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Aldous Huxley and Self-Realization
  • Language: en
  • Pages: 272

Aldous Huxley and Self-Realization

Throughout his writing career, and especially in the last thirty years of his life, Aldous Huxley exhibited a deep interest in human potentialities, which he often described as our greatest unused natural resource. The present volume is the first book to focus on this Huxleyan core concern. It is based on presentations given at the Sixth International Aldous Huxley Symposium held in 2017 at the University of Almería (Spain). This volume collects essays by eleven scholars from eight countries that discuss Huxley's concept of human potentialities from an interdisciplinary perspective. This is another innovative feature of this book, since today Huxley is mainly remembered as a novelist, altho...

Aldous Huxley Annual
  • Language: en
  • Pages: 290

Aldous Huxley Annual

  • Type: Book
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  • Published: 2023-08-24
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  • Publisher: LIT Verlag

Volume 22 opens with two little-known Huxley writings, "A Lunndon Mountaineering Essay" (1914), edited by Gerhard Wagner, and Huxley's contributions in French at the Paris 1933 congress on the future of the European spirit, edited and translated into English by James Sexton. This section is followed by a further selection of papers from the Seventh International Aldous Huxley Symposium held at Toulon in October 2021, many of them devoted to a variety of neglected Huxley issues or to the second part of the Huxley Forum, entitled "Aldous Huxley's Controversial Philosophical Theories." An overview of the conference programme can be consulted on the Internet via https://sites.univ-tln.fr/huxley-toulon/en/program/. The volume closes with further articles on Huxley's concept of the ultimate revolution, on an aficionado's life-long personal experience with Huxley's works, and on Huxley's many-sided response to Charles Dickens.

Aldous Huxley Annual. Volume 15 (2015)
  • Language: en
  • Pages: 302

Aldous Huxley Annual. Volume 15 (2015)

Volume 15 is dedicated to Prof David Bradshaw (Oxford University), who died on 13 September 2016 after a long illness. His last article is published at the beginning of this issue, to be followed by Uwe Rasch's essay on Huxley's 1912 sketchbook (with over 30 unpublished images) and a new selection of unpublished Huxley letters by James Sexton. The volume continues with several articles on Huxley in the 1920s and 1930s and is rounded off with an essay on Huxley's stance as social ecologistt.

Reluctant Modernists
  • Language: en
  • Pages: 356

Reluctant Modernists

The essays collected here deal with modernist writers who, on the whole, felt 'reluctant' about their modernist status because they believed that it was just as important to look backward as it was to look forward. Indeed, for most of them looking backward was more important because it was only through the past that one could understand one's proper place in the present and in the future. That is why in Huxley's Brave New World it is the rejection of the past in the future - and by implication in the present - that makes its satire so penetrating. Modernism, in other words, means for these writers not a radical break with the past but a continuing search for what still connects them (and us) vitally with it. Peter Firchow, Professor of English at the University of Minnesota, is the author of several books on modern and modernist literary subjects, including books on Huxley, Conrad, and Auden. The publication of some of his hitherto uncollected essays in this volume is intended to honor

Aldous Huxley Annual. Volume 12/13 (2012/2013)
  • Language: en
  • Pages: 366

Aldous Huxley Annual. Volume 12/13 (2012/2013)

Volume 12/13 of the Aldous Huxley Annual begins with a discussion of a lecture Huxley gave in Italian, an appraisal of his never-completed project of a novel on Catherine of Siena, and his recently re-discovered drawings for "Leda." Further critical articles on particular aspects of Huxley's work follow, together with the second Peter Edgerly Firchow Memorial Prize Essay by Hisashi Ozawa of King's College London. A painting by Carolyn Mary Kleefeld ushers in the second part of the book, which contains a selection of papers from the Oxford Symposium held in 2013. (Series: Aldous Huxley Annual - Vol. 12/13) [Subject: Literary Criticism, Art]

