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Comics in French
Whereas in English-speaking countries comics are for children or adults 'who should know better', in France and Belgium the form is recognized as the 'Ninth Art' and follows in the path of poetry, architecture, painting and cinema. The bande dessinée [comic strip] has its own national institutions, regularly obtains front-page coverage and has received the accolades of statesmen from De Gaulle onwards. On the way to providing a comprehensive introduction to the most francophone of cultural phenomena, this book considers national specificity as relevant to an anglophone reader, whilst exploring related issues such as text/image expression, historical precedents and sociological implication. ...
Text/Image Mosaics in French Culture
This study compares text/image interaction as manifested in emblem books (and related forms) and the modern bande dessinée, or French-language comic strip. It moves beyond the issue of defining the emblematic genre to examine the ways in which emblems - and their modern counterparts - interact with the surrounding culture, and what they disclose about that culture. Drawing largely on primary material from the Bibliothèque nationale de France and from Glasgow University Library's Stirling Maxwell Collection of emblem literature, Laurence Grove builds on the ideas of Marshall McLuhan, Elizabeth Eisenstein and, more recently, Neil Rhodes and Jonathan Sawday. Divided into four sections-Theoret...
Transforming Anthony Trollope
200 years of Anthony Trollope This volume is a cross-disciplinary collection of essays in the fields of nineteenth-century history, adaptation, word/image and Victorianism. Featuring new writing by some of the most influential, respected and radical scholars in these fields, Transforming Anthony Trollope constitutes both a close companion to Simon Grennan’s 2015 graphic novel Dispossession – an adaptation of Anthony Trollope’s 1879 novel John Caldigate – and a forward-looking, stand-alone addition to current debates on the cultural uses of history and the theorisation of remediation, illustration and narrative drawing. Contributors Jan Baetens (KU Leuven), Hugo Frey (University of Chichester), Ian Hague (Comics Forum), Marie-Luise Kohlke (Swansea University), John Miers (University of the Arts London / Kingston University), Barbara Postema (Ryerson University), Aarnoud Rommens (University of Liège), David Skilton (Cardiff University), Frederik Van Dam (KU Leuven), Peter Wilkins (Douglas College)
Comic Invention
Designed to accompany the University of Glasgow's, Hunterian Art Gallery and Museum Exhibition, this deluxe format box of books takes a in-depth look at the history of comics - from a facsimile of the world's first comic, to a study of one of finest modern day comic artists in Frank Quitely. Comic Invention spans centuries and genres in it's examination of how the art form developed over the years, with fantastic illustrations and images including the examples of works by Roy Liechtenstein, Any Warhol, Picasso and rare images from ancient manuscripts. Over 180 Pages as 5 elements housed within a Deluxe Art Box. Includes: - Comic Invention: An introduction to the Worlds First Comic - Comics & Culture - The Invention of Comics - The Art of Frank Quitely
The French Emblem
Complète les deux ouvrages publiés dans la même collection, d'Alison Saunders, Stephen Rawles et Alison Adams. L'index des noms et des lieux enrichit la bibliographie des oeuvres secondaires consacrées aux emblèmes français et en facilite l'utilisation.
The Francophone Bande Dessinée
Known as France’s Ninth Art, the bande dessinée has a status far surpassing that of the equivalent English-language comic strip. This publication, one of the first predominantly in English on the subject, provides a thorough introduction to questions of BD history, context and bibliography. Theoretical issues – including the reception of the early proto-BD prior to its modern definition, approaches to the construction of a BD (presented here in BD form by leading artist Tanitoc), semiology and the reading of the current form, or the specificity of the French/US (non)overlap – complement historical approaches, such as Bécassine read in the light of postcolonialism, Le Corbusier and BD...
Bande Dessinée
The latest installment of Yale French Studies explores the history and development of bande dessinée, Franco-Belgian comics This special issue of Yale French Studies on bande dessinée is a multifaceted reflection on its newfound academic status. It goes beyond the question, settled long ago, of its artistic legitimacy but aims to think "outside the boxes," or cases, themselves in order to explore the mutually enriching relationship between BD and the wider francophone cultural and intellectual world. Contributions thus intersect with art history, literary theory, cinema studies, postcolonialism, semiotics, and political sociology. Articles are by mainstream interdisciplinary scholars applying themselves to BD, leading authorities on bande dessinée itself, BD artists, and key figures in contemporary French thought whose texts appear in English for the first time.
