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William Humphrey
This is the first full-length study of the life and writings of the Texas novelist, William Humphrey, who died August 21, 1997. Based on research in Humphrey's vast archives at the University of Texas, it provides the first full picture of his life and identifies many untraced sources of his work. The guiding principle is an exploration of Humphrey's satire on life-destroying myths: the myths of the hunter, the South, the cowboy hero, the Depression-era outlaw, and, supremely, the myth of Texas. To his dismay, Humphrey was often seen as a celebrator of these myths.
From Texas to the World and Back
Katherine Anne Porter's uneasy relationship with her home state has become increasingly important to discussions of her life and work. Born in the now-gone community of Indian Creek and raised in Kyle, Porter is tied to Texas by three major events that occurred during her career. In 1939 she expected to receive the Texas Institute of Letters Award for "Best Texas Book" only to be insulted when the award went to folklorist J. Frank Dobie. In the 1950s she accepted an invitation to lecture at the University of Texas at Austin. During her visit to present that lecture, Porter began to believe that UT would build a library and name it after her, Texas' most famous literary daughter. But somehow ...
dear Hermes...
By turns joyous and adventurous, melancholy and nostalgic, Michelle Smith's debut collection of poems showcases a wide-ranging fascination with places, people, and story. Smith's limpid and humane handling of an array of themes, emotions, and styles-her Norwegian ancestry, her Canadian Prairie heritage, the significance of family, the fragility of memory, world travel, ekphrasis, myth, and more-exemplifies the lyric self on a poetic grand tour, or pilgrimage, to meet the world. Framed by imaginative travelogues addressed to Greek gods, dear Hermes... offers readers an escape and an entrance-out of time and into the poet's luminous experience. Readers who appreciate clear lyric and fleet voicing will relish Smith's poetry.
The Thing about Roy Fisher
The Thing about Roy Fisher is the first critical book to be dedicated to the work of this outstanding poet, who has won many admirers for his explorations of the modem city, his experiments with perception and sensory experience, his jazz-inspired prose, and his political and cultural comedies. The collection brings together a distinguished group of contributors: poets and critics, from several generations, active on both sides of the Atlantic. In a dozen newly commissioned essays they discuss the entire range of Roy Fisher’s work, from its fraught beginnings in the 1950s through such major texts of the 1960s and 1970s as City, The Ship’s Orchestra and Wonders of Obligation, to A Furnace...
Wild Words
As the first collection of literary criticism focusing on Alberta writers, Wild Words establishes a basis for identifying Alberta fiction, poetry, drama, and nonfiction as valid subjects of study in their own right. The idea for this collection began with 100 years of literary tradition for Alberta's centenary. However, Alberta's literary roots go back much farther than that to the oration of First Nation's peoples and the colonizing exploration and travel literature of the 18th and 19th centuries.
Tokyo Notes and Anecdotes
Tokyo Notes & Anecdotes: Natsukashii is Bruce McCormack's story of living and working for ten years in tumultuous Tokyo, Japan. How he came to terms with it and with his gaijin (foreigner) self is informative, funny and poignant.
Rigor of Beauty
William Carlos Williams is widely acknowledged to be among the most important American poets of the twentieth century. This collection includes sixteen new essays from many of the world's leading authorities on Williams, and is published to commemorate the fortieth anniversary of his death in 1963. The volume contains fresh assessments of the nature and extent of Williams's profound and enduring impact on contemporary American poetic traditions, while providing a platform for appraising the neglected achievement of Williams as a writer of fiction and short stories. In doing so these and other essays highlight the nature and importance of Williams's relationship to working class life in twentieth-century America. Additionally, the volume groups together studies focusing on the enduring legacy of Williams's long poem, Paterson, and essays which revise Williams's perceived neglect of African-American and Native-American culture and history.
Common Place Ecstasies
With sublime poetic insight, Wendy McGrath takes us on a tour of everyday objects and events that celebrates what many of us take for granted. A truck-stop diner is obliquely referenced to the subject of Vincent van Gogh's The Night Cafe. A refracted glimpse of a typical suburban couple is transmuted into a modern-day version of a wedding portrait by Jan van Eyck. Old brown boots lined with newspapers sum up the hard life of a construction worker. Tupperware is no ordinary plastic in scattered snapshots from a single day in the life of an outwardly ordinary family.
Vulgar Mechanics
In Vulgar Mechanics, K. B. Thors seeks to invent new strategies for survival through the two most basic tools available to the speaker: language and the body. The work begins in collapse, the poems acting as witness to the death of a mother. The speaker documents how, as her mother’s physical body disintegrates, hidden knowledge rises to the surface in the form of “seismic legacy data.” As dark secrets are released, the desire for justice demands improvisation. Moving from the fracked landscapes of the prairies to the steep verticality of New York, this is a collection concerned with hunger, anger, and the shifting fault-lines between play and pain. The poems celebrate the body as a vehicle of excavation and self-determination in a world in which there may be no such a thing as a safe word. Thors pushes against the boundaries of language – the material of sense, meaning – in order to claim a quantum vision of the self, one who transforms trauma into energy through its own multiplicity. The body becomes both ghost and machine, burning the past in its engine to make something beautiful and new, “a thunder egg / bucking the fire pit.”
The Duchamp Effect
This expanded edition of the fall 1994 special issue of October includes new essays by Sarat Maharaj and by Molly Nesbit and Naomi Sawelson-Gorse. It also includes the transcript of an exchange between T. J. Clark and Benjamin Buchloh which presents new responses to the problems raised by this immediately popular (and now out of print) issue of the journal. The Duchamp Effect is an investigation of the historical reception of the work of Marcel Duchamp from the 1950s to the present, including interviews by Benjamin Buchloh (with Claes Oldenburg, Andy Warhol, and Robert Morris), Elizabeth Armstrong (with Ed Ruscha and Bruce Conner), and Martha Buskirk (with Louise Lawler, Sherrie Levine, and ...
