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In a now-famous interview with Fran�ois Truffaut in 1962, Alfred Hitchcock described his masterpiece Rear Window (1954) as "the purest expression of a cinematic idea." But what, precisely, did Hitchcock mean by pure cinema? Was pure cinema a function of mise en sc�ne, or composition within the frame? Was it a function of montage, "of pieces of film assembled"? This notion of pure cinema has intrigued and perplexed critics, theorists, and filmmakers alike in the decades following this discussion. And even across his 40-year career, Hitchcock's own ideas about pure cinema remained mired in a lack of detail, clarity, and analytical precision. The Art of Pure Cinema is the first book-length ...
This volume explores the notion of German cinema as both a national and increasingly transnational entity. It brings together chapters that analyse the international circuits of development and distribution that shape the emerging films as part of a contemporary “German cinema”, the events and spectacles that help frame and re-frame national cinemas and their discoverability, and the well-known filmmakers who sit at the vanguard of the contemporary canon. Thereby, it explores what we understand as German cinema today and the many points where this idea of national cinema can be interrogated, expanded and opened up to new readings. At the heart of this interrogation is a keen awareness of...
For fifty years our most powerful popular culture influencers have been the high-powered editors of mass-market women’s magazines like The Australian Women’s Weekly, Woman’s Day, New Idea and the now defunct Dolly, Cleo and Cosmopolitan. It is difficult to overstate the influence that these women have had in shaping popular ideas and attitudes, feminism, and femininity in Australia via the pages of their magazines. In these interviews, they describe their lives and careers in a medium that is part of our publishing heritage. Queens of Print is a tribute to the most influential and iconic women in Australian women’s magazines. It is a snapshot of a rapidly changing industry where print is supposedly dead, and media have been disrupted. This book looks back, but also forward to consider what a magazine might be and what a magazine editor might do in future decades.
Ranging over various aesthetic forms (literature, film, music) in the period since 1960, this volume brings an antipodean perspective into conversation with the art and culture of the Northern Hemisphere, to reformulate postmodernism as a properly global phenomenon.
International superstar and high fashion model Blythe has never let the fact that she is literally a doll slow her down. Rescued from toy box obscurity with the publication of Garan's first book, This Is Blythe (50,000 copies sold), the 12-inch tall diva has been celebrated in the front windows of Bloomingdales; on the cover of Women's Wear Daily; on VH1's "I Love the '70s"; in People, the New York Times, and ad campaigns for Nordstrom, Sony, and trendy Japanese department stores. In Blythe Style, she shows off 100 to-die-for outfits created for her by top designers from around the world and photographed with colorful invention by Garan, including Gucci, Prada, Versace, Christian Dior, Dolce & Gabbana, John Galliano, Paul Smith, Issey Miyake, Vivienne Westwood, and dozens more, all for the sake of charity. Trs chic!
Chief Inspector Pointer is on a mission to catch the biggest and the baddest of criminals. Aided by his side-kicks, Pointer is a master of observation and daring. DigiCat presents to you the meticulously edited Boxed Set of his myriad adventures and intriguing cases for your absolute reading pleasure. Contents: The Eames-Erskine Case The Charteris Mystery The Footsteps That Stopped The Clifford Affair The Cluny Problem The Wedding Chest Mystery The Craig Poisoning Mystery The Tall House Mystery Tragedy atBeechcroft The Case of the Two Pearl Necklaces Scarecrow Mystery at the Rectory
Constitution of the order appended to the Proceedings for 1888.