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Cartographies of Travel and Navigation
Finding one’s way with a map is a relatively recent phenomenon. In premodern times, maps were used, if at all, mainly for planning journeys in advance, not for guiding travelers on the road. With the exception of navigational sea charts, the use of maps by travelers only became common in the modern era; indeed, in the last two hundred years, maps have become the most ubiquitous and familiar genre of modern cartography. Examining the historical relationship between travelers, navigation, and maps, Cartographies of Travel and Navigation considers the cartographic response to the new modalities of modern travel brought about by technological and institutional developments in the twentieth cen...
A Dictionary of Alchemical Imagery
This dictionary documents alchemical symbolism from the early centuries AD to the late-twentieth century, for use by historians of literary culture, philosophy, science and the visual arts, and readers interested in alchemy and hermeticism. Each entry includes a definition of the symbol, giving the literal (physical) and figurative (spiritual) meanings, an example of the symbol used in alchemical writing, and a quotation from a literary source. There are fifty visual images of graphic woodcuts, copperplate engravings and hand-painted emblems, some reproduced here for the first time.
Hogarth and His Times
The reputation of William Hogarth (1697-1764) rests largely on his pictorial stories, a series of engravings that he called "modern Moral Subjects," the most famous being the Harlot's and the Rake's Progress. In this catalog, David Bindman works backward from Hogarth's reputation today--where he is seen by some as a conservative populist and by others as a political radical--and examines his impact on various artists over the past three centuries. Bindman also sets Hogarth's prints firmly in their historical context, discussing the artist's public and the different influences on his work, from Roman satire to the politics of the day. The result is an engaging and insightful portrayal not onl...
Regimes of Description
Regimes of Description responds to the perceptionhowever imprecisethat forms of knowledge in every sector of contemporary culture are being fundamentally reshaped by the digital revolution: music, speech, engineering diagrams, weather reports, works of visual art, even the words most of us write are now subject, as Lyotard points out in The Inhuman, to a logic of the bit, the elemental unit of electronic information. It is now possible to slice, graft, and splice this knowledge in ways never before imagined using technologies that treat vast bodies of information as a stream of data bits. Programs and technical algorithms specify the criteria for discriminating between the data stream of a Mozart string quartet and the CAT scan of a diseased organ. But are these machine instructions and design parameters descriptions, or merely mechanical filters? And if the latter, what constitutes a description of digitally encoded knowledge? As a group, the essays in this volume pose that question as a first attempt to write the archaeology of the nature and history of description in the digital age.
Ward Maps of the City of London
Here are architectural drawings (buildings in Venice and Verona), flowers and birds, landscapes, tree studies, all sources of inspiration for Ruskin's art and reflective of the broad-ranging interests of this influential multi-talented Brit. (Ashmolean Museum Handbook)
SVEC 2006:11
La Fontaine's Contes et nouvelles en vers was probably the most famous illustrated book to have appeared in France during the eighteenth century. The celebrated 1762 edition, published by Louis XV's detested tax-gatherers, the Compagnie des Fermiers généraux, held among its claims to supremacy its magnificent copperplate illustrations, designed by Charles Eisen. In this highly illustrated book, David Adams first sets out a publishing history of the edition, using historical, bibliographical and cultural evidence, and next provides a detailed study of the plates as a whole. In so doing, he gives his interpretation of the values and attitudes of the Compagnie, the members of which took great...
Emblems in Glasgow
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The Stranger from Paradise
Bentley traces Blake from his natal landscape, youth, marriage, and apprenticeship through to his later years as a working engraver, poet, and radical visionary. Bentley is academic and thorough
Wood Engraving
A comprehensive, beautifully illustrated and practical wood engraving manual. Wood Engraving is an easily-followed, practical manual on wood engraving for beginners. Learn the processes of printing and engraving through clear explanations and use the lists of material requirements to help you get started. In this third, revised edition, discover up-to-date technique variations and all the tips and methods that the author has found helpful in 50 years as a practitioner. Since, or so he says, how to do it cannot be separated from why you are doing it and what it is you think you are doing, the book also touches on the relation of wood engraving to art more generally, and is a companion not only to beginning but also to continuing in this historic art. A beautiful object in its own right and written by a master in the field, this book is a must have if you treasure fine wood engraving and the contribution Simon Brett has made to it.
