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Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Ranging from early medieval times to the present, this diverse collection explores the myriad ways in which literary texts are informed by their historical contexts. The thirty-one chapters draw on varied themes and perspectives to present stimulating new readings of both canonical and non-canonical texts and authors. Written in a lively and engaging style, by an international team of experts, these specially commissioned essays collectively represent an incisive contribution to literary studies; they will appeal to scholars, teachers and graduate and undergraduate students. The book is designed to complement Paul Poplawski's previous volume, English Literature in Context, and incorporates additional study elements designed specifically with undergraduates in mind. With an extensive chronology, a glossary of critical terms, and a study guide suggesting how students might learn from the essays in their own writing practices, this volume provides a rich and flexible resource for teaching and learning.
'No one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine.' Northanger Abbey is a comedy about reading and misreading-of books and the world-and about different kinds of peril, both imagined and real. In it, Austen's youngest heroine, Catherine Morland, must navigate financial disadvantage, social constraint, and sometimes quite ruthless manipulation. The absurdities of fashion and conspicuous consumption, voguish ostentation and social competition are seen first in shark-infested Bath, (the premier health resort and marriage market of the day) and then in a more tranquil pocket of rural Gloucestershire that turns out to be a hotbed of material...
Nearly as global in its ambition and sweep as its subject, Franco Moretti's The Novel is a watershed event in the understanding of the first truly planetary literary form. A translated selection from the epic five-volume Italian Il Romanzo (2001-2003), The Novel's two volumes are a unified multiauthored reference work, containing more than one hundred specially commissioned essays by leading contemporary critics from around the world. Providing the first international comparative reassessment of the novel, these essential volumes reveal the form in unprecedented depth and breadth--as a great cultural, social, and human phenomenon that stretches from the ancient Greeks to today, where moderni...
This volume assembles documents that illustrate the changing structure of the British publishing industry in the nineteenth century. It charts the increasing separation of the functions of printing, publishing and retailing in the production and distribution of books, and the emergence of new economic models of publishing. For most of the period the book trade operated on a shortage of capital, depending upon fragile networks of credit and debt which could lead, as in the financial crisis of 1825-6, to the collapse of many businesses. The volume documents how the structures of the industry impacted upon the pricing structure of books and periodicals and charts the slow emergence of a mass-market for print. Major points of contention such as the ‘taxes on knowledge’ and the battle over legal deposit are traced, along with recurring debates over discounting and underselling. The volume focuses on key moments such as the controversy over free trade in the 1840s and 1850s and the debates over price protection which led to the formation of the Net Book Agreement in 1900.
The second edition of an innovative introduction explaining what students need to know about Austen's novels, life, context and reception.
Jane Austen was not born a global icon. It took years for her to break into print. Her first publication came after almost a decade of ups and downs, and her first novel out was not the first she sent to a publisher. Up to a point, lovers of Jane Austen probably know the publication history of Northanger Abbey—written first, published last. Austen wrote and revised the novel early, tried to get it published, then wrote all her other novels and ended up having Northanger Abbey come out with Persuasion, her last finished work. What we don’t know would fill a book—this book. The objective is to make her early publishing history clear, bringing to light information and original sources not...