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Blackmail
  • Language: en
  • Pages: 118

Blackmail

First Published in 1975 Blackmail: Publicity and Secrecy in Everyday Life examines why blackmail is often taken more seriously than murder and why it is widely considered as a serious social threat. Both fictional and real-life situations are used to explore the kinds of social situation in which various individuals become vulnerable to blackmail. In isolating the key ingredients of reputational blackmail in Britain over the last hundred years, this book is not preoccupied with threats to accuse someone of a major criminal offence such as murder or armed robbery, but rather with those cases where the penalties of discovery are less clear-cut and where public reaction may be much more ambivalent. Mike Hepworth focuses attention on the way blackmail is stigmatized in criminological and other literature and the possible validity of the stereotype in the light of alternative interpretations. This book is an interesting read for scholars and researchers of criminology and sociology.

Sexual Blackmail
  • Language: en
  • Pages: 364

Sexual Blackmail

Sexual blackmail first reached public notice in the late eighteenth century when laws against sodomy were exploited by the unscrupulous to extort money from those they could entrap. Angus McLaren chronicles this parasitic crime, tracing its expansion in England and the United States through the Victorian era and into the first half of the twentieth century. The labeling of certain sexual acts as disreputable, if not actually criminal--abortion, infidelity, prostitution, and homosexuality--armed would-be blackmailers and led to a crescendo of court cases and public scandals in the 1920s and 1930s. As the importance of sexual respectability was inflated, so too was the spectacle of its loss. C...

Black Gold and Blackmail
  • Language: en
  • Pages: 230

Black Gold and Blackmail

Black Gold and Blackmail seeks to explain why great powers adopt such different strategies to protect their oil access from politically motivated disruptions. In extreme cases, such as Imperial Japan in 1941, great powers fought wars to grab oil territory in anticipation of a potential embargo by the Allies; in other instances, such as Germany in the early Nazi period, states chose relatively subdued measures like oil alliances or domestic policies to conserve oil. What accounts for this variation? Fundamentally, it is puzzling that great powers fear oil coercion at all because the global market makes oil sanctions very difficult to enforce. Rosemary A. Kelanic argues that two variables dete...

Emotional Blackmail
  • Language: en
  • Pages: 276

Emotional Blackmail

A practical guide to better communication that will break the blackmail cycle for good, by one of the nation's leading therapists, Susan Forward. “Breathe a sigh of relief! Susan Forward helps you identify and correct an intensely destructive and confusing pattern of relating with those you love. I highly recommend this important book!"—Susan Jeffers, Ph.D., author of Feel the Fear and Do It Anyway "If you really loved me..." "After all I've done for you..." "How can you be so selfish..." Do any of the above sound familiar? They're all examples of emotional blackmail, a powerful form of manipulation in which people close to us threaten to punish us for not doing what they want. Emotional...

Emotional Blackmail
  • Language: en
  • Pages: 388

Emotional Blackmail

  • Type: Book
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  • Published: 1998
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  • Publisher: Unknown

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Blackmail, Scandal and Revolution
  • Language: en
  • Pages: 282

Blackmail, Scandal and Revolution

Simon Burrows examines the activities, adventures, publications, and influence of the most venomous critics of the Bourbon monarchy - French exile libellistes who flocked to London to publish scandalous or sexually salacious pamphlets hoping to extort lavish suppression fees. Smut-mongering pamphleteers are prominent figures in the recent historiography of the French revolution. Many historians now contend that nihilistic, 'Grub Street' authors sapped the foundations of the monarchy with their 'desacralising' and frequently pornographic attacks on French monarchs and their consorts, above all Marie-Antoinette. Such arguments, it has been suggested, amount to a veritable 'pornographic interpr...

You've Got Blackmail
  • Language: en

You've Got Blackmail

  • Type: Book
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  • Published: 2007
  • -
  • Publisher: Unknown

When she discovers that her loathsome English teacher is being threatened by an unknown blackmailer, Loz gets caught up in the mystery, with consequences both comical and truly dangerous.

Emotional Blackmail
  • Language: en
  • Pages: 272

Emotional Blackmail

"If you really loved me..." "After all I've done for you..." "How can you be so selfish..." Do any of the above sound familiar? They're all examples of emotional blackmail, a powerful form of manipulation in which people close to us threaten to punish us for not doing what they want. Emotional blackmailers know how much we value our relationships with them. They know our vulnerabilities and our deepest secrets. They are our mothers, our partners, our bosses and coworkers, our friends and our lovers. And no matter how much they care about us, they use this intimate knowledge to give themselves the payoff they want: our compliance. Susan Forward knows what pushes our hot buttons. Just as John ...

Blackmail
  • Language: en
  • Pages: 319

Blackmail

Blackmail is a detective story set in 1916 in Paris and the Western Front during the First World War. Blackmail-Erpressung-Chantage - English-German-French - actors from all three countries engage in a web of blackmail that Captain Jamie Brown has to unravel in case the “Big Push”

Blackmail
  • Language: en
  • Pages: 66

Blackmail

Alfred Hitchcock's Blackmail (1929) was the first major British sound film. Tom Ryall examines its unusual production history, and places it in the context of Hitchcock's other British films of the period. Is is, Ryall argues, both a considerable work of art in itself, and also one of the first to display those touches we now think of as typically Hitchcockian: a blonde heroine in jeopardy, a surprise killing, some brilliantly manipulated suspense, and a last-reel chase around a familiar public landmark (in this case, the British Museum). There's also a cameo appearance by the director himself, as a harassed traveller on the London Underground.