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Observer's Best Art Book of the Year, 2018 In 2007, Bolton Crown Court sentenced Shaun Greenhalgh to four years and eight months in prison for the crime of producing artistic forgeries. Working out of a shed in his parents' garden, Greenhalgh had successfully fooled some of the world's greatest museums. During the court case, the breadth of his forgeries shocked the art world and tantalised the media. What no one realised was how much more of the story there was to tell. Written in prison, A Forger's Tale details Shaun's notorious career and the extraordinary circumstances that led to it. From Leonardo drawings to L.S. Lowry paintings, from busts of American presidents to Anglo-Saxon brooches, from cutting-edge Modernism to the ancient art of the Stone Age, Greenhalgh could - and did - copy it all. Told with great wit and charm, this is the definitive account of Britain's most successful and infamous forger, a man whose love for art saturates every page of this extraordinary memoir.
This unique and important directory incorporates some 3,200 entries. It covers all types and sizes of museums; galleries of paintings, sculpture and photography; and buildings and sites of particular historic interest. It also provides an extensive index listing over 3,200 subjects. The directory covers national collections and major buildings, but also the more unusual, less well-known and local exhibits and sites. The Directory of Museums, Galleries and Buildings of Historic Interest in the United Kingdom is an indispensable reference source for any library, an ideal companion for researcher and enthusiast alike, and an essential purchase for anyone with an interest in the cultural and his...
Walter Richard Sickert (1860-1942) was an artist of prodigious creativity. For sixty years, in his roles as painter, teacher, and polemicist, he was a source of inspiration and influence to successive generations of British painters. With his roots in the Victorian era, Sickert broke all taboos. He was uncompromisingly truthful, revealing beauty in the squalid as in the sublime: in cockney music halls, the crumbling streets of Dieppe, the grand sites of Venice, and the low-life of Camden Town. Decades before Warhol, he exploited the potential of photo-based imagery and of studio production lines to create iconic portraits of the grandees of theatrical, social, and political life. This catalogue is divided into two parts: essay chapters describe Sickert's chronology in terms of stylistic and technical development, and a fully illustrated catalogue presents more than 2800 drawings and paintings, many of which have never been published before.
A New York Times Best Art Book of 2019 “A riveting book . . . few stones are left unturned.”—Roberta Smith’s “Top Art Books of 2019,” The New York Times This fascinating and enlightening study of the tie-on pocket combines materiality and gender to provide new insight into the social history of women’s everyday lives—from duchesses and country gentry to prostitutes and washerwomen—and to explore their consumption practices, sociability, mobility, privacy, and identity. A wealth of evidence reveals unexpected facets of the past, bringing women’s stories into intimate focus. “What particularly interests Burman and Fennetaux is the way in which women of all classes have historically used these tie-on pockets as a supplementary body part to help them negotiate their way through a world that was not built to suit them.”—Kathryn Hughes, The Guardian “A brilliant book.”—Ulinka Rublack, Times Literary Supplement
There are over thirty public art galleries in north-west England with substantial permanent collections. The superb collections in Liverpool at the Walker Art Gallery and in Manchester at the City Art Gallery and at the Whitworth Art Gallery are well known, while Lord Leverhulme’s splendid British paintings and sculptures preserved at the Lady Lever Art Gallery in Port Sunlight have an international reputation. For Pre-Raphaelite, Classical, Aesthetic and Impressionist British art and much else, north-west England cumulatively has public collections unmatched even in London. This book is both a guide and a history to these collections as well as other less famous public collections containing little-known masterpieces.
Art lovers are passionate seekers, but locating the works of the great masters can often present a challenge. In The Art Lover’s Pocket Guide, author Dr. Henry P. Traverso offers a guide to locating the works of the most popular and well-known Western visual artists worldwide. Featuring diverse artists such as Joseph Albers, Picasso, Monet, Francisco de Zurbaran, and a host of others, this comprehensive handbook provides essential biographical information and historical context for more than 250 visual artists. It follows with an orderly list of each artist’s works and where those works are located throughout the world, including museums, galleries, churches, monasteries, athenaeums, universities, parks, and libraries in the United States, Canada, and Europe. Both an easy-to-search database and a crash course in art history, The Art Lover’s Pocket Guide provides an enhanced understanding of the arts along with the tools needed to plan an art history trip and to better navigate museums.
"Anglomania gripped Europe during the mid to late 18th century. Continental Anglophiles such as Voltaire and Montesquieu saw England as a land of reason, freedom, and tolerance. Yet what began as an intellectual phenomenon became, and has remained, a matter of style. Through the lens of fashion, this volume examines aspects of English culture that continue to capture the imaginations of Europeans and Americans, among them the class system, sport, royalty, pageantry, eccentricity, the gentleman, and the country garden. Englishness is a romantic construct, formed by fictive and imaginary narratives. These narratives are, however, not merely the product of European-American Anglophilia but are ...
For centuries China has fueled the creative imagination and inspired fashion. This stunning publication explores the influence of Chinese art, film, and aesthetics on international fashion designers, including Christian Dior, Jean Paul Gaultier, Karl Lagerfeld, Alexander McQueen, and Yves Saint Laurent.
Egyptologist Jack A. Josephson, a writer and researcher in the tradition of the gentleman scholar, has achieved broad recognition as an authority in Egyptian art history. His lucid investigative analyses have probed and redefined the limits of inquiry, expanded research parameters, and broadened perspectives, emphasizing the undeniable contributions of art history in an intra-disciplinary framework. This volume of collected essays is dedicated to Josephson by distinguished friends and colleagues, a select roster including eminent, established scholars in the field of Egyptology and rising stars of the younger generation. Josephson views Egyptian art history as a critical but neglected area of study, and is a strong proponent of its reinstatement in the academic curriculum as an essential component in the formation of new cadres. The quality of the articles in this Egyptological medley is a tribute to the honoree and an affirmation of the esteem of his peers, while the range of subjects and variety of themes addressed reflect the degree to which he has, in his own scholarship, undertaken to implement his ideal.