You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
In Moors Dressed as Moors, Javier Irigoyen-Garcia draws on a wide range of sources to reveal the currency of Moorish clothing in early modern Iberian society.
A Companion to Music at the Habsburgs Courts in the Sixteenth and Seventeenth Centuries, edited by Andrew H. Weaver, is the first in-depth survey of Habsburg musical patronage over a broad timeframe. Bringing together existing research and drawing upon primary sources, the authors, all established experts, provide overviews of the musical institutions, the functions of music, the styles and genres cultivated, and the historical, political, and cultural contexts for music at the Habsburg courts. The wide geographical scope includes the imperial courts in Vienna and Prague, the royal court in Madrid, the archducal courts in Graz and Innsbruck, and others. This broad view of Habsburg musical activities affirms the dynasty’s unique position in the cultural life of early modern Europe. Contributors are Lawrence Bennett, Charles E. Brewer, Drew Edward Davies, Paula Sutter Fichtner, Alexander J. Fisher, Christine Getz, Beth L. Glixon, Jeffrey Kurtzman, Virginia Christy Lamothe, Honey Meconi, Sara Pecknold, Jonas Pfohl, Pablo L. Rodríguez, Steven Saunders, Herbert Seifert, Louise K. Stein, and Andrew H. Weaver.
English Catholic voices, once disregarded as merely confessional, are now acknowledged to provide important perspectives on Elizabethan society. Based on extensive archival research, this book builds on previous studies for the first thorough investigation of the Jesuit mission to England during a critical period between the unsuccessful armadas of 1588 and 1597, a period during which the mission was threatened as much by internal Catholic conflict as it was by the crown. To address properly events in England, the study fully engages with the situation in Ireland, Scotland and the continent so as to contextualize the ambitions, methods and effects of the Jesuit mission. For England felt thre...
In 1598, Jesuit missions in Ireland, Scotland, and England were either suspended, undermanned, or under attack. With the Elizabethan government’s collusion, secular clerics hostile to Robert Persons and his tactics campaigned in Rome for the Society’s removal from the administration of continental English seminaries and from the mission itself. Continental Jesuits alarmed by the English mission’s idiosyncratic status within the Society, sought to restrict the mission’s privileges and curb its independence. Meanwhile the succession of Queen Elizabeth I, the subject that dared not speak its name, had become a more pressing concern. One candidate, King James VI of Scotland, courted Catholic support with promises of conversion. His peaceful accession in 1603 raised expectations, but as the royal promises went unfulfilled, anger replaced hope.
The Twelve Years Truce of 9 April 1609 made a temporary end to the hostilities between Spain and the Northern Netherlands that had lasted for over four decades. The Truce signified a crucial step in the recognition of the Republic of the Northern Netherlands as a sovereign power. As the direct source of inspiration for the 1648 Peace of Munster the Truce is a crucial text in the formation of the early modern law of nations. As few other texts, it reflects the radical changes to the laws of war and peace from around 1600. The Twelve Years Truce offers a collection of essays by leading specialists on the diplomatic and legal history of the Antwerp Truce of 1609. The first part covers the negotiation process leading up to the Truce. The second part collects essays on the consequences of the Truce on the state of war. In the third part, the consequences of the Truce for the sovereignty of the Northern and Southern Netherlands as well as it wider significance for the changing laws of war and peace of the age are scrutinised.
Late Medieval and Renaissance art was surprisingly pushy; its architecture demanded that people move through it in prescribed patterns, its sculptures played elaborate games alternating between concealment and revelation, while its paintings charged viewers with imaginatively moving through them. Viewers wanted to interact with artwork in emotional and/or performative ways. This inventive and personal interface between viewers and artists sometimes conflicted with the Church’s prescribed devotional models, and in some cases it complemented them. Artists and patrons responded to the desire for both spontaneous and sanctioned interactions by creating original ways to amplify devotional exper...
This study explores a number of early modern comedias that deal with historical siege or military episodes in the history of the Iberian peoples. Cervantes's La Numancia, Lope de Vega's El asalto de Mastrique and his lesser known La nueva victoria de don Gonzalo de Córdoba, Calderón de la Barca's El sitio de Bredá, and Vélez de Guevara's El Hércules de Ocaña are key texts examined here. Taking the distinction between history and fiction in Neo-Aristotelian literary theory as a point of departure, this book considers the intellectual and historical conditions that affect the ways in which early modern dramatists interpret historical events according to their own literary and ideological purposes. The interplay of history and fiction demonstrates uses and discontents of legitimizing fiction in the early modern period. Parallel themes of epic and siege intermingled with romance and carnivalesque humour, provide alternative perspectives to early modern representations of empire and war on the Spanish stage.
The reputed wealth and benevolence of the Portuguese Jews of early modern Amsterdam attracted many impoverished people to the city, both ex-Conversos from the Iberian peninsula and Jews from many other countries. In describing the consequences of that migration in terms of demography, admission policy, charitable institutions—public and private—philanthropy and daily life, and the dynamics of the relationship between the rich and the poor, Tirtsah Levie Bernfeld adds a nuanced new dimension to the understanding of Jewish life in the early modern period.
This volume integrates the theme of Spain in Italy into a broad synthesis of late Renaissance and early modern Italy by restoring the contingency of events, local and imperial decision-making, and the distinct voices of individual Spaniards and Italians.
Garcilaso de la Vega and the Material Culture of Renaissance Europe examines the role of cultural objects in the lyric poetry of Garcilaso de la Vega, the premier poet of sixteenth-century Spain. As a pioneer of the new poetry of Renaissance Europe, aligned with the court, empire, and modernity, Garcilaso was fully attuned to the collection and circulation of luxury artefacts and other worldly goods. In his poems, a variety of objects, including tapestries, paintings, statues, urns, mirrors, and relics participate in lyric acts of discovery and self-revelation, reveal memory as contingent and unstable, expose knowledge of the self as deceptive, and show how history intersects with the ideology of empire. Mary E. Barnard's study argues persuasively that the material culture of early sixteenth-century Europe embedded within Garcilaso's poems offers a key to understanding the interplay between objects and texts that make those works such vibrant inventions.