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독일의 대표적인 아동문학가인 발데마르 본젤스의 대표적인 작품이다. 협소한 시민사회의 제도와 규범에서 벗어나고자 하는 인간의 모습을 꿀벌 마야의 다채로운 모험담에 투영시키고 있는 이 작품은 과학적 관찰이나 동물에 대한 사랑 이야기라기보다는 꿀벌 마야를 인간화한 것으로 서정적인 아름다움이 넘치는 작품이다. 랭컴 주니어 클래식은 원작 그대로 가감 없이 원작의 맛과 향을 그대로 느낄 수 있도록 기획된 영어명작동화 시리즈이다. 동화는 아이들을 위해 쓴 작품이라는 특성상 듣고 말하고 이해하기 쉬운 언어를 구사하고 있다는 점에서 영어 학습자들에게 굉장히 좋은 교재가 될 수 있다는 점 또한 랭컴 주니어 클래식의 커다란 장점이다. 명작동화를 원작 그대로 즐기면서 영어 실력을 키우는 일석이조의 경험을 누릴 수 있다.
This is a new release of the original 1928 edition.
Containing entries on over four hundred authors of fiction, poetry and drama from Germany, Austria and Switzerland, this invaluable work of reference presents material of a range and depth that no other book on the subject in English attains. For the second edition, the entries have been updated to include the most recent works of German literature. A number of new entries have been added, dealing in particular with the East German literary scene and the changing literary landscape after reunification. In addition to basic biographical facts, the Companion offers summaries, information on involvement in literary groups and political developments, schools and movements, critical terms and aspects of the other arts, including film.
German-speaking Europe is an array of images that have emerged from varied discourses about itself and its neighbors, and “Germany and the Imagined East” revolves around the exchange of views on and in the vast construct called “the East.” The world has been divided conceptually in countless ways, but the works in this volume treat aspects of Germany as both part of and also separate from any perception of an eastern border. From the former German Democratic Republic,“East Germany,” to Österreich—whose name loses its eastern association in the English version, Austria,—the East begins within the very world of the German language. But it is also the expanse off to the right o...
This is the most comprehensive account to date of literary politics in Nazi Germany and of the institutions, organizations and people who controlled German literature during the Third Reich. Barbian details a media dictatorship-involving the persecution and control of writers, publishers and libraries, but also voluntary assimilation and pre-emptive self-censorship-that began almost immediately under the National Socialists, leading to authors' forced declarations of loyalty, literary propaganda, censorship, and book burnings. Special attention is given to Nazi regulation of the publishing industry and command over all forms of publication and dissemination, from the most presitigious publishing houses to the smallest municipal and school libraries. Barbian also shows that, although the Nazis censored books not in line with Party aims, many publishers and writers took advantage of loopholes in their system of control. Supporting his work with exhaustive research of original sources, Barbian describes a society in which everybody who was not openly opposed to it, participated in the system, whether as a writer, an editor, or even as an ordinary visitor to a library.