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A biography of C. D. Howe, who was a Canadian politician.
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Now in its ninety-seventh year of publication, this standard Canadian reference source contains the most comprehensive and authoritative biographical information on notable living Canadians. Those listed are carefully selected because of the positions they hold in Canadian society; or because of the contribution they have made to life in Canada. The volume is updated annually to ensure accuracy, and 600 new entries are added each year to keep current with developing trends and issues in Canadian society. Included are outstanding Canadians from all walks of life: politics, media, academia, business, sports, and the arts, from every area of human activity. Each entry details birth date and place, education, family, career history, memberships, creative works, honours and awards, and full addresses. Indispensable to researchers, students, media, business, government, and schools, Canadian Who's Who is an invaluable source of general knowledge.
Presenting ten titles in the Quest Biography series that profiles prominent figures in Canada’s history. The important Canadian lives detailed here are: Emma Albani, a nineteenth century opera singer from Quebec who became a diva of the musical world; Emily Carr, the artist famous for capturing the essence in her paintings of the Native cultures of the coast of British Columbia; George Grant, a prescient political philosopher and author of Lament for a Nation; star NHL goalie Jacques Plante, the first netminder to don a protective mask; influential Prime Ministers John Diefenbaker and Sir Wilfrid Laurier; John Franklin, while not a Canadian, an explorer whose demise in the Arctic is an important part of Canada’s historical identity; Marshall McLuhan, the academic who predicted so much of the modern media world we live in today; mountaineer and explorer Phyllis Munday; and early feminist icon Nellie McClung. Includes Emma Albani Emily Carr George Grant Jacques Plante John Diefenbaker John Franklin Marshall McLuhan Phyllis Munday Wilfrid Laurier Nellie McClung
Here is the fascinating story of the rise and fall of the Arrow, the legendary interceptor jet aircraft, developed by A.V. Roe Canada in the fifties. The Arrow was an unprecedented success story for Canada's fledgling aviation industry. It was conceived by its builders as the culmination of an impressive string of world firsts. Faster than any previous aircraft, it represented the leading edge of technology and an achievement of the highest calibre. Then came the dramatic decision whose rationale was not made public at the time and which remains hard to fathom even today. The Diefenbaker government cancelled the Arrow, and everything was destroyed, including the planes themselves. Nothing was to remain. Working from official documents, archives, interviews and a wide range of unofficial sources, James Dow presents the authoritative story of A.V. Roe Canada and its projects. He describes how the Arrow was developed and why it was killed. Dow takes us behind the scenes to the real dynamics and rivalries which were a part of the Arrow from the beginning and which explain its fate. This edition of the definitive book on the subject has been updated with a new introduction.
During the Second World War, Canadian factories produced mountains of munitions and supplies, including some 800 ships, 16,000 aircraft, 800,000 vehicles, and over 4.6 billion rounds of ammunition and artillery shells. Although they were crucial to winning the war, these assets turned into peacetime liabilities when hostilities ended in 1945. Drawing on comprehensive archival research, Alex Souchen provides a definitive account of the disposal crisis triggered by Allied victory and shows how policymakers implemented a disposal strategy that facilitated postwar reconstruction. Canadians responded to the unprecedented divestment of public property by reusing and recycling military surpluses to improve their postwar lives. War Junk recounts the complex political, economic, social, and environmental legacies of munitions disposal in Canada by revealing how the tools of war became integral to the making of postwar Canada.