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Dr. Junkie: One Man's Story of Addiction and Crime That Will Challenge Everything You Know About the War on Drugs
The war on drugs has long since lost any illusion of success. It is currently entering its second century of active combat, and drugs are cheaper and more abundant each year the war continues. Before 1914, drugs were legal in the United States. Heroin, cocaine, and morphine could be purchased at the corner store, and those who used drugs were generally contributing members of society. It wasn't until drugs were outlawed that all the problems began. Humans are drug-using creatures. We have always loved to get high, and we always will. All attempts to restrict drugs have thus far failed, and no penalty is harsh enough to prevent users from using. The war has resulted in little more than dangerous conditions for drug users. We must contend with risky street markets, polluted products, fake drugs, unsanitary conditions, and the violence which often accompanies underworld commodities. But there is a better way. Dr. Junkie is a roadmap for explaining how we got here, as well as how we can get out.
Promise to Pay
An incisive account of the crucial role money played in the formation and development of British North America. Promise to Pay follows America’s first paper money—the “bills of credit” of British North America—from its seventeenth-century origins as a means of war finance to its pivotal role in catalyzing the American Revolution. Katie A. Moore combs through treasury records, account books, and the bills themselves to tell a new story of money’s origins that challenges economic orthodoxy and mainstream histories. Promise to Pay shows how colonial governments imposed paper bills on settler communities through existing labor and kinship relations, their value secured by thousands o...
The Works of John Dryden, Volume XX
For the first time since 1695, a complete text of De Arte Graphica as Dryden himself wrote it is available to readers. In all, Volume XX presents six pieces written during Dryden's final decade, each of them either requested by a friend or commissioned by a publisher. Two are translations, three introduce translations made by others, and the sixth introduces an original work by one of Dryden's friends. The most recent version of De Arte Graphica, Saintsbury's late nineteenth-century reissue of Scott's edition, based the text of the translated matter on an edition that was heavily revised by someone other than Dryden. In fact, only one of the pieces offered here, the brief Character of Saint-Evremond, has appeared complete in a twentieth-century edition. The commentary in this volume supplies biographical and bibliographical contexts for these pieces and draws attention to the views on history and historians, poetry and painting, Virgil and translation, which Dryden expresses in them. Many other volumes of prose, poetry, and plays are available in the California Edition of The Works of John Dryden.
Quarterly Review
Includes section: "Some Michigan books."
