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Berry Fleming
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Berry Fleming
None
Who Dwelt by a Churchyard
Who Dwelt by a Churchyard centers around an old man about to move, who—as he sits before a fireplace throwing ancient photographs upon the flames—recalls the major events in his life. It is a stunning, moving work, written with great economy, and yet so richly textured that it gives one a feeling of having digested a work of fiction twice its length: an end of life novel that is clearly up to Fleming’s own highest standards.
To The Market Place
Originally published in 1938 by Harcourt, Brace, this tale of people who migrate to New York City in search of careers and fulfillment was the first work that brought Berry Fleming to national prominence as a novelist.
The Make Believers
This sprawling novel concerns the lives of two generations in one family; of their loves both licit and illicit, of their work, and of their personal triumphs and tragedies. It is a story, at first, about the three Woodruff brothers: Peter, a businessman, Leonard, an artist, and Ike, an attorney and member of Congress who risks his political career to prevent a lynching and bring justice to a black man falsely accused of murder. And it is about George Islar, a thoughtful physician, and his beautiful wife, Margaret, who is loved by Leonard. It is a triumphant expression of the human spirit, of the artist and of the forces that inevitably mold the lives of each succeeding generation, told by a modern master who has lived to see all of the ages of man about which he so consummately writes.
Lucinderella
This comic third novel in our Berry Fleming series centers on Lucinda, a local girl-makes-good, who returns on her psychoanalyst’s suggestion to Fredricksville, Georgia, in order to “find herself.” A successful author and playwright in New York City, she poses a distinct problem for the residents of The Homestead—a large, communal home left to any member of the Telfair family who wishes to stay—since all of the characters in her novels and plays are based upon her relatives’ antics. And the members of the Telfair clan, for their part, prefer to keep their private comings and goings out of the public eye. Hustlers, hoteliers, swindlers and drunkards, bankers and bank robbers, madams and prostitutes, northern aristocrats and southern gentry, and plain old-fashioned working people are all in Lucinderella, enlivened by the deliciously satirical eye of one of the South’s most extraordinary novelists.
Family Reunion
Bob Otis, an unmarketable author who is just starting his own publishing company in order to get his latest novels in print, is abruptly sidetracked when a relative, so distant that Otis doesn’t even place him, phones from Chicago with a request: his father, who has just died, wishes to be buried in the family plot in a small town in Georgia. This call leads to another wonderful comedy of manners as Otis, whose Southern sense of obligations won’t permit him to totally avoid this undertaking, is reluctantly sucked into a family reunion at the burial site: a burial attended by a cast of wonderfully eccentric characters who also have no knowledge of the deceased. This novella is a direct de...
Country Wedding
Set in eastern Long Island, in an area reminiscent of the Hamptons, it is a tale about a wedding party: the bride and groom each apprehensive, but for different reasons. On the scene are a former lover of the bride’s who makes a sudden appearance and a young swain who is equally taken with the bride-to-be.
Captain Bennett's Folly
Captain Bennett’s Folly is a direct descendant of Fleming’s earlier comic novels, Colonel Effingham's Raid and Lucinderella. Like them, there is a narrator—in this case Walker Williams—who reports an adventure replete with rogues and innocents, while making an artful, funny and wistful case about the immorality of our times. Walker spins out a tale of how he and his hedonistic family journey to the Florida Keys during the hurricane season in order to prevent rich Uncle Nolan Bennett—“pushing eighty but not pushing very hard”—from marrying his young housekeeper and supplanting them as his legitimate heirs. The scheming relatives, however, have a tough adversary in the eccentric Uncle Nolan, and his struggles to escape from their manipulation are at the core of Fleming’s yarn.
