moving, Same Difference is a collection that seeks to undermine the confessional mode, keeping the reader on their toes and asking just who is doing the talking. It is also formally elegant, often using traditional rhyme and metre to weave its arguments.
This compelling book chronicles a young boy’s journey from the horrors of Jamaican slavery to the heart of London’s literary world, and reveals the unlikely friendship that changed his life. Francis Barber, born in Jamaica, was brought to London by his owner in 1750 and became a servant in the household of the renowned Dr. Samuel Johnson. Although Barber left London for a time and served in the British navy during the Seven Years’ War, he later returned to Johnson’s employ. A fascinating reversal took place in the relationship between the two men as Johnson’s health declined and the older man came to rely more and more upon his now educated and devoted companion. When Johnson died he left the bulk of his estate to Barber, a generous (and at the time scandalous) legacy, and a testament to the depth of their friendship. There were thousands of black Britons in the eighteenth century, but few accounts of their lives exist. In uncovering Francis Barber’s story, this book not only provides insights into his life and Samuel Johnson’s but also opens a window onto London when slaves had yet to win their freedom.
Neptune Blue opens outside the galaxy and quickly zooms into a computer-generated Paris, dancing past the planets as it goes. With poems that fizz with wit and invention, Simon Barraclough's new collection bursts with crazy hearts and boisterous planets. From the Sun to Pluto; from baby sharks in Miami to the forlorn dogs of Sri Lanka and the unlucky settlers of the imaginary Island of Schalansky; Neptune Blue sees Barraclough at his most playful and musical, dishing up a feast for the eyes, the ears, the heart and the mind.
The living and the dead are working side by side in John Challis's dramatic debut collection, The Resurrectionists. Whether in London's veg and meat markets, far below the Dartford Crossing, or on the edge of the Western world, these poems journey into a buried and sometimes violent landscape to locate the traces of ourselves that remain. Amidst the political disquiet rising from the groundwater, or the unearthing of the class divide at the gravesides of plague victims, the veil between the living and the dead is at its thinnest when a child is born, and something close to hope for the future is resurrected.
Providing a clear and thoughtful discussion of human suffering, Ian Wilkinson explores some of the ways in which research into social suffering might lead us to reinterpret the meaning of modern history as well as revise our outlook upon the possible futures that await us.
Winner of the 2015 Geoffrey Faber Memorial Prize Winner of the 2015 Seamus Heaney Centre for Poetry Prize for First Full Collection Shortlisted for the 2015 T. S. Eliot Prize Shortlisted for the 2014 Forward Prize for Best First Collection In this remarkable, intensely moving, first collection, Fiona Benson shows her fascination with human experience. The poems move on archaeological fast-forward from submerged Devonian forests and a Paleolithic cave-bear skull to the site of decommissioned submarines at HMNB Devonport, where the sea is ‘still a torpedo-path, / an Armageddon road’. She explores the shared human continuum of bodily longing – from the Prehistoric maker of a wooden fertil...
This translation originally copyrighted in 2010.
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