Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Arctic
None
Landscape Theory
Artistic representations of landscape are studied widely in areas ranging from art history to geography to sociology. This book brings together more than fifty scholars from many disciplines to establish new ways of thinking about landscape in art.
In the Chair
All of the poets interviewed in this collection are from Northern Ireland, all were born after 1920, and each has published at least one volume of poetry. Arranged chronologically by each poet's date of birth, this collection deals with an impressive body of work. The poets include Seamus Heaney, Paul Muldoon, Michael Longley, John Montague, Derek Mahon, Ciaran Carson, as well as less-known voices, including Gerald Dawe, Roy McFadden, and Conor O'Callaghan. The interviews explore the poet's work and development, the social/historical context, and the impact of assimilated influences. If they explore a poetry often rooted in "the North," they also suggest the individuality and diversity of this poetry, of work whose imaginative range is not circumscribed by either literal borders or critically convenient categories. The other poets included are: James Simmons, Tom Paulin, Frank Orsmby, Medbh McGuckian, Robert Greacen, Cathal P Searcaigh, Colette Bryce, Moyra Donaldson, Jean Bleakney, Martin Mooney, Padraic Fiacc, and Cherry Smyth.
Blaise Drummond
For many years now, Blaise Drummond has been examining the relationship between nature and culture. This manifests itself in his oeuvre, particularly in the way that he juxtaposes architecture and landscape. Drummond has developed a wide-ranging scenario of paintings, colour drawings, collages and objects for the Museum Haus Lange. At the heart of the exhibition is a dead tree, the top of which seems to be growing through the ceiling ndash; reminiscent of Le Corbusier's programmatic building Pavillon de l'Esprit Nouveau, which featured an indoor tree that grew up into the outside world. At the same time, the work acts as a reference to the dashed hopes of early Modernism. Published on the occasion of the exhibition Blaise Drummond, at Kunstmuseen Krefeld and Museum Haus Lange, October 2009 ndash; January 2010. English and German text.
Landscape and contemporary drawing
Galerie Thaddaeus Ropac is pleased to announce a group exhibition curated by Matthieu Poirier. The exhibition will bring together works by twenty artists of eight different nationalities to explore the notion of landscape. Landscope, the exhibition and book, intend to call into question the art historical precedent of the correlation between landscape and drawing. The exhibition thus assembles, in two successive shows (Paris and Salzburg), over one hundred works, often in atypical formats, by artists for whom drawing is often just one medium among others, and landscape, a non-exclusive genre. Under the neologistic title "Landscope" - a contraction of "landscape" and "scope" [from the Greek s...
The Upset
A new breed of contemporary artists is celebrating new found international recognition for their style and approach to creating art that is sprouting from and largely influenced by visual subcultures. The Upset documents the burgeoning artists in this new movement whose works are often figurative and narrative employing classical techniques with great skills to create sculpture, illustration design and painting with the use of spray cans, sharpies and elaborate colour palettes on canvas. In addition to the striking visual work, the book features portraits of artists as well as in-depth interviews with selected artists who are creating outstanding cutting-edge contemporary fine art.
Blaise Drummond
None
Eavan Boland
In this powerful and authoritative study Jody Allen Randolph providesthe fullest account yet of the work of a major figure in twentieth-century Irish literature as well as in contemporary women’s writing. Eavan Boland’s achievement in changing the map of Irish poetry is tracked and analyzed from her first poems to the present. The book traces the evolution of that achievement, guiding the reader through Boland’s early attachment to Yeats, her growing unease with the absence of women’s writing, her encounter with pioneering American poets like Sylvia Plath, Elizabeth Bishop, and Adrienne Rich, and her eventual, challenging amendments in poetry and prose to Ireland’s poetic tradition. Using research from private papers the book also traces a time of upheaval and change in Ireland, exploring Boland's connection to Mary Robinson, in a chapter that details the nexus of a woman president and a woman poet in a country that was resistant to both. Finally, this book invites the reader to share a compelling perspective on the growth of a poet described by one critic as Ireland’s “first great woman poet.”
