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The Posthumous Memoirs of Brás Cubas
"Be aware that frankness is the prime virtue of a dead man," writes the narrator of The Posthumous Memoirs of Brás Cubas. But while he may be dead, he is surely one of the liveliest characters in fiction, a product of one of the most remarkable imaginations in all of literature, Brazil's greatest novelist of the nineteenth century, Joaquim Maria Machado de Assis. By turns flippant and profound, The Posthumous Memoirs of Brás Cubas is the story of an unheroic man with half-hearted political ambitions, a harebrained idea for curing the world of melancholy, and a thousand quixotic theories unleashed from beyond the grave. It is a novel that has influenced generations of Latin American writers but remains refreshingly and unforgettably unlike anything written before or after it. Newly translated by Gregory Rabassa and superbly edited by Enylton de Sá Rego and Gilberto Pinheiro Passos, this Library of Latin America edition brings to English-speaking readers a literary delight of the highest order.
The Posthumous Memoirs of Bras Cubas
Irony, humor, and sarcasm, striking characteristics of Machado's writing, are present in this work, considered one of the most Influential of Literary Realism in the world. Using complex and sophisticated language, with wordplay that challenges the reader, Machado de Assis tells the story of Bras Cubas, a rich and idle man, without great ambitions in life, who experiences a series of romantic and professional adventures. However, he never manages to find a meaning for his existence. In this novel full of philosophical ramblings, one of the greatest writers of the 19th century brings to light important questions about finitude and life after death.
Machado De Assis
Machado de Assis is among the most original creative minds in Brazil's rich, four-century-long literary tradition. Caldwell's critical and biographical study explores Machado's purpose, meaning, and artistic method in each of his nine novels, published between 1872 and 1908. She traces the ideas and recurrent themes, and identifies his affinities with other authors. In tracing Machado's experimentation with narrative techniques, Caldwell reveals the increasingly subtle use he made of point of view, sometimes indirect or reflected, sometimes multiple and "nested" like Chinese boxes. Caldwell shows the increasing sureness with which he individualized his characters, and how, in advance of his ...
A Master on the Periphery of Capitalism
DIVA translation of Schwarz's study of the work of Brazilian novelist Machado de Assis (1839-1908)./div
Cecilia Valdés or El Angel Hill
Cecilia Valdés is arguably the most important novel of 19th century Cuba. Originally published in New York City in 1882, Cirilo Villaverde's novel has fascinated readers inside and outside Cuba since the late 19th century. In this new English translation, a vast landscape emerges of the moral, political, and sexual depravity caused by slavery and colonialism. Set in the Havana of the 1830s, the novel introduces us to Cecilia, a beautiful light-skinned mulatta, who is being pursued by the son of a Spanish slave trader, named Leonardo. Unbeknownst to the two, they are the children of the same father. Eventually Cecilia gives in to Leonardo's advances; she becomes pregnant and gives birth to a...
The Black Butterfly
The Black Butterfly focuses on the slavery writings of three of Brazil's literary giants--Machado de Assis, Castro Alves, and Euclides da Cunha. These authors wrote in the late nineteenth and early twentieth centuries, as Brazil moved into and then through the 1888 abolition of slavery. Assis was Brazil's most experimental novelist; Alves was a Romantic poet with passionate liberationist politics, popularly known as "the poet of the slaves"; and da Cunha is known for the masterpiece Os Sertões (The Backlands), a work of genius that remains strangely neglected in the scholarship of transatlantic slavery. Wood finds that all three writers responded to the memory of slavery in ways that depart...
Intersemiotic Perspectives on Emotions
This edited volume explores emotion and its translations through the global world from a variety of different perspectives, as a personal, socio- cultural, ideological, ethical and political, even business investment in the latest phases of globalisation. Emotions are powerful in engaging or disengaging individuals, communities, the masses, peoples and nations with distinct linguistic and cultural backgrounds for good, but also for evil. All depends on how emotions are interpreted, that is, translated in “words” or in “facts”, in any case in “signs”. Semiotic reflection on emotions and their interpretation/translation is thus of essential importance. An adequate understanding of ...
Gregory Rabassa's Latin American Literature
This book takes the case of Gregory Rabassa, translator into English of such canonical novels as García Márquez's Cien años de soledad and Cortázar's Rayuela. In the chapters, the author historicizes the translator's practice by investigating Rabassa's ideas about translation and his own practice, the relationship between Rabassa and "his" authors, and the circulation and reception of Rabassa's translations, especially of the works of the so-called Latin American Boom. By critically engaging Rabassa as a translating subject, this book affirms the translator's active role in shaping literary traditions and in producing texts and knowledge. Rabassa emerges as an active subject in the inter-American literary exchange, an agent bound to history and to the forces involved in the production of culture.
The Cambridge Companion to Modern Latin American Culture
Publisher Description
Cultural Studies Theorists on Power, Psyche and Society
This book offers a cultural studies analysis of politics in the broadest understanding of the term, dealing with the ideas of more than 50 thinkers, from Aristotle to Pierre Bourdieu. It argues that power manifests itself in all human relationships and is not confined to governmental matters. It considers topics such as ideas people have about raising children, “imprinting” children with culture-specific beliefs, and the importance of place, belief systems, codes of behavior, cultural imperatives, certain historical figures, and historical periods, among others.
