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Along the fertile banks of the Mississippi River across from New Orleans, planter Camille Zeringue transformed a mediocre colonial plantation into a thriving gem of antebellum sugar production, complete with a columned mansion known as Seven Oaks. Under the moss-strewn oaks, the privileged master nurtured his own family, but enslaved many others. Excelling at agriculture, business, an ambitious canal enterprise, and local politics, Zeringue ascended to the very pinnacle of southern society. But his empire soon came crashing down. After the ravages of the Civil War and a nasty battle with a railroad company the family eventually lost the great estate. Seven Oaks ultimately ended up in the han...
Ruth Ainsworth is a happy, confident teen living in Massachusetts in 1947. She has a strong circle of friends and a secure family, and she excels at her studies. She is full of optimism for her senior year, mostly because shes dating Rex Gardner, the star of the Hampden High School football team. They start their last school year, and everything is going well for Ruthuntil Rex suddenly breaks up with her and begins dating a junior cheerleader. Ruth is heartbroken, but she fights off the pain by focusing on school and the girls basketball team. When Ruth meets Maurice Langlois, a French-speaking Canadian immigrant, he helps her forget about Rex. As their love grows, however, they realize they will soon be separated by hundreds of miles when they leave for college. Their attempt to resolve problems related to their separation gets even more complicated when Rex makes a surprising reappearance in Ruths life. Will Ruth and Maurices love for each other survive?
For Gwendolyn Wright, the houses of America are the diaries of the American people. They create a fascinating chronicle of the way we have lived, and a reflection of every political, economic, or social issue we have been concerned with. Why did plantation owners build uniform cabins for their slaves? Why were all the walls in nineteenth-century tenements painted white? Why did the parlor suddenly disappear from middle-class houses at the turn of the century? How did the federal highway system change the way millions of Americans raised their families? Building the Dream introduces the parade of people, policies, and ideologies that have shaped the course of our daily lives by shaping the rooms we have grown up in. In the row houses of colonial Philadelphia, the luxury apartments of New York City, the prefab houses of Levittown, and the public-housing towers of Chicago, Wright discovers revealing clues to our past and a new way of looking at such contemporary issues as integration, sustainable energy, the needs of the elderly, and how we define "family."
A study of historic architectural styles of New Orleans homes. This presentation of nineteenth-century gouache and watercolor archival paintings from the New Orleans Notarial Archives offers a glimpse at what old, renovated, restored, and new buildings in New Orleans neighborhoods not only might look like, but how they should look. Including examples of each New Orleans house type, ranging from the French colonial plantation home to the Creole cottage, this volume offers historic plans for each house along with contemporary adaptive-use alternatives to suit modern needs. An architectural pattern book, educational tool, city planner’s handbook, and stunning visual presentation, this gorgeou...
Focuses on one of the most comprehensive 19th-century Greek Revival communities.
Originally commissioned in 1984, this report deals with the historical geography and archeology of the Battle of New Orleans during the War of 1812 as it pertained to the Chalmette Battlefield. It touches upon how people put the battlefield to use after the War of 1812 as a place for generations of people as they live, work, and play. Also covered are some of the things, both bad and good, we have done over the years to commemorate the battle and remember this important event in our nation's past.
Published under the auspices of The Friends of the Cabildo, an auxiliary of the Louisiana State Museum.
Names are listed in alphabetical order.