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The sixth Canadian edition has been fully updated to reflect the most recent developments in sociology both in Canada and around the globe. This text strengthens the foundation laid in the previous Canadian editions, providing compelling and relevant topics and examples that resonate with students and that are consistently interpreted through the lens of four theoretical perspectives. To navigate successfully through our changing world requires a perspective that takes into account contextual factors, as well as individual factors, one that is able to link our individual experiences to the broader social processes occurring around us.
"This book focuses on the ideas of Emma Goldman as they relate to the centrality of sexuality and reproduction, and as such, are relevant to the current feminist debates."--BOOK JACKET.
Anarchy and Society explores the many ways in which the discipline of Sociology and the philosophy of anarchism are compatible. The book constructs possible parameters for a future ‘anarchist sociology’, by a sociological exposition of major anarchist thinkers (including Kropotkin, Proudhon, Landauer, Goldman, and Ward), as well as an anarchist interrogation of key sociological concepts (including social norms, inequality, and social movements). Sociology and anarchism share many common interests—although often interpreting each in divergent ways—including community, solidarity, feminism, crime and restorative justice, and social domination. The synthesis proposed by Anarchy and Society is reflexive, critical, and strongly anchored in both traditions.
Modern Sentimentalism examines how American female novelists reinvented sentimentalism in the modernist period. Just as the birth of the modern woman has long been imagined as the death of sentimental feeling, modernist literary innovation has been understood to reject sentimental aesthetics. Modern Sentimentalism reframes these perceptions of cultural evolution. Taking up icons such as the New Woman, the flapper, the free lover, the New Negro woman, and the divorcee, this book argues that these figures embody aspects of a traditional sentimentality while also recognizing sentiment as incompatible with ideals of modern selfhood. These double binds equally beleaguer the protagonists and shape...
What impact did Bolshevist rule have on Emma Goldmans’s perception of the Russian Revolutions of 1917 and why did she change her mind, going from defending the Russian Revolution to becoming a crusader against Bolshevism? The Russian Revolution changed the world and determined the history of the 20th century as the French Revolution had determined the history of the 19th century. Left-wing intellectuals around the world greeted the February Revolution with enthusiasm as their hope for a new world and social order and the end of capitalism seemed close. However, the joy did not last long as the ideals of February 1917 were replaced by the realities of October 1917 and Lenin crushed the revo...
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Bearded bomb-throwers, self-indulgent nihilists, dangerous subversives.these characteristic clichés of anarchists in the popular imagination are often reproduced in the cinema. In Film and the Anarchist Imagination, the first comprehensive survey of anarchism in film, Richard Porton deconstructs such stereotypes while offering an authoritative account of films featuring anarchist characters and motifs. From the early cinema of Griffith and René Clair, to the work of Godard, Lina Wertmüller, Lizzie Borden and Ken Loach, Porton analyzes portrayals of anarchism in film, presenting commentaries and critiques of such classics as Zéro de Conduite, Tout Va Bien, and Love and Anarchy. In addition, he provides an excellent guide to the complex traditions of anarchist thought, from Bakunin and Kropotkin to Emma Goldman and Murray Bookchin, disclosing a rich historical legacy that encompasses the Paris Commune, the Haymarket martyrs, the anarcho-syndicalists of the Spanish Civil War, as well as more familiar contemporary avatars like the Situationists and the enragés of May 1968.
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Examines the influence of the notorious American anarchist Red Emma on the shifting social geography of sex and gender at the turn of the twentieth century. In this book, Donna M. Kowal examines the speeches and writings of the Most Dangerous Woman in the World within the context of shifting gender roles in early twentieth-century America. As the notorious leader of the American anarchist movement, Emma Goldman captured newspaper headlines across the country as she urged audiences to reject authority and aspire for individual autonomy. A public woman in a time when to be public and a woman was a paradox, Goldman spoke and wrote openly about distinctly private matters, including sexuality, free love, and birth control. Recognizing womens bodies as a site of struggle for autonomy, she created a discursive space for women to engage in the public sphere and act as sexual agents. In turn, her ideas contributed to the rise of a feminist consciousness that recognized the personal as political and rejected dualistic notions of gender and sex.