Aldous Huxley Annual
  • Language: en
  • Pages: 253

Aldous Huxley Annual

Aldous Huxley Annual is the official organ of the Aldous Huxley Society at the Centre for Aldous Huxley Studies in Munster, Germany. It publishes essays on the life, times, and interests of Aldous Huxley and his circle. It aspires to be the sort of periodical that Huxley would have wanted to read and to which he might have contributed. This issue is dedicated to Prof Peter Edgerly Firchow (18 October 2008) in appreciation of his merits as an outstanding Huxley scholar and as a Founding Member and Curator of the Aldous Huxley Society. It opens with Prof Firchow's keynote lecture at the Fourth International Aldous Huxley Symposium in Los Angeles in July 2008 and then presents a rich anthology of Huxley's uncollected prose from 1919 to 1963, edited by James Sexton. Two more lectures from the Los Angeles Symposium close this issue, one on death in Lawrence's and Huxley's fiction, and the other on Erwin Schrodinger's and Huxley's views on the final end of human life.

Aldous Huxley and Utopia
  • Language: en
  • Pages: 244

Aldous Huxley and Utopia

Within the cycle that runs from Erewhon to Island, British literary utopias compete with one another to form the most persuasive picture of what the future might, or should, be like. At issue for Butler, Wells, Zamiatin, Orwell and others is whether utopia, be it positive or negative, is essentially prediction or hypothesis. Huxley contributed to this debate at roughly fifteen-year intervals, his three utopias becoming its key texts. In addition, Aldous Huxley and Utopia examines ironic cure scenes, the obsession with golf in the brave new world, attitudes towards death in Brave New World and Island, problems with names and history in the former, the role of islands in both, the detrimental impact of Madame Blavatsky and young Krishnamurti on the story of Pala, and the significance of a zoological conclusion of Island.

Aldous Huxley 2009
  • Language: en
  • Pages: 240

Aldous Huxley 2009

Aldous Huxley Annual is the official organ of the Aldous Huxley Society at the Center for Aldous Huxley Studies in Munster, Germany. The Society publishes essays on the life, times, and interests of Aldous Huxley and his circle. Volume 9 is the first to have a Guest Editor: Professor James Sexton. Sexton opens this issue with "A New Huxley Miscellany," which is followed by a selection of lectures from the Fourth International Aldous Huxley Symposium held in Los Angeles in July/August 2008. The issue closes with the first Peter Edgerly Firchow Memorial Prize Essay by Brian Smith of Suffolk University. (Series: Aldous Huxley Annual - Vol. 9)

Aldous Huxley Annual. Volume 16 (2016)
  • Language: en
  • Pages: 259

Aldous Huxley Annual. Volume 16 (2016)

Volume 16 presents a miscellany of uncollected Huxley essays, edited by James Sexton, to be followed by a first selection of papers from the Sixth International Aldous Huxley Symposium held at Almeria in April 2017. This section opens with an essay that fills a blank spot on the map of Huxley criticism, James Sexton's study of Huxley and architecture. The volume continues with several articles (including one not from Almeria) on Brave New World and its wider context and closes with essays on Huxley's lifelong struggle with his deficient eyesight and on his view of the art of dying. (Series: Aldous Huxley Annual, Vol. 16) [Subject: Literary Studies, Aldous Huxley, Literary Criticism]

Aldous Huxley Annual
  • Language: en
  • Pages: 310

Aldous Huxley Annual

  • Categories: Art

Volume 17/18 begins with a section containing original Huxley documents: Below the Equator, an unpublished film story collaboration by Isherwood and Huxley, edited by James Sexton and Bernfried Nugel, to be followed by two pieces rediscovered and edited by James Sexton, viz. The Heroes, William R. Cox's screenplay adaptation of a lost Huxley story, and the translation of a 1960 interview held in French by the Canadian writer Hubert Aquin. Then Huxley nephew Piero Ferrucci kindly opens his family archives of original Huxley letters and photographs and contributes a remarkable essay on his coming of age with Aldous Huxley. Rounding off this section, Peter Wood introduces an unknown 1934 letter Huxley wrote to Ren'e Schickele, a forgotten German author in the writers' community at Sanary. The second section presents a further selection of papers from the Sixth International Aldous Huxley Symposium held at Almer'a in April 2017 as well as other critical articles.