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Namibian beer is celebrated as an inextricable part of Namibian nationalism, both within its domestic borders and across global markets. But for decades on end, the same brew was not available to the black population as a consequence of colonial politics. This book aims to explain how a European style beer has been transformed from an icon of white settlers into a symbol of the independent Namibian nation. The unusual focus on beer offers valuable insight into the role companies play in identity formation and thus highlights an understudied aspect of Namibian history, namely business–state relations.
How the breeding of new animals and plants was central to fascist regimes in Italy, Portugal, and Germany and to their imperial expansion. In the fascist regimes of Mussolini's Italy, Salazar's Portugal, and Hitler's Germany, the first mass mobilizations involved wheat engineered to take advantage of chemical fertilizers, potatoes resistant to late blight, and pigs that thrived on national produce. Food independence was an early goal of fascism; indeed, as Tiago Saraiva writes in Fascist Pigs, fascists were obsessed with projects to feed the national body from the national soil. Saraiva shows how such technoscientific organisms as specially bred wheat and pigs became important elements in th...
Gunter Rochow (BA, BD, MA) and Reinhilde Rochow (RN, BA) reflect on a lifetime of education, work and play that, to date, spans 91 countries. This volume takes you on a tour of the world as seen through the authors’ eyes, not sorted chronologically, but rather organized by various themes. Born in Germany shortly before the Second World War, the authors were strongly influenced by the hardships of war and the rich opportunities offered in their chosen new home in Canada. Professionally, the authors have worked in the Baptist ministry, the public sector, and private enterprise. They have also participated in the ministry of several other Christian denominations, and they have related with re...
Windhoek, capital city of South West Africa or modern Namibia, represents an extraordinary showpiece for overlapping colonial planning regimes. For the first time, this book focuses on the decades between both World Wars when German and South African planning laws were amalgamated. It reveals the actions taken to implement a system of residential segregation from a transnational perspective. As the analysis demonstrates, Windhoek tended to replicate the colonial idea of a Dual City. But in fact the administration created a Hybrid City and there was no predetermined path to apartheid.
Even leaving aside the vast death and suffering that it wrought on indigenous populations, German ambitions to transform Southwest Africa in the early part of the twentieth century were futile for most. For years colonists wrestled ocean waters, desert landscapes, and widespread aridity as they tried to reach inland in their effort of turning outwardly barren lands into a profitable settler colony. In his innovative environmental history, Martin Kalb outlines the development of the colony up to World War I, deconstructing the common settler narrative, all to reveal the importance of natural forces and the Kaisereich’s everyday violence.
Forged in Genocide traces the early history of colonial capitalism in Namibia with a central focus on migrants who came to be key to the economy during and as a result of the German genocide of the Herero and Nama (1904-1908). It posits that Namibia, far from being a colonial backwater of the early 20th century, became highly integrated into the labor flows and economies of West and Southern Africa, and even for a time was one of the most sought-after regions for African migrants because of relatively high wages and numerous opportunities resulting from the war’s demographic devastation paired with an economic frenzy following the discovery of diamonds. In highlighting the life stories of migrants in Namibia from regions as diverse as the Kru coast of Liberia, the Eastern Cape of South Africa, and the Ovambo polities of Northern Namibia, this work integrates micro-history into larger African continental trends. Building off of written sources from migrants themselves and utilising the Namibian Worker Database constructed for this project, this book explores the lives of workers in early colonial Namibia in a way that has hereto not been attempted.
Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across Africa Includes original and previously unpublished fieldwork-based material Features new and complex theoretical arguments about the nature of modernity and Modernism Addresses a widely acknowledged gap in the literature on African Art
On 12 May 1883, the German flag was raised on the coast of South-West Africa, modern Namibia - the beginnings of Germany's African Empire. As colonial forces moved in , their ruthless punitive raids became an open war of extermination. Thousands of the indigenous people were killed or driven out into the desert to die. By 1905, the survivors were interned in concentration camps, and systematically starved and worked to death. Years later, the people and ideas that drove the ethnic cleansing of German South West Africa would influence the formation of the Nazi party. The Kaiser's Holocaust uncovers extraordinary links between the two regimes: their ideologies, personnel, even symbols and uniform. The Herero and Nama genocide was deliberately concealed for almost a century. Today, as the graves of the victims are uncovered, its re-emergence challenges the belief that Nazism was an aberration in European history. The Kaiser's Holocaust passionately narrates this harrowing story and explores one of the defining episodes of the twentieth century from a new angle. Moving, powerful and unforgettable, it is a story that needs to be told.
This book emerges at a time when critical race studies, postcolonial thought, and decolonial theory are under enormous pressure as part of a global conservative backlash. However, this is also an exciting moment, where new horizons of knowledge appear and new epistemic practices (e.g. symmetry, collaboration, undisciplining) gain traction. Through our critical engagements with structural, relational, and personal aspects of knowing and unknowing we work towards a greater multiplicity of knowledges and practices. Calling into question the asymmetrical global economy of knowledge and its uneven division of intellectual labour, our interdisciplinary volume explores what a decolonial horizon could entail for African Studies at the crossroads. Contributors are Akosua Adomako Ampofo, Eric A. Anchimbe, Edwin Asa Adjei, Susan Arndt, Muyiwa Falaiye, Katharina Greven, Christine Hanke, Amanda Hlengwa, Catherine Kiprop, Elísio Macamo, Nelson Maldonado-Torres, Cassandra Mark-Thiesen, Lena Naumann, Thando Njovane, Samuel Ntewusu, Anthony Okeregbe, Zandisiwe Radebe, Elelwani Ramugondo, Eleanor Schaumann
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