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The Last Prodigy
This first full-length biography chronicles Korngold's life and works from his days as a celebrated Wunderkind in imperial Vienna, through his spectacular career as a composer of opera and symphonic works, to his escape from and Nazis to America, where he pioneered the symphonic film score and won two Oscars. The author provides a richly detailed evaluation of the composer, his relationship with the Serialists, his contribution to film music, and his place in music history. The book draws on interviews with many great musicians, singers, actors, writers, and directors, plus legendary figures from Hollywood's golden age, all of whom knew and worked with Korngold. A foreword by the composer's eldest son Ernst Korngold, a comprehensive discography and bibliography, rare illustrations, and a complete list of Korngold's works make this the definitive biography of a remarkable composer.
Victims' State
Government Poverty and Incentive Pensions in the Nineteenth Century -- The Emergence of the War Welfare Field from Peace to War -- A Social Offensive on the Home Front -- The Last-Ditch Effort to Save the Monarchy -- War Victims, a New Power Factor -- A Republic with "the Correct National and Social Sensibilities" -- "The Public's Interest in Invalids Has Waned."
The Blessed Human Race
Professor George Jochnowitz and his daughter Miriam were teaching in China at the time of the Tiananmen Massacre in 1989. The experience drastically changed the author's way of thinking about Marxism. Professor Jochnowitz saw that the rulers of China were acting in the spirit of Karl Marx, whose writing logically led to dictatorship and famine. Many people have expressed negative views about communism. Some have harsh words for Marxism as well. Almost nobody, however, will take the next step and relate the cruelty of Marxism to the words of Marx. Living and teaching in China led Professor Jochnowitz to cross this line and examine his experience and new outlook in The Blessed Human Race. Havi...
The War on Music
A prominent conductor explores how aesthetic criteria masked the political goals of countries during the three great wars of the past century This book offers a major reassessment of classical music in the twentieth century. John Mauceri argues that the history of music during this span was shaped by three major wars of that century: World War I, World War II, and the Cold War. Probing why so few works have been added to the canon since 1930, Mauceri examines the trajectories of great composers who, following World War I, created voices that were unique and versatile, but superficially simpler. He contends that the fate of composers during World War II is inextricably linked to the political goals of their respective governments, resulting in the silencing of experimental music in Germany, Italy, and Russia; the exodus of composers to America; and the sudden return of experimental music—what he calls “the institutional avant-garde”—as the lingua franca of classical music in the West during the Cold War.
Child Composers and Their Works
In Child Composers and Their Works: A Historical Survey, Barry Cooper examines over 100 composers born before 1900 who wrote substantial musical works before age 16. The book provides a general overview of the subject, examining the ways and identifying possible reasons these works have been marginalized in the general literature. The book also contains an annotated checklist of over 100 notable child composers, presenting a valuable and handy reference of these creators and their early works. The annotated checklist presents a chronological listing of child composers born before 1900 and features a descriptive list of what they wrote, often including analytical commentary and offering occasional music examples for illustration. The list also includes a select catalog of works, suggestions for further reading, and recordings when available. Complete with a bibliography and an index of composers, this resource is invaluable to scholars and historians.
Korngold and His World
Erich Wolfgang Korngold (1897-1957) was the last compositional prodigy to emerge from the Austro-German tradition of Mozart and Mendelssohn. He was lauded in his youth by everyone from Mahler to Puccini and his auspicious career in the early 1900s spanned chamber music, opera, and musical theater. Today, he is best known for his Hollywood film scores, composed between 1935 and 1947.
The Oxford Handbook of Shakespeare and Music
Engages with musical practice in a wide range of countries, Offers a cutting-edge resource for Shakespeare scholars and musicians alike, Sheds light on a crucial and fascinating aspect of Shakespeare studies Book jacket.
The Opera of the Twentieth Century
In the late 1500s in Florence, aristocrats of the Renaissance renovated classical Greek dramas into dramatic musicals and gave birth to the first operas. After centuries of transformation, the opera is still appreciated as a historically dynamic paradigm of the fine arts. Composers of the twentieth century have worked hard to fashion a voice distinct from the romantic composers of the nineteenth century and the traditions that preceded them, and this volume explores the extent of their success. Beginning with a thorough introduction to the history of operatic forms and transformation, this book presents a comprehensive discussion of twentieth century opera. Giving ear to many composers and m...
The Chinese Chameleon Revisited
By examining how the Middle Kingdom has been portrayed by foreigners and the Chinese themselves, this volume advances a new perspective in our reading and interpretation of the Chinese past by placing these “producers” and “presenters” of China in the spotlight. The chapters probe how these figures produced or presented the country, cross-examining their backgrounds and circumstances. Their gaze upon the Middle Kingdom was dictated by religious and political conviction, but also particularly by the consumers of that gaze. Like invisible hands, “producers” and “consumers” of China continue to constrain representations of the country, looming larger than the literary, artistic or journalistic works they produce. This volume also addresses scholars of Europe and America who have overlooked what Western writers on China reveal about their own contexts – which is indeed often more than they reveal about their ostensible subject. As such, the Middle Kingdom serves as a convenient mirror to reflect European and American anxieties and ambitions.
The Mammy
The Mammy is the first book in Brendan O’Carroll’s famous ‘Mrs Browne’ trilogy, the inspiration for the hugely successful TV series, Mrs Brown’s Boys. Agnes Browne is a formidable woman. By day she sells fruit and vegetables from a stall in Dublin’s bustling Moore Street. By night, she is wife to Redser Browne and mammy, nurse, teacher and psychiatrist to her unruly brood of seven children. Then Redser dies. How Agnes copes with widowhood, with the help of her best pal Marion, an unquenchable sense of humour and the attentions of the amorous Pierre, makes this a memorable and moving account of one woman’s life and of inner-city Dublin in the late ‘60s. Praise for The Mammy: ...
