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Fatih Akin's Cinema and the New Sound of Europe
In Fatih Akın's Cinema and the New Sound of Europe, Berna Gueneli explores the transnational works of acclaimed Turkish-German filmmaker and auteur Fatih Akın. The first minority director in Germany to receive numerous national and international awards, Akın makes films that are informed by Europe's past, provide cinematic imaginations about its present and future, and engage with public discourses on minorities and migration in Europe through his treatment and representation of a diverse, multiethnic, and multilingual European citizenry. Through detailed analyses of some of Akın's key works—In July, Head-On, and The Edge of Heaven, among others—Gueneli identifies Akın's unique styl...
Turkish German Cinema in the New Millennium
Introduction -- CONFIGURATIONS OF STEREOTYPES AND IDENTITIES: NEW METHODOLOGIES. Daniela Berghahn: My big fat Turkish wedding: from culture clash to romcom -- David Gramling: The oblivion of influence: mythical realism in Feo Alada's When we leave -- Marco Abel: The minor cinema of Thomas Arslan: a prolegomenon -- MULTIPLE SCREENS AND PLATFORMS: FROM DOCUMENTARY AND TELEVISION TO INSTALLATION ART. Angelica Fenner: Roots and routes of the diasporic documentarian: a psychogeography of Fatih Akin's We forgot to go back -- Ingeborg Majer-O'Sickey: Gendered kicks: Buket Alakus's and Aysun Bademsoy's soccer films -- Nilgan Bayraktar: Location and mobility in Kutlu Ataman's site-specific video inst...
Politics and Culture in Germany and Austria Today
Examines the heightened role of politics in contemporary German and Austrian cultural productions and institutions and what it means for German Studies.
A Pedagogy of Observation
A Pedagogy of Observation argues that the fascination with learning about the past and new locations in panoramic form spread far from the traditional sites of popular entertainment and amusement. Although painted panoramas captivated audiences from Hamburg to Leipzig and Berlin to Vienna, relatively few people had direct access to this invention. Instead, most Germans in the early nineteenth century encountered panoramas for the first time through the written word. The panorama experience described inthis book centers on the emergence of a new type of visual language and self-fashioning in material culture adopted by Germans at the turn of the nineteenth century, one that took cues from the...
Turkish Guest Workers in Germany
Turkish Guest Workers in Germany tells the post-war story of Turkish "guest workers," whom West German employers recruited to fill their depleted ranks. Jennifer A. Miller's unique approach starts in the country of departure rather than the country of arrival and is heavily informed by Turkish-language sources and perspectives. Miller argues that the guest worker program, far from creating a parallel society, involved constant interaction between foreign nationals and Germans. These categories were as fluid as the Cold War borders they crossed. Miller's extensive use of archival research in Germany, Turkey and the Netherlands examines the recruitment?of workers, their travel, initial housing...
The Tender Gaze
By exploring the concept of the "tender gaze" in German film, theater, and literature, this volume's contributors illustrate how perspective-taking in works of art fosters empathy and prosocial behaviors.
Brecht, Turkish Theater, and Turkish-German Literature
Uncovers the central role of Brecht reception in Turkish theater and Turkish-German literature, examining interactions between Turkish and German writers, texts, and contexts.
Sultanic Saviors and Tolerant Turks
An examination of why Jews promote a positive image of Ottomans and Turks while denying the Armenian genocide and the existence of antisemitism in Turkey. Based on historical narrative, the Jews expelled from Spain in 1492 were embraced by the Ottoman Empire and then, later, protected from the Nazis during WWII. If we believe that Turks and Jews have lived in harmony for so long, then how can we believe that the Turks could have committed genocide against the Armenians? Marc David Baer confronts these convictions and circumstances to reflect on what moral responsibility the descendants of the victims of one genocide have to the descendants of victims of another. Baer delves into the history ...
Crime Fiction in German
It provides English-language readers with easy access to the history and development of German-language crime fiction for the first time. Contains a chronology of German-language crime fiction. Key dates, developments and texts are presented in a tabular form at the beginning of the volume. This is a unique selling point (new to the series) and provides the reader with an ‘at a glance’ overview of the volume. an introductory chapter that provides a comprehensive overview of the development of German-language crime and its key concepts and trends from the nineteenth century to the present day (including East German, Turkish-German, Jewish-German and regional crime). The chapter can be read as a standalone, but also acts as a gateway to the volume’s chapters. The chapters provide the reader with a wealth of information about key areas of crime fiction from around the German-speaking world. an annotated bibliography of published and online resources. This will be particularly useful for scholars in the field. a map of the German-speaking world that allows readers to see the majority of different geographical regions discussed in the volume.
East, West and Centre
Re-examines notions of East and West in contemporary European cinema. This book presents a comprehensive investigation of Central European cinema in the early 21st century.
