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The essays in this volume demonstrate the range of revisioning of women's reinterpretations of patriarchal texts. Women's responses are reaching beyond the story and into the primal bases for narrative: the philosophies, theologies, psychology, politics, and archetypal geneses that comprise the origins of narrative itself. 'He Said, She Says' brings together myriad perspectives that cover such primal narratives as the Bible, the Torah, mythology, traditional literary texts, male depictions of female sexuality, patriarchal Marxism, American democracy, and multiculturalism.
The essays in Canadian Cultural Exchange / Échanges culturels au Canada provide a nuanced view of Canadian transcultural experience. Rather than considering Canada as a bicultural dichotomy of colonizer/colonized, this book examines a field of many cultures and the creative interactions among them. This study discusses, from various perspectives, Canadian cultural space as being in process of continual translation of both the other and oneself. Les articles réunis dans Canadian Cultural Exchange / Échanges culturels au Canada donnent de l’expérience transculturelle canadienne une image nuancée. Plutà ́t que dans les termes d’une dichotomie biculturelle entre colonisateur et colonisé, le Canada y est vu comme champ oÃ1 plusieurs cultures interagissent de manià ̈re créative. Cette étude présente sous de multiples aspects le processus continu de traduction d’autrui et de soi-mÃame auquel l’espace culturel canadien sert de théâtre.
The relationship between translation and conflict is highly relevant in today’s globalised and fragmented world, and this is attracting increased academic interest. This collection of essays was inspired by the first international conference to directly address the translator and interpreter’s involvement in situations of military and ideological conflict, and its representation in fiction. The collection adopts an interdisciplinary approach, and the contributors to the volume bring to bear a variety of perspectives informed by media studies, historiography, literary scholarship and self-reflective interpreting and translation practice. The reader is presented with compelling case studies of the ‘embeddedness’ of translators and interpreters, either on the ground or as portrayed in fiction, and of their roles in mediating, memorizing or rewriting conflict. The theoretical reflection which the essays generate regarding mediation and neutrality, ethical involvement and responsibility, and the implications for translator and interpreter training, will be of interest to researchers in translation, interpreting, media, intercultural and postcolonial studies.
John C. Maher explains why societies everywhere have become more multilingual, despite the disappearance of hundreds of the world languages. He considers our notion of language as national or cultural identities, and discusses why nations cluster and survive around particular languages even as some territories pursue autonomy or nationhood.
This volume focuses on the highly debated topic of theatrical translation, one brought on by a renewed interest in the idea of performance and translation as a cooperative effort on the part of the translator, the director, and the actors. Exploring the role and function of the translator as co-subject of the performance, it addresses current issues concerning the role of the translator for the stage, as opposed to the one for the editorial market, within a multifarious cultural context. The current debate has shown a growing tendency to downplay and challenge the notion of translational accuracy in favor of a recreational and post-dramatic attitude, underlying the role of the director and p...
Routledge Handbook of East Asian Translation showcases new research and developments in translation studies within the East Asian context. This handbook draws attention to the diversity of scholarship on translation in East Asia, and its relevance to a variety of established and emerging fields. It focuses on hitherto less-explored interactions, such as intra-Asian translation encounters, translation of minority languages, and translation between East Asian and non-European languages, while also contributing to a thriving body of historical scholarship on East Asian translation traditions. Contributions reflect a growing awareness of the cultural and linguistic heterogeneity within nations, ...
This book presents an East-West dialogue of leading translation scholars responding to and developing Martha Cheung’s "pushing-hands" method of translation studies. Pushing-hands was an idea Martha began exploring in the last four years of her life, and only had time to publish at article length in 2012. The concept of pushing-hands suggests a promising line of inquiry into the problem of conflict in translation. Pushing-hands opens a new vista for translation scholars to understand and explain how to develop an awareness of non-confrontational, alternative ways to handle translation problems or problems related to translation activities that are likely to give rise to tension and conflict. The book is a timely contribution to celebrate Martha's work and also to move the conversation forward. Despite being somewhat tentative and experimental, it probes into how to enable and develop dynamic interaction between and reciprocal determinism of different hands involved in the process of translation.
Time’s Fool: Essays in Context is a collection of essays on a broad range of topics, from Gilgamesh to James Joyce – and beyond: to Kazuo Ishiguro, Michael Ondaatje, Yaşar Kemal, Cormac McCarthy, Abdulrahman Munif, and many others. Time’s Fool is a memorial to the life work of A. Clare Brandabur, who walked away from a tenure-track teaching position at the University of Illinois to embark on a career of teaching in Middle Eastern universities in Jordan, Syria, Bahrain, occupied Palestine, Cyprus, Ankara, and finally Istanbul, where she taught for the last decade and a half of her life. Had Clare stayed with a career at a “Research I” university in the United States, her scholarshi...
Comment les littératures du monde entier ont elles, chacune à sa façon ou s'inspirant mutuellement, vécu, assumé, rejeté les modèles culturels, artistiques et linguistiques, que de force ou de gré elles ont été amenées à accueillir au long des siècles? Comment les traductions, vecteurs premiers des relations interlittéraires, ont elles joué de leurs immenses ressources pour dissimuler, encourager ou décourager la constante et périlleuse mise en cause des traditions nationales?Les quatorze contributions de ce volume nous offrent un éventail de réponses à ces deux questions. De la France au Japon, de la Chine aux Etats-Unis, du Brésil à la Pologne, nous voyons se déploye...