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Theater of the Avant-Garde, 1890-1950
An essential volume for theater artists and students alike, this anthology includes the full texts of sixteen important examples of avant-garde drama from the most daring and influential artistic movements of the first half of the twentieth century, including Symbolism, Futurism, Expressionism, Dada, and Surrealism. Each play is accompanied by a bio-critical introduction by the editor, and a critical essay, frequently written by the playwright, which elaborates on the play’s dramatic and aesthetic concerns. A new introduction by Robert Knopf and Julia Listengarten contextualizes the plays in light of recent critical developments in avant-garde studies. By examining the groundbreaking theatrical experiments of Jarry, Maeterlinck, Strindberg, Artaud, and others, the book foregrounds the avant-garde’s enduring influence on the development of modern theater.
What is Dramaturgy?
What Is Dramaturgy?attempts to document, by way of articles, statements, and bibliographies, the dramaturg's profession, which began with Lessing in Germany in the second half of the eighteenth century and was instituted in the United States two hundred years later during the rise of the regional theatre movement. As critics-in-residence (also known as literary managers), dramaturgs perform a variety of tasks: broadly speaking, they select and prepare playtexts for performance, advise directors, and educate the audience; they are translators, theatre historians, public lecturers, even «artistic consciences.» Dramaturgy literally means «the craft or the techniques of dramatic composition considered collectively», and in a sense the dramaturg is the dramatist's representative or advocate in the theatre. That is, he is the guardian of the text - new as well as old - and therefore a person whose work is necessary for the revival of dramatic art in our time. What Is Dramaturgy?is dedicated in the end not only to promoting the dramaturg's function, but also to anticipating his creation of an intellectually illumined American theatre.
Akira Kurosawa
This work includes the collected interviews with the first Japanese film director to become widely known in the West when his film "Rashomon" won the top prize at the Venice Film Festival in 1951.
Federico Fellini
Career-spanning interviews with the director of La Strada, La Dolce Vita, The Nights of Cabiria, Juliet of the Spirits, and 81⁄2
Michelangelo Antonioni
Collected interviews with the Italian filmmaker who directed L'avventura, La notte, Blow Up, and Zabriskie Point
Satyajit Ray
Interviews with India's preeminent film director and creator of the Apu trilogy
Loach and Leigh, Ltd
Considering the films of both Ken Loach and Mike Leigh, Bert Cardullo addresses the shared themes of both directors, such as the erosion of regional and class identities in an English landscape rendered increasingly uniform by consumerism.
European Directors and Their Films
In European Directors and Their Films: Essays on Cinema, Bert Cardullo offers readable analyses of some of the most important film artists and individual films of the last several decades. Beyond simple biographical capsules and plot summaries, these readings demonstrate with elegance and clarity what cinema means as well as shows, explaining how international moviemakers use the resources of the medium to pursue complex, significant human goals.
André Bazin and Italian Neorealism
A new collection of posthumous writings by André Baz
Theatrical Reflections
Theatrical Reflections consists of essays on such plays as Hamlet, Leonce and Lena, Curse of the Starving Class, The Birthday Party, The Knight of Olmedo, and Androcles and the Lion in addition to reviews of productions of The Servant of Two Masters, Yerma, The Threepenny Opera, Caligula, and Wings, among other works. The author's focus in his essays is on dramatic analysis that ultimately can be of benefit to directors, designers, and even actors - that is, with analysis of character, action, language, and setting that can be translated into viable concepts for theatrical production. In the case of reviews, of course, he is concerned with evaluating the actual concepts behind various theatrical productions. Most of the plays considered here are regularly produced, and it is the goal of this book to make some contribution to their future staging.
