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Bertha: Shine Like the Dawn is the true story of Bertha, the author’s great-grandmother, born into relative wealth and comfort in 1860 Germany, orphaned as a baby, and begrudgingly raised by two sets of grandparents. Violated by her uncle at seventeen, Bertha becomes pregnant and is quickly married off to a man beneath her standing. After enduring years of domestic violence and forced pregnancies, she finally walks away with four young children and with only her grandmother in Berlin for support. Once there, Bertha finds love with a mysterious man—but will it last? Bertha, who lives through the turn of the century, the sinking of the Titanic, the First World War, the Spanish Flu, The Great Depression, and the Second World War, accepts whatever life gives her, with courage and passion, but most of all with love. This is a tender romance, filled with compassion and many unexpected turns in life. Bertha experiences unbelievable trials, tribulations, and triumphs, as well as great love and great loss. Readers will cheer for her, cry for her, and love with her.
Bertha, is a slave on Master Jackson's plantation in Mississippi before the start of the American Civil War. She is young, sassy, driven, head-strong, and beautiful. Bertha is allowed to work inside of the big house, which is taboo at the time because of her darker skin color. Upon starting working inside of the house she is met with many unexpected challenges that she has to overcome and these challenges do not prepare her for her biggest challenge yet, when she meets a similarly feisty Julia, who is the niece of Master Jackson. Julia's and Bertha's personalities clash initially however, they eventually develop an unspoken friendship through unlikely circumstances and their mutual adoration starts to develop that contradicts their time, their circumstance, and their race.
Get ready to burn the midnight oil with Diamond Duo, a suspense-filled historical romance that will keep you reading with a white-knuckled grip. When Bertha Biddle meets an enigmatic charmer named Annie Monroe, she's hoping to learn from her the art of how to woo a man. But just how far will Bertha go to win her heart's desire? One woman's miserable end still haunts the town of Jefferson, Texas, today.
The management and labor culture of the entertainment industry. In popular culture, management in the media industry is frequently understood as the work of network executives, studio developers, and market researchers—“the suits”—who oppose the more productive forces of creative talent and subject that labor to the inefficiencies and risk aversion of bureaucratic hierarchies. However, such portrayals belie the reality of how media management operates as a culture of shifting discourses, dispositions, and tactics that create meaning, generate value, and shape media work throughout each moment of production and consumption. Making Media Work aims to provide a deeper and more nuanced u...
Outside Japan, the term ’manga’ usually refers to comics originally published in Japan. Yet nowadays many publications labelled ’manga’ are not translations of Japanese works but rather have been wholly conceived and created elsewhere. These comics, although often derided and dismissed as ’fake manga’, represent an important but understudied global cultural phenomenon which, controversially, may even point to a future of ’Japanese’ comics without Japan. This book takes seriously the political economy and cultural production of this so-called ’global manga’ produced throughout the Americas, Europe, and Asia and explores the conditions under which it arises and flourishes; ...
In this book the different manifestations, meanings, and processes of the star and celebrity confessional will be explored. The confessional is taken to be any moment in which a star, celebrity, or fan engages in revelatory acts that are considered to be authentic, heart-felt, and honest. These confessional encounters can take place in an interview, through performance and presentation events, online, and in ‘unscripted’ encounters. A star may break down in tears, or reveal a previously unknown truth about their private life. However, this authenticity is often found to have been manufactured, or is timed to occur against a new release or product launch. Alternatively, the desire to confess may be seen to draw attention to the centrality of pseudo forms of emotion in contemporary culture and the obsessional behaviour it produces. In this book authors consider acts of confession by celebrities such as Tom Cruise, Michael Jackson, Jade Goody, Britney Spears, Sarah Jessica Parker, Tracey Emin, and Russell Crowe.
Introduction: why still study fans? / Cornel Sandvoss, Jonathan Gray, and C. Lee Harrington -- Fan texts and objects -- The death of the reader? : literary theory and the study of texts in popular culture / Cornel Sandvoss -- Intimate intertextuality and performative fragments in media fanfiction / Kristina Busse -- Media academics as media audiences : aesthetic judgments in media and cultural studies / Matt Hills -- Copyright law, fan practices, and the rights of the author (2017) / Rebecca Tushnet -- Toy fandom, adulthood, and the ludic age : creative material culture as play / Katriina Heljakka -- Spaces of fandom -- Loving music : listeners, entertainments, and the origins of music fando...
There are four rules to the old, painted music box:Wind the box three times only. Never wind the boxwhile the music plays. Never shut the box while themusic plays. Never move the box until the musicstops.Leo wouldn't dream of breaking these rules, but hisstubborn cousin Mimi never does what she's told.She winds the box four times--and suddenly thepaintings on its side come to life and a powerfulwitch is released. Now Leo and Mimi must stop thewitch, if only they can find the key to the musicbox--and the magical world it contains.
This is the first comprehensive primer for classroom use that shows students how to do fan studies in practical terms. With contributions from a range of established and emerging scholars, coeditors Paul Booth and Rebecca Williams pull together case studies that demonstrate the wide array of methodologies available to fan studies scholars, such as auto/ethnography, immersion, interviews, online data mining, historiography, and textual analysis.
This collection examines Blackpool, Britain’s first and largest working-class seaside resort as a location for the production and consumption of British film and popular music, and the meaning of ‘Blackpool’ in films and songs. It examines representation of Blackpool in films such as Hindle Wakes, A Taste of Honey, Bhaji on the Beach, Away, Bob’s Weekend, The Harry Hill Movie and Miss Peregrine's Home for Peculiar Children, linking it to the concepts of heterotopia, purgatory, fantasy, simulacra and the carnivalesque. It also presents music in Blackpool through the history of its venues and examines development of punk and grime music in this seaside town. The authors argue that Blackpool in filmic and musical texts often stands for British culture, but increasingly for culture which is remembered or imagined rather than present and real.