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This seminal work examines the concurrence of childhood rebellion and conformity in Bengali literary texts (including adult texts), a pertinent yet unexplored area, making it a first of its kind. It is a study of the voice of child protagonists across children’s and adult literature in Bengali vis-à-vis the institutions of family, the education system, and the nationalist movement in the ninenteenth and twentieth centuries.
A cinematic masterpiece, Bimal Roy's Madhumati is an enduring classic, and one of the most enduring legacies bequeathed to the Indian film industry by the black-and-white era. Starring the legendary thespians Dilip Kimar, Vyjayanthimala and Pran, Madhumati combined a heartbreaking saga of love with a convincing, spine-chilling ghost story to create an award-winning hit movie which continues to inspire Bollywood even today. In Bimal Roy's Madhumati: Untold Stories from Behind the Scenes, his daughter, Rinki Roy Bhattacharya, explores how Roy's biggest commercial success was made; revisiting shoot locations, meeting people who were involved in its making, building on reminiscences, media reports, interviews and, most importantly, the memories of the three stars-Dilip Kumar, Vyjayantimala and Pran. With a tribute by Amitabh Bachchan, a foreword by Vyjayanthimala and exclusive on-location photographs, this book is a must-have, both for fans of this iconic film and for those interested in the history of the Indian film industry.
This book constitutes the refereed proceedings of the Second International Conference, ICSP 2021, held in Jamshedpur, India, in November 2021. The 10 full papers were carefully reviewed and selected from 44 submissions. The contributions are organized in the following blocks: Cryptanalysis and other attacks; Symmetric cryptography and hash functions; Mathematical foundations of cryptography; Embedded systems security; Security in hardware; Authentication, Key management, Public key (asymmetric) techniques, and Information-theoretic techniques.
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning ...
This book constitutes the refereed proceedings of the 12th International Conference on Information Systems Security, ICISS 2016, held in Jaipur, India, in December 2016. The 24 revised full papers and 8 short papers presented together with 4 invited papers were carefully reviewed and selected from 196 submissions. The papers address the following topics: attacks and mitigation; authentication; authorization and information flow control; crypto systems and protocols; network security and intrusion detection; privacy; software security; and wireless, mobile and IoT security.
Calcutta nights (Raater Kolkata) is the real-life story and memoir of the enigmatic ‘Meghnad Gupta’, pen name of famed Bengali fiction writer Hemendra Kumar Roy. Translated into English by Rajat Chaudhuri almost a century after the first publication of Raater Kolkata in 1923, Roy reveals to contemporary readers The darkest secrets of an earlier Calcutta. The first two decades of the last century, the backdrop for this book, were politically turbulent times. Those days, Calcutta, the erstwhile capital of British India, was teeming with people from different parts of the country besides Europeans and other foreigners. It was a city of sin, pleasure and suffering. Indians who arrived and se...
Udayer Pathe, Bimal Roy’s first film, revolutionized Indian cinema. Hailed as a pioneer by Satyajit Ray, he was perhaps the first to bring shades of grey to the black-and-white screen. Roy’s spare storytelling and nuanced understanding of the human condition are reflected in classics like Devdas, Sujata and Madhumati. His ability to illuminate ordinary characters like Shambhu in Do Bigha Zamin and Kalyani in Bandini, is attested to by their being a part of popular memory even to this day. The Man Who Spoke in Pictures is not just a eulogy to this great director, but also an insight into Roy, the man, the director and his art. The auteur’s little-known Bengal phase is chronicled by Mahasweta Devi and Amit Chaudhuri, as well as Tapan Sinha, Amit Bose and other greats of cinema who trace his journey from cinematographer to director. His Bombay years are recorded through a collection of analyses and anecdotes from leading literary and cinematic luminaries, including Nayantara Sahgal, Gulzar, Naseeruddin Shah and Khalid Mohammed. The final section examines Roy from the outsider’s perspective, with articles by Meghnad Desai, Rachel Dwyer and Paula Mayhew.
This book examines textual representations of Africa in the Indian imagination from 1928 to 1973. It critically analyses Bengali literature during this period, their imitation of colonial racial prejudices and how it allowed Bengalis to fashion their identity. It analyses the development of ‘Africa’ as an idea and historical reality through the writings of five Bengali writers including the Bengali novelist Bibhutibhushan Bandyopadhyay, the children’s author Hemendra Kumar Roy, the poet and philosopher Rabindranath Tagore, the playwright Ganesh Bagchi and the surrealist poet and founding editor of Transition magazine Rajat Neogy. The book shows how these writers engage with the idea of...