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Something Terrible About Love
Love can be ecstasy only to be lost. It can lift then desert. Love is forever one day, never the next, always forgiven, never forgotten. Love can act like a dream, react like a nightmare. Yet, in life’s long picture, love is everything. It is life lived, and life is worth living only for love, but there is always something terrible about love. Helen Baird loves her only child, Kristen, with her whole heart, yet Kristen is a runaway. Helen desperately tries to track Kristen down. When Helen’s initial attempts bungle, she asks local nun, Sister Maria Carmelite, called Carmie, a former runaway herself, for help. Carmie drives Helen into New York where the two ramp up the search for Kristen. Years have accumulated with no leads about Kristen’s whereabouts. Helen enters therapy in search of healing after the tormenting loss of her daughter. Guardedly, Helen allows her own life to unfold as her estranged brother, a boss with personal information, and her high school boyfriend all resurface.
Love, Ruthie
Was the poet, William Wordsworth, right when he wrote “the child is the father of the man”? That is the question Jane Meyer asks Ruth Lucas in a letter. Best friends since high school, and now in their early thirties, Ruth and Jane keep in close touch through letters, phone calls, and when they can, visits. When Ruth gets Jane’s letter with this question about Wordsworth’s line, she decides to review what stood out in her childhood and ask herself if those times informed and shaped the woman she became. This process takes her weeks and traverses early family memories, her college years, a job in Washington, her first lover, and other experiences on her way to becoming her own woman. Her answer to Jane’s question is Love, Ruthie.
Grammar Essentials 2
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Shakespeare and the Classical Tradition
This bibliography will give comprehensive coverage to published commentary in English on Shakespeare and the Classical Tradition during the period from 1961-1985. Doctoral dissertations will also be included. Each entry will provide a clear and detailed summary of an item's contents. For pomes and plays based directly on classical sources like Antony and Cleopatra and The Rape of Lucrece, virtually all significant scholarly work during the period covered will be annotated. For other works such as Hamlet, any scholarship that deals with classical connotations will be annotated. Any other bibliographies used in the compiling of this volume will be described with emphasis on their value to a student of Shakespeare and the Classics.
News Letter
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开拓者：著名历史学家访谈录
本书是对资中筠、金冲及、史景迁、艾尔曼、王赓武、费侠莉、伊沛霞、包弼德、埃里克·方纳等20位当代最著名的中外历史学家的访谈集。他们畅谈了历史学家的使命、历史学的趋势、对当代中国的观察等多方面的内容。
Architecture and Nationalism in Sri Lanka
The role of the home, the domestic sphere and the intimate, ethno-cultural identities that are cultivated within it, are critical to understanding the polemical constructions of country and city; tradition and modernity; and regionalism and cosmopolitanism. The home is fundamental to ideas of the homeland that give nationalism its imaginative form and its political trajectory. This book explores positions that are vital to ideas of national belonging through the history of colonial, bourgeois self-fashioning and post colonial identity construction in Sri Lanka. The country remains central to related architectural discourses due to its emergence as a critical site for regional architecture, p...
He Said, She Says
The essays in this volume demonstrate the range of revisioning of women's reinterpretations of patriarchal texts. Women's responses are reaching beyond the story and into the primal bases for narrative: the philosophies, theologies, psychology, politics, and archetypal geneses that comprise the origins of narrative itself. 'He Said, She Says' brings together myriad perspectives that cover such primal narratives as the Bible, the Torah, mythology, traditional literary texts, male depictions of female sexuality, patriarchal Marxism, American democracy, and multiculturalism.
