Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Imperial Middle
Examines the concept of America as a classless society and reveals the social and political problems associated with the myth
The Novel Today
Britain's most important contemporary authors reflect intelligently and imaginatively on the nature and development of the modern novel.
First of the Year: 2009
This is the second volume in the First of the Year Series. Contributors like Armond White, Philip Levine, Donna Gaines, Lawrence Goodwyn, Irving Louis Horowitz, Charles O'Brien, Fredric Smoler, Paul Berman, and Amiri Baraka are back (and blazing). And there are important new voices in the First mix, such as Vincent Harding, Roxane Johnson, and Bob Levin. If there is a leitmotif to this edition, it is the election and inauguration of Barack Obama as the first African-American president. First aims to be up to the minute of this moment.As Benj DeMott notes "a glance at this volume confirms the margin is still the center for us." And that margin stretches from Harlem to the world. There are tal...
The Trouble with Friendship
In this book, a well-known social critic draws on evidence from films, television, literature and advertising to argue that many Americans have been lulled by the media into believing that racial problems can be mitigated by blacks and whites working together to reconcile their differences.
You Don't Say
In this era of political correctness, it is often impossible to say things as one would like. Indeed, certain ways of feeling and talking that were once acceptable are now, in effect, forbidden. Of course, taboos extend further than speech. Social and sexual inhibitions are also evident. Benjamin DeMott argues that the very least a society should do is to try to understand the meaning of its own inhibitions. As he writes in this new edition of You Don't Say, "a supple awareness of the effective censorship of the day can toughen resistance to clich and stereotype, and is absolutely indispensable to the survival of sharp minds." At the center of You Don't Say is the proposition that the presen...
The Left at War
The terrorist attacks of 9/11 and Bush’s belligerent response fractured the American left—partly by putting pressure on little-noticed fissures that had appeared a decade earlier. In a masterful survey of the post-9/11 landscape, renowned scholar Michael Bérubé revisits and reinterprets the major intellectual debates and key players of the last two decades, covering the terrain of left debates in the United States over foreign policy from the Balkans to 9/11 to Iraq, and over domestic policy from the culture wars of the 1990s to the question of what (if anything) is the matter with Kansas. The Left at War brings the history of cultural studies to bear on the present crisis—a history ...
Riddley Walker
'This is what literature is meant to be' Anthony Burgess 'O what we ben! And what we come to...' Wandering a desolate post-apocalyptic landscape, speaking a broken-down English lost after the end of civilization, Riddley Walker sets out to find out what brought humanity here. This is his story. 'Funny, terrible, haunting and unsettling, this book is a masterpiece' Observer 'A timeless portrayal of the human condition ... frightening and uncanny' Will Self 'A book that I could read every day forever and still be finding things' Max Porter
Punk Rockers' Revolution
For punk rockers, music and art have often been used as tools for resisting and accommodating the interests of society's dominant classes. During the late 1970s, a predominantly white, male working/middle-class counterculture began to develop what is now known as punk rock. This book shows how punk rock serves to both subvert and accommodate the interest of late-capitalist American society by looking at the trends in the ideas, values, and beliefs transmitted through punk lyrical messages, specifically through the content of three punk record labels and how they have evolved over time. The impact of punk will continue because it is a product of the changing face of alternative cultural spaces - spaces that impact and are impacted by increasingly hostile and exploitive relationships between and within oppressor and oppressed groups.
