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Domains of Wonder
Catalog of an exhibition at the San Diego Museum of Art, Oct. 22, 2005-Jan. 22, 2006; and at the Museum of Fine Arts, Boston, Aug. 6, 2006.
Nainsukh of Guler
About the book To trace the life and career of a painter (of the past) in India isA, as the author says, somewhat akin to following the course of an earthen lamp on swift waters.A' The glow is bright and warm, and one can keep it within sight for a while, but things can quickly turn and uncharted vastness takes over. To trace the life and career of a painter (of the past) in India isA', as the author says, somewhat akin to following the course of an earthen lamp on swift waters.A' The glow is bright and warm, and one can keep it within sight for a while, but things can quickly'
Themes, Histories, Interpretations
This is a tribute to the scholarship of the distinguished art historian B N Goswamy, whose critical influence opened up new ways of thinking about Indian painting. Forty major scholars from South Asia, America, Australia and Europe write in his honour, about pictures from a large geographical area and huge chronological span -- from Ajanta to present times. In their work, Indian Painting showcases leading trends and new research initiatives, ultimately inspired by B N Goswamys thinking. These authors break new ground and chart new paths. They also bring to attention a number of previously unpublished visual materials, adding a refreshing dimension to the already vibrant study of Indian paint...
Pahari Masters
Pahari Painting - "Painting from the hills", often subsumed under the broad head, Rajput Painting - has long been acknowledged as one of the great achievements of India in the realm of art. For too long, however, the Pahari painter, the maker of these images, has continued to be seen as belonging to an indeterminate, anonymous group of craftsmen who simply plied predetermined brushes. The present work is aimed at challenging that notion, for it presents the painter as thinking man, faced with, and capable of, exercising choices. It was time that the 'long winter of neglect' in which he had been left by history came to an end.
Ruminations
‘A pioneer who brought out the poetry in art’—Mint Lounge B.N. Goswamy (1933–2023), one of the most eminent art historians of our times, put India’s art on the global map. His lucid interpretation of art made the subject accessible to a wider audience. He was a master chronicler who offered ‘slight sketches of large subjects’. Ruminations, Goswamy’s last work of, rues the vanishing traces of artisans’ guilds in Europe, celebrates the illustrations to La Fontaine’s fables produced in Lahore, opens a window to the Jain legend of Ilaputra who was driven to the edge of renunciation, explores the pioneering map of the world drawn by the Turkish admiral, Piri Reis, admires the dazzling range of embroideries in the Calico Museum, chronicles the ensigns of royalty that belong to the Mughal period, brings to light Timurid kitab-khanas, the Tibetan sand-mandalas and much more. Lucid, comprehensive and engaging, Ruminations is a the most definitive primer on art in India and South Asia.
Indian Paintings in the Sarabhai Foundation
The little-known paintings to which this volume serves as a catalogue once belonged to the Sarabhai family. The works collected by the Sarabhais reflect great discrimination and aesthetic sensibility. This remarkable collection offers a well-rounded view of the broad historical development of Indian painting. There are works here that come from as early as the 11th century and as late as the 19th; small Pala works on palm-leaf jostle against some of the earliest works done on paper when that material came into use; Mughal works like those from some of the most celebrated series like the Hamza Nama or the Padshahnama stand close to dazzling folios from the so-called 'Palam' Bhagavata; the painter Chokha of Deogarh figures in the collection as much as the great Nainsukh of Guler does.
The Spirit of Indian Painting
“Wonderful . . . A book to make both layman and connoisseur alike realize why pre-modern Indian painting is one of the great arts of the world.” —Neil MacGregor Through close encounters with over a hundred carefully selected works, spanning nearly a thousand years, and ranging from Jain manuscripts and Pahari and Mughal miniatures to Company School paintings, B. N. Goswamy unlocks the many treasures that lie within Indian painting. In an illuminating introduction, and as Goswamy relates the stories behind each work and deciphers the visual vocabulary and language of the painters, he brings to life the cultural, social, and political milieu in which they were created. Lavishly illustrated, and combining erudition with great storytelling, The Spirit of Indian Painting reveals the beauty of this richly varied body of work in a new and brilliant light.
A Secret Garden
Danielle Porret’s passion for Asian art and for Indian painting in particular was inflamed when she attended classes on Asian mythology during her studies at Geneva University. It intensified further when in 1966 she visited an exhibition in London of Indian paintings collected by Mildred and William Archer, curators of Indian art at the British India office and the Victoria & Albert Museum respectively. A conference interpreter by profession, Porret began to study the collections of Asian art at London’s great museums and the technique of paper restoration. And she started to buy Indian paintings herself. Danielle Porret’s collection comprises outstanding works spanning seven centurie...
Conversations
'A brilliant compilation ... Essential reading.' ---William Dalrymple 'A string of gems'---Maria Aurora Couto 'Insightful, witty, uplifting'---Eberhard Fischer B.N. Goswamy, one of the most eminent art historians of our times, in this book opens a window to a wide range of subjects: all on or around the arts, which have immense potential to form aesthetic sensibility. From Ananda Coomaraswamy to the Art of Calligraphy, The Meaning of Silence to Farid-ud-din Attar's great Sufi parable of the Conference of the Birds, among others, Goswamy invites the general, but generally interested and literate, readers to enter, through these pieces, the field of the arts and savour its pleasures: to take from them what they can, learn something fresh3⁄4or view with freshness3⁄4and expand their minds. Definitive, engaging, and comprehensive, Conversations promises to be a truly accessible primer on art in India and South Asia.
