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Phenomenology 2010
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The Latent World of Architecture
This book features thirteen essays by the late architect, philosopher and teacher Dalibor Vesely (1934–2015). Vesely was a leading authority on philosophical hermeneutics and phenomenology in relation to architecture worldwide, and influenced a generation of thinkers, teachers and practitioners. This collection presents the full range of his writing, drawing primarily from the history of art and architecture, as well as philosophy, theology, anthropology and ecology, and spanning from early antiquity to modernism. It composes a multifaceted and globally relevant argument about the enduring cultural role of architecture and the significance of its history. The book, edited and introduced by Vesely’s teaching partner at Cambridge Peter Carl and former student Alexandra Stara, and with a foreword by David Leatherbarrow, brings to light new and hard-to-access material for those familiar with Vesely’s thought and, at the same time, offers a compelling introduction to his writing and its profound relevance for architecture and culture today.
European Painting and Sculpture, Ca. 1770-1937, in the Museum of Art, Rhode Island School of Design
This documents the distinguished collection of European art—from the late eighteenth through the early twentieth centuries—that forms a significant part of the collections belonging to the Museum of Art, Rhode Island School of Design. This book includes stunning canvases by Gericault, Delacroix, Degas, Manet, Monet, Cezanne, Renoir, Picasso, and Matisse. What makes the collection so noteworthy are the extraordinary works by unknown artists and the unknown works by known artists.
Toward Modern Art
This catalogue of the major exhibition at the Palazzo Grassi in Venice presents a groundbreaking interpretatioin of the birth of modern art. Serge Lemoine, curator of the exhibition and director of the Musee d'Orsay, proposes that "modern art does not descend, as is commonly thought, from Manet and Impressionism, but from . . . the French painter Pierre Puvis de Chavannes (1824-1898)." The author of monumental mural decorations in such civic buildings as the museums of Amiens, Lyons, Rouen, the Pantheon and the Sorbonne, Puvis de Chavannes had a remarkable influence on his contemporaries in France and abroad, including Seurat, Gauguin and Cezanne, as well as on later generations of artists. ...
Doubt
In an age where art history’s questions are now expected to receive answers, Richard Shiff presents a challenging alternative - embracing doubt as a critical tool and asking how particular histories of art have come to be.
Cézanne to Picasso
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Georges Braque
Together with Picasso and Matisse, Georges Braque is unquestionably one of the three great pillars of twentieth-century art. Here is the first full-length biography of this remarkable figure. A pioneer of modern art and founder of Cubism, Georges Braque was a creative genius and tireless innovator, constantly pushing back the boundaries of the possible. In this magisterial work, Alex Danchev taps a wide range of new sources to reveal the heart and mind of one who helped usher in the greatest revolution in the ways of seeing since the Renaissance and changed the face of modern art.
The Annenberg Collection
The Walter and Leonore Annenberg Collection of Impressionist and Post-Impressionist paintings, watercolors, and drawings constitutes one of the most remarkable groupings of avant-garde works of art from the mid-19th to the early 20th century ever given to The Metropolitan Museum of Art. A revised and expanded edition of the 1989 publication Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection, this volume presents more than fifty masterworks by such luminaries as Manet, Degas, Morisot, Renoir, Monet, Cezanne, Gauguin, Van Gogh, Picasso, and Matisse, accompanied by elucidating texts and a wealth of comparative illustrations. -- From publisher.
