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Michael’s Secret
In the late summer of 1938, Rear-Admiral Sir Richard Moncrieff, a decorated veteran of the Royal Navy and senior strategist of Britain's SIS, monitors the daily growth of Hitler's war machine, convinced that another European war is imminent. Frustrated with the Prime Minister and others in London who prefer to cast blind eyes on the military threat growing in Germany, Moncrieff purchased Highfield, an estate on Prince Edward Island, Canada, one year ago. If a German invasion threatens England and his family home, Clifton Manor, in Suffolk, Moncrieff plans to evacuate his wife and daughter to Highfield. Michael Moreland, the third-generation superintendent of Clifton Manor, has spent a year p...
Don't Go Upstairs!
Throughout cinematic history, the buildings characters inhabit--whether stately rural mansions or inner-city apartment blocks--have taken on extra dimensions, often featuring as well developed characters themselves. Nowhere is this truer than in the horror film, where familiar spaces--from chaotic kitchens to forgotten attics to overgrown greenhouses--become settings for diabolical acts or supernatural visitations. Showing readers through a selection of prime movie real estate, this book explores how homes come to life in horror with an analysis of more than sixty films, including interviews and insights from filmmakers and scholars, along with many rare stills. From the gruesome murder in the hallway of The House by the Cemetery (1981) to the malevolent haunting in the nursery of Eel Marsh House in The Woman in Black (2012), no door is left unopened.
Television Fright Films of the 1970s
If the made-for-television movie has long been regarded as a poor stepchild of the film industry, then telefilm horror has been the most uncelebrated offspring of all. Considered unworthy of critical attention, scary movies made for television have received little notice over the years. Yet millions of fans grew up watching them--especially during the 1970s--and remember them fondly. This exhaustive survey addresses the lack of critical attention by evaluating such films on their own merits. Covering nearly 150 made-for-TV fright movies from the 1970s, the book includes credits, a plot synopsis, and critical commentary for each. From the well-remembered Don't Be Afraid of the Dark to the better-forgotten Look What's Happened to Rosemary's Baby, it's a trustworthy and entertaining guide to the golden age of the televised horror movie.
Data Integration in the Life Sciences
This book constitutes the refereed proceedings of the 8th International Conference on Data Integration in the Life Sciences, DILS 2012, held in College Park, MD, USA, on June 28-29, 2012. The 11 revised papers included in this volume were carefully reviewed and selected. The papers cover the following topics: foundations of data integration, new paradigms for data integration, and integrating clinical data.
Secrets Lie Still
Third in a series after Michael’s Secret and No Secrets, Secrets Lie Still follows life at Highfield, an estate on Prince Edward Island beginning in September of 1939. Well aware of the growth of the Nazi war machine in Germany and its threats to the UK, a long-time senior strategist in Britain’s Secret Intelligence Service, Rear Admiral (Ret.) Sir Richard Moncrieff, evacuated his wife and daughter to Highfield from Suffolk, England, in 1938. Sir Richard plans to continue his work from Highfield if German air strikes reach his SIS offices in London. When Germany attacks Poland on September 3, 1939, the world is plunged into war once again. While Sir Richard’s two sons serve the Royal Navy at sea under constant peril of U-boat attacks, the war finds its way to Highfield in a covert attack that threatens the lives of his wife, their expectant daughter, and her husband, Michael Moreland, a SIS operative and Highfield’s original superintendent. Amid all the perils that war brings, secrets still find ways to endanger lives and relationships among Highfield’s denizens and friends. While war menaces from without, some discover that secrets threatening their peace lie within.
Eaten Alive at a Chainsaw Massacre
The sound of chainsaws revving on "haunted" Halloween trails has evoked untold screams since Tobe Hooper's 1974 The Texas Chainsaw Massacre hit the cinemas. Since that first take-no-prisoners horror movie, Hooper's reputation as a master of horror has been secured by his adaptations of Stephen King (Salem's Lot, 1978, and The Mangler, 1995), his blockbuster breakthrough Poltergeist (1982) and a variety of cult hits, from the underrated Lifeforce (1985) to the remake of Invaders from Mars (1986). This reference work is divided into five parts. Part I provides a history and overview of Tobe Hooper's career. Part II offers entries (with synopses, complete credits, critical reception and commentaries) on every feature film by year of release. Part III provides chronological information on Hooper's television movies and miniseries. Part IV offers entries on his episodes from horror television series. Part V is a critical essay and conclusion which places Hooper in horror film history and compares his work to all-time greats such as Romero, Craven and Carpenter.
