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Throughout his writing career, and especially in the last thirty years of his life, Aldous Huxley exhibited a deep interest in human potentialities, which he often described as our greatest unused natural resource. The present volume is the first book to focus on this Huxleyan core concern. It is based on presentations given at the Sixth International Aldous Huxley Symposium held in 2017 at the University of Almería (Spain). This volume collects essays by eleven scholars from eight countries that discuss Huxley's concept of human potentialities from an interdisciplinary perspective. This is another innovative feature of this book, since today Huxley is mainly remembered as a novelist, altho...
Within the cycle that runs from Erewhon to Island, British literary utopias compete with one another to form the most persuasive picture of what the future might, or should, be like. At issue for Butler, Wells, Zamiatin, Orwell and others is whether utopia, be it positive or negative, is essentially prediction or hypothesis. Huxley contributed to this debate at roughly fifteen-year intervals, his three utopias becoming its key texts. In addition, Aldous Huxley and Utopia examines ironic cure scenes, the obsession with golf in the brave new world, attitudes towards death in Brave New World and Island, problems with names and history in the former, the role of islands in both, the detrimental impact of Madame Blavatsky and young Krishnamurti on the story of Pala, and the significance of a zoological conclusion of Island.
Volume 22 opens with two little-known Huxley writings, "A Lunndon Mountaineering Essay" (1914), edited by Gerhard Wagner, and Huxley's contributions in French at the Paris 1933 congress on the future of the European spirit, edited and translated into English by James Sexton. This section is followed by a further selection of papers from the Seventh International Aldous Huxley Symposium held at Toulon in October 2021, many of them devoted to a variety of neglected Huxley issues or to the second part of the Huxley Forum, entitled "Aldous Huxley's Controversial Philosophical Theories." An overview of the conference programme can be consulted on the Internet via https://sites.univ-tln.fr/huxley-toulon/en/program/. The volume closes with further articles on Huxley's concept of the ultimate revolution, on an aficionado's life-long personal experience with Huxley's works, and on Huxley's many-sided response to Charles Dickens.
Einstein's revolutionary scientific ideas have transformed the world, ushering in the nuclear age. Is there any place for faith in such a world? This volume is a must-read for anyone who wants to understand the role of faith in a world where science and technology govern lives.
American culture has literally become fixated on the body at the same time that the body has emerged as a key term within critical and cultural theory. Contributions thus address the body as a site of the cultural construction of various identities, which are themselves enacted, negotiated, or subverted through bodily practices. Contributions come from literary and cultural studies, film and media studies, history and sociology, and women studies, and are representative of many theoretical positions, hermeneutic, historical, structuralist, feminist, postmodernist. They deal with representations and discursifications of the body in a broad array of texts, in literature, the visual arts, theater, the performing arts, film and mass media, science and technology, as well as in various cultural practices.
Performing Identities and Utopias of Belonging consists of sixteen essays, reflecting the current conflicted debate on the ontology, constructiveness and affect of categories of ascribed social identity such as gender, ethnicity, race and nation, in the context of British, Irish and North American cultural landscapes. They address the many ways in which these communities of belonging are imagined, iterated, performed, questioned, and deconstructed in literature, cinema and visual culture; they also support or counter claims about the enhanced value of social identity in the expression of the self in the light of the present debates that surround the contested post-identity turn in cultural s...
This psychological reading of Huxley's oeuvre as a whole traces Huxley's self-transformation in his books and aims to do justice to the artist and the person who was Aldous Huxley. It is safe to regard as basic to his entire work the unfolding of the conflict we find so clearly delineated in his early short story "Farcical History of Richard Greenow" (Limbo, 1920), with Pearl Bellairs representing the emotional tradition that threatens the synthetic philosopher. Huxley's own story is plainly visible even in Limbo and Crome Yellow (1921), but it is in Antic Hay (1923) that the pattern of the future assumes a solid foundation. There we encounter in full force the tensions that follow him throu...
Over the course of his career, British writer Aldous Huxley (1894-1963) shifted away from elitist social satires and an atheistic outlook toward greater concern for the masses and the use of religious terms and imagery. This change in Huxley's thinking underlies the previously unpublished play Now More Than Ever. Written in 1932-1933 just after Brave New World, Now More Than Ever is a response to the social, economic, and political upheavals of its time. Huxley's protagonist is an idealistic financier whose grandiose schemes for controlling the means of production drive him to swindling and finally to suicide. His fate allows Huxley to expose the evils he perceives in free-market capitalism ...
This exploration in the history of ideas examines the groundbreaking notion of the embodied mind in its analysis by the French philosopher and politician Maine de Biran (1766–1824) and in its afterlife: consciousness is generated through frequent interaction between the voluntary and the spiritual. The conscious, active self is constituted in its sovereign autonomy, as free and undivided, by an inner act of willful resistance, a physical effort towards its own body and the world. For the first time, a multidisciplinary group of senior and junior researchers from Japan, USA and Europe investigate origins and discursive cross-fertilization of this concept around 1800, an intermediary stage between 1870 and 1945, and its influence upon existentialism, phenomenology, and deconstructivism during the postwar-period and beyond, from 1943 to 2010.
Challenge and Continuity is the first full-length attempt to map an important feature of nineteenth- and twentieth-century literature: the thematic novel. It analyses it first in D.H. Lawrence, revealing how in The Rainbow and Women in Love the psychology of the characters is brought into a wider social and ideological context that generates their controlling themes. Having defined an alternative tradition, exemplified by George Eliot and Tolstoy, focused primarily on individual development, it examines how that kind of interest was aligned in the nineteenth century with the thematic, in a loose fashion by Charlotte Brontë, Turgenev, Hardy and Wells, and more precisely by Stendhal, Flaubert...