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Building on the renaissance in Mendelssohn scholarship of the last two decades, Rethinking Mendelssohn critically engages with the composer's music and aesthetics, as well as the interpretation of his works in relation to contemporaneous culture.
Felix Mendelssohn has long been viewed as one of the most historically minded composers in western music. This book explores the conceptions of time, memory and history found in his instrumental compositions, presenting an intriguing new perspective on his ever-popular music. Focusing on Mendelssohn's innovative development of cyclic form, Taylor investigates how the composer was influenced by the aesthetic and philosophical movements of the period. This is of key importance not only for reconsideration of Mendelssohn's work and its position in nineteenth-century culture, but also more generally concerning the relationship between music, time and subjectivity. One of very few detailed accounts of Mendelssohn's music, the study presents a new and provocative reading of the meaning of the composer's work by connecting it to wider cultural and philosophical ideas.
Music has been seen since the Romantic era as the quintessentially temporal art, possessing a unique capacity to invoke the human experience of time. The Melody of Time explores the multiple ways in which music may provide insight into the problematics of time, spanning the dynamic century between Beethoven and Elgar.
A stimulating new approach to understanding the relationship between music and culture in the long nineteenth century.
Is Christian mission even possible today? In "a secular age," is it possible to talk about the goodness of God in a compelling way? How should the church proceed? Carolyn Chau explores the question of Catholic mission in a secular age through a constructive interpretation of the work of two celebrated Catholic thinkers, philosopher Charles Taylor and theologian Hans Urs von Balthasar, arguing that Taylor and Balthasar together offer a promising path for mission today. Chau attends to Taylor's account of the conditions of belief today, and the genesis of the sociohistorical limits on contemporary "God-talk," as well as his affirmation of certain aspects of Western modernity's "culture." From Balthasar, Chau sifts out the distinctiveness of his view of the human person as defined by mission, and his encouragement of a kenotic self-understanding of the church. In the end, Chau claims that if modern persons in secular Western societies are seeking fulfillment and integrity, Christian spirituality remains a rich resource on offer.
The music of Maurice Ravel (1875-1937), beloved by musicians and audiences since its debut, has been a difficult topic for scholars. The traditional stylistic categories of impressionism, symbolism, and neoclassicism, while relevant, have offered too little purchase on this fascinating but enigmatic work. In Ravel the Decadent, author Michael Puri provides an innovative and productive solution by locating the aesthetic origins of this music in the French Decadence and demonstrating the extension of this influence across the length of his oeuvre. From an array of Decadent topics Puri selects three--memory, sublimation, and desire--and uses them to delineate the content of this music, pinpoint...
This work is primarily concerned with a director's and an actor's approach to King John. Attention is given to a number of key 19th-century productions, but the main focus is on 20th-century performance, in particular John Barton's two 1970s adaptations, the 1984 BBC television production and Deborah Warner's 1988 RSC production.
The author, 83 and a widower, drives from a northern suburb of Philadelphia, Pa. to take his oldest daughter Jane to a lunch for Mother's Day 2010. Her two grown children live in other states. Jane, 61, is a recent grandmother. The author is a recent great-grandfather. A former teacher of high school English, the author retired in 1991 and for about 10 years traveled extensively throughout Europe but now tutors 8 adults, 6 Korean women and 2 African-Americans, for the Abington Library adult literacy program. Each of his 8 students gets an individual one-hour session one day a week. The tutors are not compensated for their gas or their time spent helping students. During the Mother's Day lunc...
Cosmopolitanism and Transatlantic Circles in Music and Literature traces the transatlantic networks that were constructed between a select group of composers, including Edvard Grieg, Edward MacDowell, and Percy Grainger, and the writers with whom they shared cosmopolitan affinities, including Arne Garborg, Hamlin Garland, Madison Grant, and Lathrop Stoddard. Each overlapping case study surveys the diachronic transmission of cosmopolitanism as well as the synchronic practices that animated these modernist ideas. Instead of taking a strictly chronological approach to organization, each chapter offers an examination of the different layers of identity that expanded and contracted in relation to a mutual interest in Nordic culture. From the burgeoning “universal” ambitions around 1900 to the darker racialized discourse of the 1920s, this study offers a critical analysis of both the idea and practice of cosmopolitanism in order to expose its common foundations as well as the limits of its application.