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The Organ Works of Fela Sowande: Cultural Perspectives
Nigeria has been blessed with a few well-trained organist-composers since the arrival of Christianity in the most populous African country around the 1840s. The institutions established by European missionaries and the colonial administration had a great impact on the emergence of the 'Nigerian organ school'. The musicians had their formative periods at the mission schools, church choirs, and under organ playing apprenticeships. This book focuses on selected organ works by the most celebrated African art musician, Fela Sowande, a Nigerian organist-composer. Fela Sowande is the first African to popularize organ works by natives of Africa in Europe and the United States. He was one of the pion...
A Dictionary of the Yoruba Language
Based upon the nineteenth century standard work on the Yoruba language, and first ever English-Yoruba, Yoruba-English dictionary, this new edition has been revised and enlarged considerably. The dictionary contains about 50,000 references and translations; Yoruba pronunciation guidance; examples of how words are used; contemporary meanings and interpretations; and reference to grammatical usage and parts of speech. There is also an extensive list of commonly occurring birds, plants and trees, translated from Yoruba into English alongside their botanical equivalents.
Black Beauty, White Heat
Reprint (with the omission of the color insert) of a work published in New York in 1982. Photos of musicians, record labels, and promotional flyers and posters are accompanied by lively and affectionate explanatory text. An exuberant reference, dense with both visual and textual information. Annotation copyright by Book News, Inc., Portland, OR
Esiaba Irobi's Drama and the Postcolony
Esiaba Irobi (1960-2010) was one of Africa's most innovative and productive younger playwrights. Deeply rooted in the indigenous performance traditions of his Igbo ethnic group, Irobi's drama, in the tradition of Wole Soyinka, is a hybrid production involving an iconoclastic reconceptualisation of the heritage he appropriates, its fascinating conflation with other performance traditions, and their projection onto the arena of contemporary Nigerian politics. This study by Isidore Diala is the first book-length examination of Irobi's work. It portrays a highly creative individual who was literally driven by the creative urge. The five chapters of this study illuminate different aspects of Irobi's oeuvre and include a vivid portrayal of Irobi the actor in his dream role of Elesin Oba, the eponymous King's Horseman in Wole Soyinka's drama. Diala highlight's Irobi's fascination for African festivals, which feature prominently in the earlier plays.He also demonstrates that although he is rooted in his Igbo culture, Irobi draws on different ethnic groups, pointing to conceptions of pan-Africanism that include the African diaspora.
John Coltrane
Every critic, fan, and student of jazz who has listened to A Love Supreme or My Favorite Things knows that John Coltrane died entirely too young. But even within his tragically brief life, which ended in 1967 at the age of 40, he became one of the most innovative and experimental forces in African-American music. In this provocative study, musician and historian Bill Cole sharpens our focus on the legendary tenor saxophonist through the twin lenses of Africanism and spiritualism.
Once Upon Four Robbers
The distinguished Nigerian playwright directed the first performance of this play at the Arts Theatre at the University of Ibadan. Osofisan's incisive vision is put at the service of oppressed humanity. His over-riding theme is that the machinery of oppression in human society is created by man, but man is also capable of demolishing it. The production includes Yoruba songs and incantations, and a glossary provides an English translation - as a guide for other directors to substitute appropriate dirges.
The Reign of Wazobia
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Wedlock of the Gods
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King Emene
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