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This book studies literary regionalism and it shows that one of the ways we imagine the world is through writing and reading about particular places. It explores how writers are shaped by particular places and how their stories shape our understanding of localities and the globe.
Uncle Tom's Cabin continues to provoke impassioned discussions among scholars; to serve as the inspiration for theater, film, and dance; and to be the locus of much heated debate surrounding race relations in the United States. It is also one of the most remarkable print-based texts in U.S. publishing history. And yet, until now, no book-length study has traced the tumultuous publishing history of this most famous of antislavery novels. Among the major issues Claire Parfait addresses in her detailed account are the conditions of female authorship, the structures of copyright, author-publisher relations, agency, and literary economics. To follow the trail of the book over 150 years is to trac...
Examining turn-of-the-century American women's fiction, the author argues that this writing played a crucial role in the production of a national fantasy of a unified American identity in the face of the racial, regional, ethnic, and sexual divisions of the period. Contributing to New Americanist perspectives of nation formation, the book shows that these writers are central to American literary discourses for reconfiguring the relationship among constituent regions in order to reconfigure the nation itself. Analyzing fiction by Sarah Orne Jewett, Florence Converse, Pauline Hopkins, María Amparo Ruiz de Burton, Kate Chopin, and Sui Sin Far, the book foregrounds the ways each writer's own lo...
Since the founding of the United States, women have picked up their pens to write and express their ideas, affording them independence and self-sufficiency in days when they had little. By way of their poetry, essays, advice columns, investigative journalism and more, women like Helen Keller, Louisa May Alcott, Charlotte Perkins Gilman and Shirley Jackson wrote not only to entertain and inform, but often to simply keep a roof over their heads. This text offers a unique examination of female New England writers, focusing on their homes. The women wrote in many genres and became literary entrepreneurs, bargaining with editors for higher fees and royalties, participating in marketing campaigns, and seeking advice and help. The homes women bought with their earnings included cottages, suburban houses, farms, and an occasional mansion. Whether modest or luxurious, these houses provided the "room of her own" that Virginia Woolf said every woman needs in order to write. Sometimes that room was an elegant study, and sometimes a corner of the kitchen.
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In her book Sarah Orne Jewett: Reconstructing Gender, Margaret Roman argues that one theme colors almost every short story and novel by the turn-of-the-century American author: each person, regardless of sex, must break free of the restrictive, polar-opposite norms of behavior traditionally assigned to men and women by a patriarchal society. That society, as seen from Jewett’s perspective during the late Victorian era, was one in which a competitive, active man dominates a passive, emotional woman. Frequently referring to Jewett’s own New England upbringing at the hands of an unusually progressive father, Roman demonstrates how the writer, through her personal quest for freedom and throu...
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Vols. for 1970- include "Calendar of prayer" with directory of missionaries (formerly called pt. 3)