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Comics in French
Whereas in English-speaking countries comics are for children or adults 'who should know better', in France and Belgium the form is recognized as the 'Ninth Art' and follows in the path of poetry, architecture, painting and cinema. The bande dessinée [comic strip] has its own national institutions, regularly obtains front-page coverage and has received the accolades of statesmen from De Gaulle onwards. On the way to providing a comprehensive introduction to the most francophone of cultural phenomena, this book considers national specificity as relevant to an anglophone reader, whilst exploring related issues such as text/image expression, historical precedents and sociological implication. To do so it presents and analyses priceless manuscripts, a Franco- American rodent, Nazi propaganda, a museum-piece urinal, intellectual gay porn and a prehistoric warrior who's really Zinedine Zidane.
The Francophone Bande Dessinée
Known as France’s Ninth Art, the bande dessinée has a status far surpassing that of the equivalent English-language comic strip. This publication, one of the first predominantly in English on the subject, provides a thorough introduction to questions of BD history, context and bibliography. Theoretical issues – including the reception of the early proto-BD prior to its modern definition, approaches to the construction of a BD (presented here in BD form by leading artist Tanitoc), semiology and the reading of the current form, or the specificity of the French/US (non)overlap – complement historical approaches, such as Bécassine read in the light of postcolonialism, Le Corbusier and BD...
The Tiger's Apprentice
Soon to be an animated movie! Don’t miss this middle grade fantasy adventure about a boy, a magical tiger, an outlaw dragon, and a mischievous monkey who carry the fate of the world on their shoulders. From two-time Newbery Honor-winning author Laurence Yep (Dragonwings, Dragon’s Gate), now with an all-new cover and introduction! Tom Lee’s life changes forever the day he meets a talking tiger named Mr. Hu and discovers that he has magical powers and great responsibilities that he never imagined. Despite his doubts and fears, Tom joins Mr. Hu’s ragtag band of creatures in their fight to keep an ancient talisman out of the hands of the worst possible enemy. This action-packed fantasy from two-time Newbery Honor-winning author Laurence Yep reveals a hidden world within our own where animals take human form, where friendship is the final weapon in the battle between good and evil, and where a young boy is responsible for saving the world he knows . . . and the one he is just discovering. This updated edition includes an all-new introduction by Laurence Yep!
Bande Dessinée
The latest installment of Yale French Studies explores the history and development of bande dessinée, Franco-Belgian comics This special issue of Yale French Studies on bande dessinée is a multifaceted reflection on its newfound academic status. It goes beyond the question, settled long ago, of its artistic legitimacy but aims to think "outside the boxes," or cases, themselves in order to explore the mutually enriching relationship between BD and the wider francophone cultural and intellectual world. Contributions thus intersect with art history, literary theory, cinema studies, postcolonialism, semiotics, and political sociology. Articles are by mainstream interdisciplinary scholars applying themselves to BD, leading authorities on bande dessinée itself, BD artists, and key figures in contemporary French thought whose texts appear in English for the first time.
Poetics of the Iconotext
Poetics of the Iconotext makes available the theories of the respected French text/image specialist Professor Liliane Louvel and introduces English readers to the most current thinking in French text/image theory and visual studies. Situated within the most significant recent debates in text/image studies, Louvel's work presents a sophisticated new typology of text-image relations that enable readers to think at once more precisely and more inventively about texts, images, and the intersections between the two.
The Qur'an
The Qur'an: A Biography is a beautifully written and authoritative account of one of the world's most famous, and most misunderstood books. Few books in history are as poorly read or understood as the Qur'an. Sent down in a series of revelations to the Prophet Muhammad, it is regarded by the faithful as the unmediated word of Allah. It is revered by Muslims throughout the world, it inspires unparalleled levels of devotion, passion, fear and, sometimes, incomprehension. In this book, the distinguished scholar Bruce Lawrence shows precisely why the Qur'an is Islam. He describes the origins of the faith in seventh-century Arabia and looks at why the Qur'an needs to be both memorized and recited by its followers. Lawrence also discusses the book's many doubters and commentators and assesses its important influence in societies and politics today. Above all, Lawrence emphasizes that the Qur'an demands interpretation, and can only be properly understood through its history.
Contemporary Fiction in French
Our global literary field is fluid and exists in a state of constant evolution. Contemporary fiction in French has become a polycentric and transnational field of vibrant and varied experimentation; the collapse of the distinction between 'French' and 'Francophone' literature has opened up French writing to a world of new influences and interactions. In this collection, renowned scholars provide thoughtful close readings of a whole range of genres, from graphic novels to crime fiction to the influence of television and film, to analyse modern French fiction in its historical and sociological context. Allowing students of contemporary French literature and culture to situate specific works within broader trends, the volume provides an engaging, global and timely overview of contemporary fiction writing in French, and demonstrates how our modern literary world is more complex and diverse than ever before.
Vertigo Comics
This book explores the so-called "British Invasion" of DC Comics’ Vertigo imprint, which played an important role in redefining the mainstream comics industry in the US during the early 1990s. Focusing on British creators within Vertigo, this study traces the evolution of the line from its creation in 1993 to its demise in 2019. Through an approach grounded in cultural history, the book disentangles the imprint’s complex roots, showing how editors channelled the potential of its British writers at a time of deep-seated economic and cultural change within the comics industry, and promoted a sense of cohesion across titles that defied categories. The author also delves into lesser-known as...
Emblems in Scotland
Emblems in the visual arts use motifs which have meanings, and in Emblems in Scotland Michael Bath, leading authority on Renaissance emblem books, shows how such symbolic motifs address major historical issues of Anglo-Scottish relations, the Reformation of the Church and the Union of the Crowns. Emblems are enigmas, and successive chapters ask for instance: Why does a late-medieval rood-screen show a jester at the Crucifixion? Why did Elizabeth I send Mary Queen of Scots tapestries showing the power of women to build a feminist City of God? Why did a presbyterian minister of Stirling decorate his manse with hieroglyphics? And why in the twentieth-century did Ian Hamilton Finlay publish a collection of Heroic Emblems?
Theatre and Religion
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