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After the Avant-garde
  • Language: en
  • Pages: 376

After the Avant-garde

  • Categories: Art

Filmmaking in Germany and Austria has changed dramatically with digitalization and the use of video and the Internet. Introducing the work of filmmakers, this volume offers an assessments of the intent and effect of their productions, and describes overall trends.

Framing the Fifties
  • Language: en
  • Pages: 256

Framing the Fifties

This anthology offers an account of German cinema in the fifties, focusing on popular genres, famous stars and dominant practices, taking into account the complicated relationships between East and West Germany, and by paying attention to the economic and political conditions of film production and reception during this period.

Hell Hath No Fury
  • Language: en
  • Pages: 284

Hell Hath No Fury

The first major book to examine ancient Christian literature on hell through the lenses of gender and disability studies "Enthralling, engaging, and challenging. . . . [Henning] has successfully given hell the right sort of attention, at last filling a major gap in the story and simultaneously charting new territory."--Jarel Robinson-Brown, Los Angeles Review of Books Throughout the Christian tradition, descriptions of hell's fiery torments have shaped contemporary notions of the afterlife, divine justice, and physical suffering. But rarely do we consider the roots of such conceptions, which originate in a group of understudied ancient texts: the early Christian apocalypses. In this pioneeri...

Explorations and Entanglements
  • Language: en
  • Pages: 553

Explorations and Entanglements

Traditionally, Germany has been considered a minor player in Pacific history: its presence there was more limited than that of other European nations, and whereas its European rivals established themselves as imperial forces beginning in the early modern era, Germany did not seriously pursue colonialism until the nineteenth century. Yet thanks to recent advances in the field emphasizing transoceanic networks and cultural encounters, it is now possible to develop a more nuanced understanding of the history of Germans in the Pacific. The studies gathered here offer fascinating research into German missionary, commercial, scientific, and imperial activity against the backdrop of the Pacific’s overlapping cultural circuits and complex oceanic transits.

Gender and Sexuality in East German Film
  • Language: en
  • Pages: 298

Gender and Sexuality in East German Film

The first scholarly collection in English or German to fully address the treatment of gender and sexuality in the productions of DEFA across genres and in social, political, and cultural context.

Cold War Spy Stories from Eastern Europe
  • Language: en
  • Pages: 364

Cold War Spy Stories from Eastern Europe

During the Cold War, stories of espionage became popular on both sides of the Iron Curtain, capturing the imagination of readers and filmgoers alike as secret police quietly engaged in surveillance under the shroud of impenetrable secrecy. And curiously, in the post–Cold War period there are no signs of this enthusiasm diminishing. The opening of secret police archives in many Eastern European countries has provided the opportunity to excavate and narrate for the first time forgotten spy stories. Cold War Spy Stories from Eastern Europe brings together a wide range of accounts compiled from the East German Stasi, the Romanian Securitate, and the Ukrainian KGB files. The stories are a complex amalgam of fact and fiction, history and imagination, past and present. These stories of collusion and complicity, betrayal and treason, right and wrong, and good and evil cast surprising new light on the question of Cold War certainties and divides. Purchase the audio edition.

East German Film and the Holocaust
  • Language: en
  • Pages: 371

East German Film and the Holocaust

East Germany’s ruling party never officially acknowledged responsibility for the crimes committed in Germany’s name during the Third Reich. Instead, it cast communists as both victims of and victors over National Socialist oppression while marginalizing discussions of Jewish suffering. Yet for the 1977 Academy Awards, the Ministry of Culture submitted Jakob der Lügner – a film focused exclusively on Jewish victimhood that would become the only East German film to ever be officially nominated. By combining close analyses of key films with extensive archival research, this book explores how GDR filmmakers depicted Jews and the Holocaust in a country where memories of Nazi persecution were highly prescribed, tightly controlled and invariably political.

Take Two
  • Language: en
  • Pages: 266

Take Two

This anthology offers an account of German cinema in the fifties, focusing on popular genres, famous stars and dominant practices, taking into account the complicated relationships between East and West Germany, and by paying attention to the economic and political conditions of film production and reception during this period.

Looking for Kathmandu
  • Language: en
  • Pages: 95

Looking for Kathmandu

  • Type: Book
  • -
  • Published: 2013-10-05
  • -
  • Publisher: kozmik press

A novel by David Stuart Ryan. Now available as an ebook (0 905116 05 4) A couple set out to look for Shangri-La and become immersed in the mysteries of the East. 'A well-written thoroughly enjoyable book evoking the romance and adventure of this last frontier. The overland trek is particularly well handled as you would expect from a seasoned round the world traveller.' Printer's Pie review.

Antisemitism in Film Comedy in Nazi Germany
  • Language: en
  • Pages: 298

Antisemitism in Film Comedy in Nazi Germany

Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate "Jews" from "Germans" physically, economically, and artistically. Weinstein highlights how the German propaganda ministry used directives, pre- and post-production censorship, financial incentives, and influence over film critics and their judgments to replace Jewish "wit" with a slower, simpler, and more d...