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On Being a Photographer
  • Language: en

On Being a Photographer

  • Type: Book
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  • Published: 1997
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  • Publisher: Unknown

This is a book on how to think and act like a photographer, culled from practical experience and from the lives of many fine photographers past and present.

Men Like Me
  • Language: en
  • Pages: 60

Men Like Me

  • Type: Book
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  • Published: 2005
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  • Publisher: Unknown

None

Cyanide & Spirits
  • Language: en
  • Pages: 280

Cyanide & Spirits

  • Type: Book
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  • Published: 1991
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  • Publisher: Unknown

None

61 Pimlico
  • Language: en
  • Pages: 78

61 Pimlico

  • Type: Book
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  • Published: 1998
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  • Publisher: Unknown

None

Views on Nudes
  • Language: en
  • Pages: 168

Views on Nudes

None

Bill Jay's Album
  • Language: en
  • Pages: 248

Bill Jay's Album

  • Type: Book
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  • Published: 2007
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  • Publisher: Unknown

None

Leading with My Chin
  • Language: en

Leading with My Chin

Long before he became the host of the tonight show, Jay Leno was dubbed by the media and his peers alike as the "Hardest-working Man in Show Business." Performing comedy at a breakneck pace, he played more than 300 dates a year and traveled to every corner of the nation. Or as his mother who never quite understood what he did for a living, liked to say, "Going from town to town, putting on his little skits."--

Robert Demachy 1859-1936
  • Language: en
  • Pages: 96

Robert Demachy 1859-1936

  • Type: Book
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  • Published: 1974
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  • Publisher: Unknown

None

Looking in
  • Language: en
  • Pages: 506

Looking in

Edited and text by Sarah Greenough. Additional text by Anne Tucker, Stuart Alexander, Martin Gasser, Jeff Rosenheim, Michel Frizot, Luc Sante, Philip Brookman.

Brandt
  • Language: en
  • Pages: 320

Brandt

  • Type: Book
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  • Published: 1999
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  • Publisher: Unknown

A comprehensive study of the work of photographer Bill Brandt, and a catalogue to an exhibition at the Barbican Centre in London. Brandt's work falls across a number of categories. He created odd, surrealist compositions, stemming from his early work in Man Ray's Paris studio, as well as telling images conveying social comment on Britain in the 1930s. His intensely dark portrayals of London and the industrial towns of northern England contrast with his softer, even lyrical evocations of landscape. He is perhaps best known for his sequence of ever more abstracted studies of the nude, but his telling portrayals of artists from the same period remain immediate and perceptive decades later. This book explores, on a large scale, all the different aspects of Brandt's work.