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This is a volume of living history - the history of our times, as seen by the photographers who captured it. It is the most comprehensive anthology of LIFE photography ever assembled, and illustrates the strengths that made many of these individuals famous - and LIFE great. This book, an enormous international success in hardback, is now available in a new, compact, paperback edition.
An introduction to 500 photographers from the mid-19th century to today.
Furnishes an overview of digital photography, covering such topics as cameras, exposure, lighting, shutter speed, depth of field, and resolution--and tips on how to avoid hours of photo-editing by taking great photographs the first time.
An exceptional and gritty portrait of Japan and its people by the renowned Magnum street photographer Bruce Gilden.
Award-winning photographer Matt Black traveled over 100,000 miles to chronicle the reality of today’s unseen and forgotten America. When Magnum photographer Matt Black began exploring his hometown in California’s rural Central Valley—dubbed “the other California,” where one-third of the population lives in poverty—he knew what his next project had to be. Black was inspired to create a vivid portrait of an unknown America, to photograph some of the poorest communities across the US. Traveling across forty-six states and Puerto Rico, Black visited designated “poverty areas,” places with a poverty rate above 20 percent, and found that poverty areas are so numerous that they’re...
"In the camera as historian, the groundbreaking historical and visual anthropologist Elizabeth Edwards works with an archive of neraly 55,000 photographs taken by 1,000 photographers, mostly unknown until now." -- Inside cover.
Women Photographers and Feminist Aesthetics makes the case for a feminist aesthetics in photography by analysing key works of twenty-two women photographers, including cis- and trans-woman photographers. Claire Raymond provides close readings of key photographs spanning the history of photography, from nineteenth-century Europe to twenty-first century Africa and Asia. She offers original interpretations of well-known photographers such as Diane Arbus, Sally Mann, and Carrie Mae Weems, analysing their work in relation to gender, class, and race. The book also pays close attention to the way in which indigenous North Americans have been represented through photography and the ways in which contemporary Native American women photographers respond to this history. Developing the argument that through aesthetic force emerges the truly political, the book moves beyond polarization of the aesthetic and the cultural. Instead, photographic works are read for their subversive political and cultural force, as it emerges through the aesthetics of the image. This book is ideal for students of Photography, Art History, Art and Visual Culture, and Gender.
The photographs of the First World War offer an extraordinary range of images, and in this book Jane Carmichael draws on her great expertise and knowledge in this area to look at how those photographs came to be taken. She examines the work of the official, press and amateur photographers, and reproduces over 100 photographs from the archive of the Imperial War Museum, one of Britain's great photographic collections. She focuses on the growing use of the photograph as a medium for the masses and as a historical document, making us aware of the operations of propaganda and journalism during the period and enhancing our appreciation of the photographic documents of the war.
This features compelling images of some of the world's best known stars of stage and screen, as well as beautifully captured faces of people around the world.
With her sensitive approach, her power of persuasion, and her astonishing persistence, Tina Ruisinger has succeeded in creating wonderful portraits of outstanding personalities who, having spent their lives behind the camera, are often extremely reluctant to expose themselves to the probing lens of a fellow photographer. These are artists whose works are etched in our memories but whose faces and life stories are largely unknown to most people. Tina Ruisinger photographed most of these photographers in their own private surroundings and interviewed most of them about their life and work. Complemented by the photographer's personal recollections of these encounters, the memorable words of her subjects underscore the intimacy and the intimate quality of these photographic portraits.