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"The scholarship exhibited here is not only superior; it is in many ways staggering. The author's control of an astonishing range of primary and secondary texts from many languages, eras, and disciplines is awe-inspiring. This is a learned, original, and important work."—Robert Goldman, Sanskrit and India Studies, University of California, Berkeley
"The Taming of the Demons" examines mythic and ritual themes of violence, demon taming, and blood sacrifice in Tibetan Buddhism. Taking as its starting point Tibet's so-called age of fragmentation (842 to 986 C.E.), the book draws on previously unstudied manuscripts discovered in the "library cave" near Dunhuang, on the old Silk Road. These ancient documents, it argues, demonstrate how this purportedly inactive period in Tibetan history was in fact crucial to the Tibetan assimilation of Buddhism, and particularly to the spread of violent themes from tantric Buddhism into Tibet at the local and the popular levels. Having shed light on this "dark age" of Tibetan history, the second half of the book turns to how, from the late tenth century onward, the period came to play a vital symbolic role in Tibet, as a violent historical "other" against which the Tibetan Buddhist tradition defined itself.
There are twelve authoritative Upanisads. This study covers the eight out of the twelve- Isa, Kena, Katha, Mundaka, Svetasvatara, Chandoogya and Brhadarabyaka. This book intends to offer a new perspective to the Upanisads. It will surely be helpful to all the students of Indian Philosophy.
“Rama’s Last Act” by Bhava·bhuti is counted among the greatest Sanskrit dramas. The work at once dramatizes the “Ramáyana”—it is one of the earliest theatrical adaptations of Valmíki’s epic masterpiece—and revises its most intractable episode, the hero’s rejection of his beloved wife. Human agency in the face of destiny, the power of love, and the capacity of art to make sense of such mysteries are the themes explored in this singular literary achievement of the Indian stage. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org
This book is the first to present current scholarship on gender and in regional and sectarian versions of the Rāmāyaṇa. Contributors explore in what ways the versions relate to other Rāmāyaṇa texts as they deal with the female persona and the cultural values implicit in them. Using a wide variety of approaches, both analytical and descriptive, the authors discover common ground between narrative variants even as their diversity is recognized. It offers an analysis in the shaping of the heterogeneous Rāma tradition through time as it can be viewed from the perspective of narrating women's lives. Through the analysis of the representation and treatment of female characters, narrative inventions, structural design, textual variants, and the idiom of composition and technique in art and sculpture are revealed and it is shown what and in which way these alternative versions are unique. A sophisticated exploration of the Rāmāyaṇa, this book is of great interest to academics in the fields of South Asian Studies, Asian Religion, Asian Gender and Cultural Studies.
This pioneering work examines the existing understanding of Hinduism in relation to human rights discourse. Written by a leading Hindu scholar, Hindu Narratives on Human Rights is organized around specific rights, such as the right to own property, the rights of children, women's rights, and animal rights. Within these categories and in light of the questions they raise, the book provides a guided tour of Hindu narratives on ethics, ranging from the famous religious epics, the Mahabharata and the Ramayana, to various forms of secular literature drawn from almost a thousand years of Indic civilization. The realization that Hindu ethical discourse is narrative rather than propositional is a relatively recent one. Hence, the prevailing tendency in the West has been to overlook it in the context of the discussion of human rights. This book was written to correct that oversight. It shows that the presence of the universal in the particular in Hindu stories is a key to understanding Hindu thinking about human rights—and it indicates ways in which Hindu ethical discourse can interact creatively with modern human rights discourse.
For the first time, this influential study by Ludwig Alsdorf is made available to an English speaking audience, translated by Bal Patil. It focuses on two of the most pertinent issues in Indian religion, the history of vegetarianism and cow-veneration, and its historical approach remains relevant to this day. With reference to significant brahminical texts, such as key chapters of the Book of Manu, the book centres on the author’s analysis of the role of Jinism in the history of vegetarianism. The author explores the history of meat-eating in India and its relationship to religious thought and custom, and searches for solutions to the problem of cattle veneration. Besides a comprehensive translation of the original German manuscript "Beiträge zur Geschichte von Vegetarismus und Rinderverehrung in Indien", four important articles directly related to Alsdorf’s work by Kapadia, Heesterman and Schmidt are made available in this new edition. These additional contributions and careful notes by the editor Willem Bollée add a modern perspective to a study that remains a key reference for students and scholars of Religious Studies, Asian Studies and History.
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