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Our Wife Has Gone Mad
In Our Wife Has Gone Mad, a play which in its unpublished form won the 2017 Society of Nigeria Theatre Artists (SONTA)/Olu-ObafemiAward for playwriting, the Author takes the fight for feminist equality to the seeming realm of the ludicrous. Women who are married to more than one man in a lifetime, it is normally after a divorce or death of the husband. In the case of Daniela in this play, she appropriates the same liberty or privilege given to men and marries several husbands. She does not cheat on the first husband; she merely legally gets married to the other two men and keeps them in their different cities - after all, some men do this too...
Routledge Handbook of African Theatre and Performance
The Routledge Handbook of African Theatre and Performance brings together the very latest international research on the performing arts across the continent and the diaspora into one expansive and wide-ranging collection. The book offers readers a compelling journey through the different ideas, people and practices that have shaped African theatre and performance, from pre-colonial and colonial times, right through to the 20th and early 21st centuries. Resolutely Pan-African and inter- national in its coverage, the book draws on the expertise of a wide range of Africanist scholars, and also showcases the voices of performers and theatre practitioners working on the cutting-edge of African th...
Nigerian Female Dramatists
This book showcases the important, but often understudied, work of Nigerian women playwrights. As in many spheres of life in Nigeria, in literature and other creative arts the voices of men dominate, and the work of women has often been sidelined. However, Nigerian women playwrights have made important contributions to the development of drama in Nigeria, not just by presenting female identities and inequalities but by vigorously intervening in wider social and political issues. This book draws on perspectives from culture, language, politics, theory, orality and literature, to shine a light on the engaged creativity of women playwrights. From the trail blazing but more traditional contributions of Zulu Sofola, through to contemporary postcolonial work by Tess Osonye Onwueme, Julie Okoh, and Sefi Atta, to name just a few, the book shows the rich variety of work being produced by female Nigerian dramatists. This, the first major collection devoted to Nigerian women playwrights, will be an important resource for scholars of African theatre and performance, literature and women’s studies.
Ogidi Mandate
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Herding South
In Herding South, Peter Omoko spotlights the dispossessed and dystopian fate of minority groups in Nigeria, and the fractured social equilibrium that pervades the land, with its polarising and destructive effect on the people’s psyche. Writing essentially as a troubled witness, the poet navigates through the horrifying pains and trauma of a people, instigated by the ineptitude and narrow-mindedness of their leadership. Omoko’s intention in this collection – to speak home-truth to power in order to reclaim the people’s humanity – is well delineated in the sardonic and emotive metaphors used in the poetry and the rhetorical force of its lines.
King Baabu
"King Baabu chronicles the debauched rule of General Basha Bash, who takes power in a coup and exchanges his general's uniform for a robe and crown. In the manner of Alfred Jarry's Ubu Roi, this is a ferocious, crackpot satire of the plague of dictatorship on the African continent. Weaving together burlesque comedy, theatrical excess and storytelling, it has been hailed as a brilliant parody of political regimes in Africa and beyond." --Book Jacket.
Prose and Poetry
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Mojagbe
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