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Located at the junction of the St. Lawrence and Ottawa rivers, Montreal Island is the main contact point between French and English Canadians. Prior to Quebec's "Quiet Revolution" of the 1960s, local governments in Montreal both reflected and perpetuated the mutual isolation of French and English. Residential concentration in autonomous suburbs, together with self-contained networks of schools and social services, enabled English-speaking Montrealers to control the city's economy and to conduct their community's affairs with little regard for the French-speaking majority. The modernization of the Quebec state in the 1960s dramatically challenged this arrangement. The author demonstrates how ...
It is easy to forget that the death penalty was an accepted aspect of Canadian culture and criminal justice until 1976. The Practice of Execution in Canada is not about what led some to the gallows and others to escape it. Rather, it examines how the routine rituals and practices of execution can be seen as a crucial social institution. Drawing on hundreds of case files, Ken Leyton-Brown shows that from trial to interment, the practice of execution was constrained by law and tradition. Despite this, however, the institution was not rigid. Criticism and reform pushed executions out of the public eye, and in so doing, stripped them of meaningful ritual and made them more vulnerable to criticism.
A feminist literary theorist, specialist in Rembrandt, and a scholar with a knack for reading Old Testament stories, Mieke Bal weaves a tapestry of signs and meanings that enrich our senses. Her subject is the act of showing, the gesture of exposing to view. In a museum, for example, the object is on display, made visually available. "That's how it is," the display proclaims. But who says so? Bal's subjects are displays from the American Museum of Natural History, paintings by such figures as Courbet, Caravaggio, Artemisia Gentileschi, and Rembrandt, as well as works by twentieth-century artists, and such literary texts as Shakespeare's Rape of Lucrece.
What do the work processes of a neurosurgeon and a painter have in common? Applying the notions of “Design”, “Gestaltung”, and “Formatività”, this book sheds new light on processes of formation and transformation in the material world we live in. Scholars from the fields of history, philosophy, psychology, media, and cultural studies question established processes of giving form, while artists, designers, engineers, and scientists describe their creative processes. This book provides its readers with an overview of the spectrum of “philosophies of making” and invites them to reflect on their own creative process, its possibilities, and associated responsibilities to the environment, and ultimately to express these in action. There has never been a more urgent need to develop a new relationship between matter and form. • Discussing and expanding the definitions of “Design”, “Gestaltung”, and “Formatività” • Leading international theorists write about the relationship between matter and form • A collection of new texts and first English translation of key texts
Includes entries for maps and atlases.
This volume is the result of the 2021 session of the Linguistics and the Biblical Text research group of the Institute for Biblical Research, which addresses the history, relevance, and prospects of broad theoretical linguistic frameworks in the field of biblical studies. Cognitive Linguistics, Functional Grammar, generative linguistics, historical linguistics, complexity theory, and computational analysis are each allotted a chapter, outlining the key theoretical commitments of each approach, their major concepts and/or methods, and their important contributions to contemporary study of the biblical text. As academic disciplines and academic publishing proliferate and become more complex in...
Report accompanied by historical documents, calendars, etc.
Using international perspectives and case studies, this book discusses the relationships between community development and populism in the context of today’s widespread crisis of democracy. It investigates the development, meanings and manifestations of contemporary forms of populism and explores the synergies and contradictions between the values and practices of populism and community development. Contributors examine the ways that the ascendancy of right-wing populist politics is influencing the landscapes within which community development is located and they offer new insights on how the field can understand and respond to the challenges of populism.