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Publishing as Practice
On the work of three contemporary artist's-book publishers who have developed fresh ways of broaching politics in publishing This book documents Publishing as Practice, a residency at Ulises--a curatorial platform based in Philadelphia--that explores publishing as an incubator for new forms of editorial, curatorial and artistic practice. Over the course of two years, three publishers activated Ulises as an exhibition space and public programming hub, engaging the public through workshops, discussions and projects. Residents included Hardworking Goodlooking, the publishing arm of Philippines-based, social-practice platform The Office of Culture and Design; Dominica, an imprint run by Martine Syms dedicated to exploring Blackness as a topic, reference, marker and audience in visual culture; and Bidoun, a non-profit organization focused on art and culture from the Middle East and its diasporas. The book features a preface by David Senior, an essay by Gee Wesley and Ulises Carrión's 1975 publishing manifesto "The New Art of Making Books," alongside documentation of the works produced.
How to Write About Africa
A trailblazing collection of writing from Binyavanga Wainaina's extraordinary life, featuring an introduction from his long-time friend, Chimamanda Ngozi Adichie Binyavanga Wainaina was a seminal author and creative force, remembered as one of the greatest chroniclers of contemporary African life. This ground-breaking collection brings together, for the first time, Binyavanga’s pioneering writing on the African continent including many of his most critically acclaimed pieces, such as the viral satirical sensation How to Write About Africa. Writing fearlessly across a range of topics - from politics to international aid, cultural heritage and redefining sexuality - this is a remarkable illustration of a writer at the height of his power. 'A fierce literary talent' Nesrine Malik, Guardian ‘A provocative satirist . . . his omnivorous brilliance [was] matched by ambition and vision on a continental scale’ New York Times
A Blue Hand
In 1961, Allen Ginsberg Left New York By Boat For Bombay. He Brought With Him His Troubled Lover, Peter Orlovsky, And A Plan To Meet Up With Poets Gary Snyder And Joanne Kyger. He Left Behind Not Only Fellow Beats Jack Kerouac, Gregory Corso, And William Burroughs, But Also The Relentless Notoriety That Followed The Publication Of Howl, The Epic Work That Branded Him The Voice Of A Generation. Drawing From Extensive Research, Undiscovered Letters, Journals, And Memoirs, Acclaimed Biographer Deborah Baker Has Woven A Many-Layered Literary Mystery Out Of Ginsberg S Odyssey. A Blue Hand Follows The Poet And His Companions As They Travel From The Ashrams Of The Himalayan Foothills To Delhi Opium...
Accidental Gods
Spanning the globe and five centuries, Accidental Gods introduces us to a new pantheon: of man-gods, deified politicians and imperialists, militants, mystics and explorers. From the conquistadors setting foot in the New World to Haile Selassie of Ethiopia, elevated by a National Geographic article from emperor to messiah for the Rastafari faith, to the unlikely officers hailed as gods during the British Raj, this endlessly curious and revelatory account chronicles an impulse towards deification that persists even in a secular age, as show of defiance or assertion of power. In her bravura final part, Subin traces the colonial desire for divinity through to the creation of 'race' and the white power movement today, and argues that it is time we rid ourselves of the white gods among us.
The Puppet
The Puppet, a mythic tale of greed and political corruption, traces the rise, flourishing, and demise of a Saharan oasis community. Aghulli, a noble if obtuse man who has been chosen leader of the oasis, hankers after the traditional nomadic pastoralist life of the Tuareg. He sees commerce (understood as including trade in gold, marriage, agriculture, and even recreation) as the prime culprit in the loss of the nomadic ethos. Thus he is devastated to learn that his supporters are hoarding gold. The novel's title notwithstanding, the author has stressed repeatedly that he is not a political author. He says that The Puppet portrays a good man who has been asked to lead a corrupt society. The subplot about star-crossed young lovers introduces a Sufi theme of the possibility of transforming carnal into mystical love. The Puppet, though, is first and foremost a gripping, expertly crafted tale of bloody betrayal and revenge inspired by gold lust and an ancient love affair.
Bidoun
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I'jaam
A risky and risqué prison memoir depicts the collective nightmare of life under Saddam.
The Crash of '79
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Etel Adnan
Etel Adnan (b.1925) is a Lebanese-American poet, essayist and visual artist. This will be the first book to present a full account of Adnan's fascinating life and work, using the drama of her biography, the complexity of her identity, and the cosmopolitan nature of her experience to illuminate the many layers and dimensions of her paintings and their progress over several crucial decades. Adnan came relatively late to painting - her first images were created in the mid-1960s in response to the Californian landscape. Her vocabulary of lines, shapes and colours has changed little since then, and yet there are huge variations in mood, texture, composition and material. Similarly, there is a balance between understanding her paintings as pure abstractions, emulating the shape of thought, and seeing them for the actual landscapes of the many places Adnan has loved, embraced and responded to. Tackling the complexities of her subject with skill and insight, Kaelen Wilson-Goldie unpacks Adnan's multi-layered career to capture the full scope of her artistic endeavours and impressive achievements.
Stranger Magic
Our foremost theorist of myth, fairytale, and folktale explores the magical realm of the imagination where carpets fly and genies grant prophetic wishes. Stranger Magic examines the profound impact of the Arabian Nights on the West, the progressive exoticization of magic, and the growing acceptance of myth and magic in contemporary experience.
