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Letters of Brendan Behan
Behan's friends and relatives, and people in his literary circle, have claimed he was not a prolific letter-writer. Even Behan himself has been quoted as saying, "Whoever writes my biography will get no help from my letters. I never write any." But in fact there is a substantial body of letters to and from Behan, who not only corresponded with seventeen periodicals but wrote to relatives, friends, IRA colleagues, civil servants, theatrical directors, publicans, and complete strangers. As in the case of Oscar Wilde, the search for Behan's letters has been hampered by their dispersal to widely scattered and unexpected places. The surviving letters that Mikhail was able to locate, however, prov...
Brendan Behan
Hailed as the new O'Casey by Irish critics in 1958, Behan is now often portrayed as the archetypal Irishman and spectacular drunk. Behind the myth lies the more compelling story of a writer who was never able to fully harness his larger-than-life personality and talent.
Brendan Behan
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Borstal Boy
'I have him bitched, balloxed and bewildered, for there's a system and a science in taking the piss out of a screw and I'm a well-trained man at it.' So writes Brendan Behan, poet, writer and literary legend, of the episode that coloured his life. Arrested in Liverpool as an agitator for the IRA, he was tried and sent to reform school. He was sixteen years old. The world he entered was brutal and coldly indifferent. Conditions were primitive, and violence simmered just below the surface. Yet Brendan Behan found something more positive than hate in Borstal: friendship, solidarity and healing flashes of kindness. Extraordinarily vivid, fluent, and moving, this is a superb and unforgettable piece of writing. Borstal Boy was adapted into a film in 2000.
Brendan Behan
When Brendan Behan died in 1964 at the age of 41, he had rung the changes in his short life: bomber, gunman, borstal boy, alcoholic and, finally, international literary figure with the success of The Quare Fellow , The Hostage and Borstal Boy . But Behan drowned his talent in a whiskey bottle and became the caricature of an Irish stage drunk, clowning his way with oaths and stories between bars in Dublin, London, Paris and New York. Written in association with his widow, his mother and others of his family and friends, and old IRA comrades, this is a biography of Brendan Behan.
After The Wake
Brendan Behan's genius was to strike a chord between critic and common man. When he died, at the age of 41, he was arguably the most celebrated Irish writer of the twentieth century. After the Wake is a collection of seven prose works and a series of articles. It includes all that exists of an unfinished novel, 'The Catacombs', and pieces together items whose comic and fanciful accounts evoke Flann O'Brien. Also featured are works of acknowledged excellence, 'The Confirmation Suit' and 'A Woman of No Standing'. This writing bears all the hallmarks of the author's talent – an ability to bring characters to life quickly and unforgettably, a sharp ear for dialogue and dialect, and a natural vocation for story-telling. This diverse collection is a delightful and entertaining windfall from one of Ireland's most colourful writers. An essential complement to Behan's master works.
The King of Ireland's Son
Sent to find the source of the heavenly music heard throughout the kingdom, the youngest son of the King of Ireland finds a beautiful maiden held captive by a fierce giant.
Behan Complete Plays
This volume contains everything Brendan Behan wrote in dramatic form in English Contains the three famous full-length plays: The Quare Fellow, set in an Irish prison ("In Brendan Behan's tremendous new play language is out on a spree, ribald, dauntless and spoiling for a fight ... with superb dramatic tact, the tragedy is concealed beneath layer after layer of rough comedy" Observer); The Hostage, set in a Dublin lodging-house of doubtful repute where a young English soldier is being kept prisoner, "shouts, sings, thunders and stamps with life...a masterpiece" (The Times); and Richard's Cork Leg, set in a graveyard, "a joyous celebration of life" (Guardian). The volume also contains three one-act plays, originally written for radio and all intensely autobiographical, Moving Out, A Garden Party and The Big House.
Brendan Behan
When Brendan Behan died in 1964 at the age of 41, he had rung the changes in his short life: bomber, gunman, borstal boy, alcoholic and, finally, international literary figure with the success of The Quare Fellow , The Hostage and Borstal Boy . But Behan drowned his talent in a whiskey bottle and became the caricature of an Irish stage drunk, clowning his way with oaths and stories between bars in Dublin, London, Paris and New York. Written in association with his widow, his mother and others of his family and friends, and old IRA comrades, this is a biography of Brendan Behan.
Brendan Behan
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