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Silence in Catullus
Both passionate and artful, learned and bawdy, Catullus is one of the best-known and critically significant poets from classical antiquity. An intriguing aspect of his poetry that has been neglected by scholars is his interest in silence, from the pauses that shape everyday conversation to linguistic taboos and cultural suppressions and the absolute silence of death. In Silence in Catullus, Benjamin Eldon Stevens offers fresh readings of this Roman poet's most important works, focusing on his purposeful evocations of silence. This deep and varied "poetics of silence" takes on many forms in Catullus's poetic corpus: underscoring the lyricism of his poetry; highlighting themes of desire, immortality-in-culture, and decay; accenting its structures and rhythms; and, Stevens suggests, even articulating underlying philosophies. Combining classical philological methods, contemporary approaches to silence in modern literature, and the most recent Catullan scholarship, this imaginative examination of Catullus offers a new interpretation of one of the ancient world's most influential and inimitable voices.
Classical Traditions in Science Fiction
For all its concern with change in the present and future, science fiction is deeply rooted in the past and, surprisingly, engages especially deeply with the ancient world. Indeed, both as an area in which the meaning of "classics" is actively transformed and as an open-ended set of texts whose own 'classic' status is a matter of ongoing debate, science fiction reveals much about the roles played by ancient classics in modern times. Classical Traditions in Science Fiction is the first collection in English dedicated to the study of science fiction as a site of classical receptions, offering a much-needed mapping of that important cultural and intellectual terrain. This volume discusses a wid...
Classical Traditions in Modern Fantasy
Classical Traditions in Modern Fantasy presents fifteen all-new essays on how fantasy draws on ancient Greek and Roman mythology, philosophy, literature, history, art, and cult practice. Ranging from harpies to hobbits, from Cyclopes to Cthulhu, the comparative study of Classics and fantasy reveals deep similarities between ancient and modern ways of imagining the world.
Frankenstein and Its Classics
Frankenstein and Its Classics is the first collection of scholarship dedicated to how Frankenstein and works inspired by it draw on ancient Greek and Roman literature, history, philosophy, and myth. Presenting twelve new essays intended for students, scholars, and other readers of Mary Shelley's novel, the volume explores classical receptions in some of Frankenstein's most important scenes, sources, and adaptations. Not limited to literature, the chapters discuss a wide range of modern materials-including recent films like Alex Garland's Ex Machina and comics like Matt Fraction's and Christian Ward's Ody-C-in relation to ancient works including Hesiod's Theogony, Aeschylus's Prometheus Bound...
Tolkien and the Classical World
While scholars have often cited the influence of medieval texts and society on J.R.R. Tolkien's seminal fantasy creations, the role of the classical world - the literature and thought of ancient Greece and Rome - has received far less attention. This volume of essays explores various ways in which Tolkien's literary creations were shaped by classical epic, myth, poetry, history, philosophy, drama, and language. In making such connections, the contributors to this volume are interested not simply in source-hunting but in how a reception of the classical world can shape the meaning we derive from Tolkien's masterworks. The contributions to this volume by Philip Burton, Lukasz Neubauer, Giuseppe Pezzini, Benjamin Eldon Stevens, Graham Shipley, and several other scholars should pave the way for further discussions between classical studies and fantasy studies.
Spectres of Antiquity
Spectres of Antiquity is the first full-length study of the relationship between Greco-Roman culture and the eighteenth-century Gothic. In fascinating and compelling detail, James Uden's book rewrites the history of the Gothic genre, demonstrating that the genre was haunted by a deeper sense of history than has previously been assumed.
Brill’s Companion to the Reception of Herodotus in Antiquity and Beyond
Brill's Companion to the Reception of Herodotus in Antiquity and Beyond offers new insights on the reception and cultural transmission of one of the most controversial and influential texts to have survived from Classical Antiquity. Herodotus’ Histories has been adopted, adapted, imitated, contested, admired and criticized across diverse genres, historical periods, and geographical boundaries. This companion, edited by Jessica Priestley and Vasiliki Zali, examines the reception of Herodotus in a range of cultural contexts, from the fifth century BC to the twentieth century AD. The essays consider key topics such as Herodotus' place in the Western historiographical tradition, translation of and scholarly engagement with the Histories, and the use of the Histories as a model for describing and interpreting cultural and geographical material.
Magika Hiera
Annotation This collection challenges the tendency among scholars of ancient Greece to see magical and religious ritual as mutually exclusive and to ignore "magical" practices in Greek religion. The contributors survey specific bodies of archaeological, epigraphical, and papyrological evidence formagical practices in the Greek world, and, in each case, determine whether the traditional dichotomy between magic and religion helps in any way to conceptualize the objective features of the evidence examined. Contributors include Christopher A. Faraone, J.H.M. Strubbe, H.S. Versnel, Roy Kotansky, John Scarborough, Samuel Eitrem, Fritz Graf, John J. Winkler, Hans Dieter Betz, and C.R. Phillips.
The Complete Poetry of Catullus
Catullus’ life was akin to pulp fiction. In Julius Caesar’s Rome, he engages in a stormy affair with a consul’s wife. He writes her passionate poems of love, hate, and jealousy. The consul, a vehement opponent of Caesar, dies under suspicious circumstances. The merry widow romances numerous young men. Catullus is drawn into politics and becomes a cocky critic of Caesar, writing poems that dub Julius a low-life pig and a pervert. Not surprisingly, soon after, no more is heard of Catullus. David Mulroy brings to life the witty, poignant, and brutally direct voice of a flesh-and-blood man, a young provincial in the Eternal City, reacting to real people and events in a Rome full of violent conflict among individuals marked by genius and megalomaniacal passions. Mulroy’s lively, rhythmic translations of the poems are enhanced by an introduction and commentary that provide biographical and bibliographical information about Catullus, a history of his times, a discussion of the translations, and definitions and notes that ease the way for anyone who is not a Latin scholar.
Mapping the Afterlife
This book is a tour of Afterlife landscapes from Homer to Dante. It argues that the topography of the Afterlife in Greek and Roman tradition, and in Dante, reflects the state of 'scientific' knowledge at the time of the various contexts in which we find it, and the landscape of the Other World is a way of exploring and assimilating the shape of this world. This book posits that there is a dominant spatial idiom in afterlife landscapes, which I call the 'Journey-Vision paradigm.' By this the author means the presence of two kinds of space in afterlife representations - the horizontal journey of the soul across the afterlife landscape, and a synoptic vision of the universe. This has, in studie...
