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This volume, Futurism and the Technological Imagination, results from a conference of the International Society for the Study of European Ideas in Helsinki. It contains a number of re-written conference contributions as well as several specially commissioned essays that address various aspects of the Futurists’ relationship to technology both on an ideological level and with regard to their artistic languages. In the early twentieth century, many art movements vied with each other to overhaul the aesthetic and ideological foundations of arts and literature and to make them suitable vehicles of expression in the new Era of the Machine. Some of the most remarkable examples came from the Futurist movement, founded in 1909 by Filippo Tommaso Marinetti. By addressing the full spectrum of Futurist attitudes to science and the machine world, this collection of 14 essays offers a multifaceted account of the complex and often contradictory features of the Futurist technological imagination. The volume will appeal to anybody interested in the history of modern culture, art and literature.
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Aby Warburg is regarded as one of the great pioneers of modern cultural studies. This book brings together texts by many of the most renowned researchers in the field who have been influenced by his work. They address his extraordinary impact on the understanding of cultural transmission and the influence of images and texts across time and space. What emerges is the continuing significance of Warburg for our own times. No one concerned with the many forms of the survival of the past in the present and the infinitely complex relationships between images and society will want to miss this book. Published in cooperation with the Warburg Institute, London and with the assistance of a grant from the Italian Academy for Advanced Studies in America at Columbia University, New York. Look inside