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Writing Men
Comprising 14 individual case studies of work such as Heart of Darkness and Irvine Welsh's Marabou Stork Nightmares, this text gives a critical outline of the historical development of literary representations of masculinity.
Mary Shelley, Frankenstein
Frankenstein, Mary Shelley's first novel, has established itself as one of modernity's most compelling and ominous myths. The story of the ambitious student of natural philosophy, who discovers the secret of life and constructs a living thing from inanimate materials, exudes an enduring fascination as an apt allegory of our own fraught relationship with the ever more complex machines we create. Skilfully conflating tradition and the individual imagination, Frankenstein poignantly captures the spirit of the early 1800s as an age of transition tragically divided between scientific progress and religious conservatism, revolutionary reform and conformist reaction.
Cosmopolitan Novel
While traditionally the novel has been seen as tracking the development of the nation state, Schoene queries if globalisation might currently be prompting the emergence of a new sub-genre of the novel that is adept at imagining global community. The book introduces a new generation of contemporary British writers (Rachel Cusk, Kiran Desai, Hari Kunzru, Jon McGregor and David Mitchell) whose work is read against that of established novelists Arundhati Roy, James Kelman and Ian McEwan. Each chapter explores a different theoretical key concept, including 'glocality', 'glomicity', 'tour du monde', 'connectivity' and 'compearance'. Key Features:* Defines the new genre of the 'cosmopolitan novel' ...
Mary Shelley, Frankenstein
"This Guide encapsulates the most important critical reactions to a novel that straddles the realms of both "high" literature and popular culture. The selections shed light on Frankenstein's historical and socio-political relevance, its innovative representations of science, gender, and identity, as well as its problematic cultural location between academic critique and creative production.
Posting the Male
The essays collected in Posting the Male examine representations of masculinity in post-war and contemporary British literature, focussing on the works of writers as diverse as John Osborne, Joe Orton, James Kelman, Ian Rankin, Carol Ann Duffy, Alan Hollinghurst, Ian McEwan, Graham Swift and Jackie Kay. The collection seeks to capture the current historical moment of ‘crisis’, at which masculinity loses its universal transparency and becomes visible as a performative gender construct. Rather than denoting just one fixed, polarised point on a hierarchised axis of strictly segregated gender binaries, masculinity is revealed to oscillate within a virtually limitless spectrum of gender identities, characterised not by purity and self-containment but by difference and alterity. As the contributors demonstrate, rather than a gender ‘in crisis’ millennial manhood is a gender ‘in transition’. Patriarchal strategies of man-making are gradually being replaced by less exclusionary patterns of self-identification inspired by feminism. Men have begun to recognise themselves as gendered beings and, as a result, masculinity has been set in motion.
Frankenstein, Creation, and Monstrosity
Deals with the place of the monster in Western
Marabou Stork Nightmares
Roy Strang is engaged in a strange quest in a surrealist South Africa. His mission is to eradicate an evil predator-scavenger bird, the marabou stork, before it drives away the peace-loving flamingo from the picturesque Lake Torto. But behind this world lies another: the world of Roy's bizarre family, the Scottish housing scheme in which he grew up, his mundane job, a disastrous emigration to Africa, and his youthful life of brutality with a gang of soccer casuals. As one world crashes into the other, this potentially charming story of ornithological goodwill mutates into a filthy tale of violence, abuse and redemption.
A History of Twentieth-Century British Women's Poetry
Publisher Description
Reproducing Enlightenment
Written at the crossroads of aesthetics and politics, Reproducing Enlightenment: Paradoxes of the Body Politic undertakes readings of literary and philosophical texts, ranging from Immanuel Kant, Mary Shelley, Jean-Jacques Rousseau, Johann Wolfgang von Goethe, Friedrich Schiller, Wilhelm von Humboldt and Heinrich von Kleist, to explore the dilemma of reproduction as a privileged figure for marking gender, culture and class distinctions against the formality of the emergent democratic subject around 1800. In particular, this study mines Shelley and Kleist for signs of social being lost to enlig.
Writing Men
Berthold Schoene-Harwood develops a trajectory of masculine emancipation from the monstrous imagery of nineteenth-century fiction to contemporary men writers' experimental new discourse of écriture masculine.
