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Arbitrary Justice
What happens when public prosecutors, the most powerful officials in the criminal justice system, seek convictions instead of justice? Why are cases involving well-to-do victims often prosecuted more vigorously than those involving poor victims? Why do wealthy defendants frequently enjoy more lenient plea bargains than the disadvantaged? In this eye-opening work, Angela J. Davis shines a much-needed light on the power of American prosecutors, revealing how the day-to-day practice of even the most well-intentioned prosecutors can result in unequal treatment of defendants and victims. Ranging from mandatory minimum sentencing laws that enhance prosecutorial control over the outcome of cases, to the increasing politicization of the office, Davis uses powerful stories of individuals caught in the system to demonstrate how the perfectly legal exercise of prosecutorial discretion can result in gross inequities in criminal justice. For the paperback edition, Davis provides a new Afterword which covers such recent incidents of prosecutorial abuse as the Jena Six case, the Duke lacrosse case, the Department of Justice firings, and more.
La Grange
La Grange, voted the capital of the Republic of Texas in 1838, is as colorful and audacious as the state itself. Its citizens were instrumental in winning the republic's freedom and have always been willing to fight for their beliefs. Many defend La Grange as the true capital of Texas, unfairly stripped of its title. The town flourished during the 19th century and witnessed the birth of a rough-and-tumble society, where arguments were commonly settled with fists, knives, and guns. In later years, immigrants flocked to the area and built a strong agricultural economy. The 20th century might have passed quietly into history if not for a Houston television reporter who publicized the demise of one of Texas's best-known brothels, the Chicken Ranch, located just outside of La Grange. The extensive publicity surrounding the closing of the "Best Little Whorehouse in Texas" resulted in a musical and movie of the same name, as well as a song by ZZ Top.
Smoke But No Fire
2020 Foreword INDIES Book of the Year Awards Winner, Silver (Political and Social Sciences) Winner of the Montaigne Medal, awarded to "the most thought-provoking books" The first book to explore a shocking yet all-too-common type of wrongful conviction—one that locks away innocent people for crimes that never actually happened. Rodricus Crawford was convicted and sentenced to die for the murder by suffocation of his beautiful baby boy. After years on death row, evidence confirmed what Crawford had claimed all along: he was innocent, and his son had died from an undiagnosed illness. Crawford is not alone. A full one-third of all known exonerations stem from no-crime wrongful convictions. Th...
Rethinking Incarceration
The United States has more people locked up in jails, prisons, and detention centers than any other country in the history of the world. Exploring the history and foundations of mass incarceration, Dominique Gilliard examines Christianity’s role in its evolution and expansion, assessing justice in light of Scripture, and showing how Christians can pursue justice that restores and reconciles.
Quertext
Knowing that queer voices have been making themselves heard in Germany, Switzerland, and Austria decades before Stonewall, editors Gary Schmidt and Merrill Cole curated thrilling snapshots of prose fiction from more than twenty contemporary writers whose work defies stereotypes, disciplines, and expectations. These authors produce fiction for adults and young people that celebrates the multiplicity of the present, casts a queer eye on the past, and interrogates LGBTQ+ futures. These outstanding texts exemplify the glittering variety of styles, themes, settings, and subjects addressed by openly queer authors who write in German today. They explore identity, sexuality, history, fantasy, loss, ...
Tatort Germany
New essays by leading scholars examining today's vibrant and innovative German crime fiction, along with its historical background. Although George Bernard Shaw quipped that "the Germans lack talent for two things: revolution and crime novels," there is a long tradition of German crime fiction; it simply hasn't aligned itself with international trends. Duringthe 1920s, German-language writers dispensed with the detective and focused instead on criminals, a trend that did not take hold in other countries until after 1945, by which time Germany had gone on to produce antidetective novels that were similarly ahead of their time. German crime fiction has thus always been a curious case; rather t...
