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Faces in the Moon
Faces in the Moon is the story of three generations of Cherokee women, as viewed by the youngest, Lucie, a woman who has been able to use education and her imagination to escape the confines of her rootless, impoverished upbringing. When her mother’s illness summons her back to Oklahoma, Lucie finds herself confronted with the legacy of a childhood she has worked hard to separate from her adult self. Her mother, Gracie, and her maternal aunt, Auney, are members of the Cherokees’ "lost generation," women who rejected the traditional rural ways in search of a more glamorous life as autonomous working women.
The Turn to the Native
The Turn to the Native is a timely account of Native American literature and the critical writings that have grown up around it. Arnold Krupat considers racial and cultural “essentialism,” the ambiguous position of non-Native critics in the field, cultural “sovereignty” and “property,” and the place of Native American culture in a so-called multicultural era. Chapters follow on the relationship of Native American culture to postcolonial writing and postmodernism. Krupat comments on the recent work of numerous Native writers. The final chapter, “A Nice Jewish Boy among the Indians,” presents the author’s effort to balance his Jewish and working-class heritage, his adherence to Western “critical” ideals, and his ongoing loyalty to the values of Native cultures.
That the People Might Live
Loyalty to the community is the highest value in Native American cultures, argues Jace Weaver. In That the People Might Live, he explores a wide range of Native American literature from 1768 to the present, taking this sense of community as both a starting point and a lens. Weaver considers some of the best known Native American writers, such as Leslie Marmon Silko, Gerald Vizenor, and Vine Deloria, as well as many others who are receiving critical attention here for the first time. He contends that the single thing that most defines these authors' writings, and makes them deserving of study as a literature separate from the national literature of the United States, is their commitment to Na...
Gerald Vizenor
Kimberly M. Blaeser begins with an examination of Vizenor's concept of Native American oral culture and his unique incorporation of oral tradition in the written word. She details Vizenor's efforts to produce a form of writing that resists static meaning, involves the writer in the creation of the literary moment, and invites political action and explores the place of Vizenor's work within the larger context of contemporary tribal literature, Native American scholarship, and critical theory.
University of Michigan Official Publication
Each number is the catalogue of a specific school or college of the University.
New Contexts of Canadian Criticism
Times change, lives change, and the terms we need to describe our literature or society or condition—what Raymond Williams calls “keywords”—change with them. Perhaps the most significant development in the quarter-century since Eli Mandel edited his anthology Contexts of Canadian Criticism has been the growing recognition that not only do different people need different terms, but the same terms have different meanings for different people and in different contexts. Nation, history, culture, art, identity—the positions we take discussing these and other issues can lead to conflict, but also hold the promise of a new sort of community. Speaking of First Nations people and their literature, Beth Brant observes that “Our connections … are like the threads of a weaving. … While the colour and beauty of each thread is unique and important, together they make a communal material of strength and durability.” New Contexts of Canadian Criticism is designed to be read, to work, in much the same manner.
American Mythologies
This challenging new book looks at the current reinvention of American Studies: a reinvention that, among other things, has put the whole issue of just what is ‘American’ and what is ‘American Studies’ into contention. The collection focuses, in particular, on American mythology. The editors themselves have written essays that examine the connections between mythologies of the United States and those of either classical European or Native American traditions. William Blazek considers Louise Erdrich’s Love Medicine novels as chronicles combining Ojibwa mythology and contemporary U.S. culture in ways that reinvest a sense of mythic identity within a multicultural, postmodern America....
The Oxford Encyclopedia of American Literature
This set treats the whole of American literature, from the European discovery of America to the present, with entries in alphabetical order. Each of the 350 substantive essays is a major interpretive contribution. Well-known critics and scholars provide clear and vividly written essays thatreflect the latest scholarship on a given topic, as well as original thinking on the part of the critic. The Encyclopedia is available in print and as an e-reference text from Oxford's Digital Reference Shelf.At the core of the encyclopedia lie 250 essays on poets, playwrights, essayists, and novelists. The most prominent figures (such as Whitman, Melville, Faulkner, Frost, Morrison, and so forth) are trea...
Postcolonial Theory and the United States
At the beginning of the twenty-first century, we may be in a “transnational” moment, increasingly aware of the ways in which local and national narratives, in literature and elsewhere, cannot be conceived apart from a radically new sense of shared human histories and global interdependence. To think transnationally about literature, history, and culture requires a study of the evolution of hybrid identities within nation-states and diasporic identities across national boundaries. Studies addressing issues of race, ethnicity, and empire in US culture have provided some of the most innovative and controversial contributions to recent scholarship. Postcolonial Theory and the United States: ...
Mixedblood Messages
In this challenging and often humorous book, Louis Owens examines issues of Indian identity and relationship to the environment as depicted in literature and film and as embodied in his own mixedblood roots in family and land. Powerful social and historical forces, he maintains, conspire to colonize literature and film by and about Native Americans into a safe "Indian Territory" that will contain and neutralize Indians. Countering this colonial "Territory" is what Owens defines as "Frontier," a dynamic, uncontainable, multi-directional space within which cultures meet and even merge. Owens offers new insights into the works of Indian writers ranging from John Rollin Ridge, Mourning Dove, and...
