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The Languages of Early Medieval Charters
This is the first major study of the interplay between Latin and Germanic vernaculars in early medieval records. Building on previous work on the uses of the written word in the early Middle Ages, which has dispelled the myth that this was an age of ‘orality’, the contributions in this volume bring to the fore the crucial question of language choice in the documentary cultures of early medieval societies. Specifically, they examine the interactions between Latin and Germanic vernaculars in the Anglo-Saxon and eastern Frankish worlds and in neighbouring areas. The chapters are underpinned by an important comparative dimension on account of the two regions’ shared linguistic heritage and numerous cross-Channel links. Contributors are: Stefan Esders, Albert Fenton, Robert Gallagher, Wolfgang Haubrichs, Charles Insley, Kathryn A. Lowe, Rosamond McKitterick, Rory Naismith, Janet L. Nelson, Edward Roberts, Annina Seiler, Marco Stoffella, Francesca Tinti, Kate Wiles, Bernhard Zeller. See inside the book.
Critical Monks
Benedictine scholars around 1700, most prominently proponents of historical criticism, have long been regarded as the spearhead of ecclesiastical learning on the brink of Enlightenment, first in France, then in Germany and other parts of Europe. Based on unpublished sources, this book is the first to contextualize this narrative in its highly complex pre-modern setting, and thus at some distance from modernist ascriptions ex posteriori. Challenged by Protestant and Catholic anti-monasticism, Benedictine scholars strove to maintain control of their intellectual tradition. They failed thoroughly, however: in the Holy Roman Empire, their success depended on an anti-Roman and nationalized reading of their research. For them, becoming part of an Enlightenment narrative meant becoming part of a cultural project of “Germany”.
Enlightened Monks
A revisionist account of the effects of the Enlightenment process on German Benedictines which contributes to a better understanding not only of monastic culture in Central Europe, but also of Catholic religious culture in general.
Goethe's Search for the Muse
That Goethe was also a translator is a well-kept secret. However, in this study the main focus lies on these translations. Especially on his five longest and most important ones, such as Diderot's Le Neveu de Rameau and Cellini's Vita. Not only will the translations be discussed but and maybe even more importantly also will this study try to give an answer to the motivation of Goethe. Why did he devote so much time to these translations? This volume offers a complete new perspective on Goethe and his works.
The Routledge History of Antisemitism
Antisemitism is a topic on which there is a wide gap between scholarly and popular understanding, and as concern over antisemitism has grown, so too have the debates over how to understand and combat it. This handbook explores its history and manifestations, ranging from its origins to the internet. Since the Holocaust, many in North America and Europe have viewed antisemitism as a historical issue with little current importance. However, recent events show that antisemitism is not just a matter of historical interest or of concern only to Jews. Antisemitism has become a major issue confronting and challenging our world. This volume starts with explorations of antisemitism in its many different shapes across time and then proceeds to a geographical perspective, covering a broad scope of experiences across different countries and regions. The final section discusses the manifestations of antisemitism in its varied cultural and social forms. With an international range of contributions across 40 chapters, this is an essential volume for all readers of Jewish and non-Jewish history alike.
Corruption, Protection and Justice in Medieval Europe
What was an “advocate” (Latin: advocatus; German: Vogt) in the Middle Ages? What responsibilities came with the position and how did they change over time? With this groundbreaking study, Jonathan R. Lyon challenges the standard narrative of a “medieval” Europe of feudalism and lordship being replaced by a “modern” Europe of government, bureaucracy and the state. By focusing on the position of advocate, he argues for continuity in corrupt practices of justice and protection between 750 and 1800. This book traces the development of the role of church advocate from the Carolingian period onward and explains why this position became associated with the violent abuse of power on churches' estates. When other types of advocates became common in and around Germany after 1250, including territorial and urban advocates, they were not officeholders in developing bureaucracies. Instead, they used similar practices to church advocates to profit illicitly from their positions, which calls into question scholarly arguments about the decline of violent lordship and the rise of governmental accountability in European history.
Literature at War, 1914-1940
This examination of German texts written about World War I offers an understanding of the relationship between culture and warfare. It focuses not only on the literary voices of German authors, but also on the wartime agencies, institutions and individuals that produced material during the War.
--A Poet Or Nothing at All
With the publication of his Gedichte in November of 1902, Hermann Hesse "arrived" as a literary figure in the German-speaking world. However, relatively little is known about the years immediately preceding this breakthrough. Through a great deal of "detective" work the author has succeeded in personally locating dozens of Hesse's previously unknown letters and manuscripts. These have been skillfully interwoven in this book along with a lively and most readable account of this crucial phase of Hesse's life from ca. 1899 to 1903. During this period Hesse worked as a bookseller in Basel, where he formed important friendships and creative alliances with writers, publishers, and journalists, described here for the first time. Moreover, during those years he devoted himself almost exclusively to the composition of "neo-Romantic" poetry, most notably his Notturni, handwritten sets of eight or more poems which he sold as unique collections. Two dozen of these poems are published here for the first time in the original.
